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A raisin in the sun character analysis essay
A raisin in the sun character analysis essay
A raisin in the sun character analysis essay
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In The Sun Also Rises, by Ernest Hemingway, Jake Barnes narrates the affairs between Brett, or Lady Ashley, and Mike Campbell, Robert Cohn, Pedro Romero, and himself, Jake Barnes. Through these different relationships, Hemingway examines the gender roles. Specifically, the relationship between Brett and Pedro addresses the shift in power, but also the sexist nature of the relationship. With the metaphor of Pedro’s bullfight, Hemingway informs the reader of the sexist affair in which Brett exemplifies the feminine traits, while Pedro exemplifies the masculine traits. Hemingway uses the blind bull fight to depict the relationship between Pedro and Brett. Pedro Romero is the first guy to encapture Brett, who thinks that “He’s a damned good-looking …show more content…
Although Brett is successful, her love for Pedro blinds her from seeing that he only seeks her beauty. Juxtaposing the blind bull metaphor and Pedro and Brett’s relationship, the reader can see that Pedro is manipulating the relationship. As the reader knows, Pedro is a matador, famous for making any bullfight a spectacle. One of his most daring ventures is his fight against a blind bull, forcing him to use his body as a way to catch the bulls attention. With his apt skills, he is able to control the fight, “rocking the bull to sleep,” (219). Eventually, Pedro kills the bull in one swift stroke from his sword. Although a dangerous bull, Pedro manages to control its actions. Similarly, Brett is controlled by Pedro. Contrary to the current relationship, Brett is the one to manipulate the men. In the case for Mike, “He’s [her] sort of thing,” (247). She is able to dominate the relationship. Because Brett is accustomed to taking on the dominant role in a relationship, she does not realize that Pedro has shifted the power. Brett is the blind bull, unable to see anything except Pedro. Like the bull, Brett is only drawn to his …show more content…
Although the fiesta is over, the blind bull metaphor is extended. Romero is still toying with Brett and eventually, when the two settle down, Brett sees his true intentions. Now that Brett is under his control, Romero wants her to be “more womanly,” asking her grow out her hair (245). Afterwards, he asks her to marry him, but only to ensure that Brett would “never go away from him,” (246). As the reader can see, Romero has fit into the typical, dominant male in a relationship. He suggests her to do things in order to be more feminine, controlling her life. It is as though he is treating her like an object. He conforms to society’s view of a man that is to control his woman. A woman is not suppose to argue with a man and is only to please him. Pedro, the dominant figure, demands Brett to change her ways. In order for her to stay with him, she must conform to gender norms. With the extended blind bull metaphor, we can see the Romero is more controlling than ever. He seems to overpower Brett and almost takes control of her life. However, this is where the metaphor ends. Because Brett is not “womanly,” she is able to take control of the relationship (246). Pedro asks Brett to change her masculine traits because his masculinity is questioned. Although Pedro is taming the ‘blind bull’, he still needs to be careful of the horns of the bull.
Francis Macomber is a middle age man that is good at court games such as: tennis or squash, competitions where there are set standards and rules for play. Also, there are confined areas of play for his games. He is quite wealthy and some say handsome which add to Francis masculinity. His wife on the other hand does not think that much of him and thinks of him as a coward. Margot on the other hand his “beautiful wife”, whom really does not like Francis but stays with him anyway. She cheats on him and despises, basically because he married her only for her looks. Margot on the other hand is part responsible for the same thing because she only married him for his money. They are both stuck in a situation because they both married for the wrong reasons. Their gender roles are sort of fighting against each other because she doesn’t care about the relationship and cheats; and he tries to prove that he is a man and yet fails because he tries too hard. Masculinity is something that Margot and others at the Safari think it is an aspect of manhood that Francis lacks.
At the beginning of the story, the protagonist, Cleofilas, had an illusion that all romances are like the ones she has seen on television. However, she soon realizes that her relationship with Juan Pedro was nothing like what she had dreamed it would be. Cisneros wants to emphasize the idea that when men bring home the primary source of income in the family, they feel they have power over their wives. Cisneros uses Juan Pedro in the story to portray this idea. For instance, Cleofilas often tells herself that if she had any brains in her, she would realize that Juan Pedro wakes up before the rooster to earn his living to pay for the food in her belly and a roof over her head (Cisneros, 1991, p.249). Cisneros wants to make a point that when men feel that they have power over their wives, women begin to feel a sense of low self-worth.
Even though Luis’s gang try to change his way of treating women, Luis is a strong character and does not change his beliefs. “Some gangs initiate females by having them have sex with all the ranking members of the gang” (Report Gang Crime Tips). Just like the gangs on the streets, Luis’s gang also believes women are only meant to have sex. His gang keeps reminding him, that women are weak and men have more power than them. However, Luis knows women should not be treated that way and simply ignores them.
It has taken away his abilities to have sex. Thus, Brett refuses to live with him. Jake also mention that he loves Paris. It is the best place for him. Jake has become a simple person. His lives almost the same day every day. His plan is wake up, work, lunch, drink, go home and sleep. The war has changed him. Brett is also part of the lost generation. Her character was based on Duff Twysden, a woman who meet and flirt with Hemingway in Pamplona. During the war, Brett has lost her loved. It is a painful experience for her. Her life would change completely after the war. She represent the flapper from 1920s. She would challenge the traditional standard. She cut her hair short, smoked, and dance publicly which is not normal during 1920s. Brett also treating sex in a casual manner which is not acceptable during the time Hemingway wrote the novel. She would have sex with one man and later with another man. She becomes unattached to man. Throughout the novel, she has countless affair with different man. Hemingway has lost touch with American values while living in Paris. In Paris, drinking was part of everyday life. Hemingway spent years in Paris. So drinking is also part of his daily
In order to get the title she wants, Muir deceives the family by passing as an innocent young girl when in reality she is a grown woman using them for her benefit, thus her role as the protagonist can be questioned by some. She is a smart and manipulating woman capable of making the men in the family fall down to her will. Her intentions are for the two young brothers in the family, Gerald, who...
In earlier drafts of Ernest Hemingway’s novel The Sun Also Rises, Hemingway opens with the words: “This is a novel about a lady. Her name is Lady Ashley and when the story begins she is living in Paris and it is Spring.” Though this exposition was later cut from the novel at the suggestion of F. Scott Fitzgerald—one of Hemingway’s contemporaries—nevertheless it still serves to reveal the objective center around which The Sun Also Rises revolves. As an enigmatic amalgamation of feminine charm, unapologetic androgyny, and sexual promiscuity, Brett captivates the attention of all the other characters of the novel—be it Jake Barnes or Mike Campbell or even Pedro Romero—as she attempts to find individual freedom in a society altered by the general disillusionment and psychological malaise after World War I. Though much critical attention has focused upon Brett’s licentiousness and the resulting Victorian ideals that she violates, surely Brett transcends both the sexual function her critics limit her to and the Victorian values they hold her up against. Indeed, Brett’s loose and meaningless romances play an important allegorical role in representing the broader shattered unity and inconsistencies of the modern world—the world of the Lost Generation.
“Raging Bull” (1980) is not a so much a film about boxing but more of a story about a psychotically jealous, sexually insecure borderline homosexual, caged animal of a man, who encourages pain and suffering in his life as almost a form of reparation. Martin Scorsese’s masterpiece of a film drags you down into the seedy filth stenched world of former middleweight boxing champion Jake “The Bronx Bull” LaMotta. Masterfully he paints the picture of a beast whose sole drive is not boxing but an insatiable obsessive jealously over his wife and his fear of his own underling sexuality. The movie broke new ground with its brutal unadulterated no-holds-bard look at the vicious sport of boxing by bringing the camera into the ring, giving the viewer the most realistic, primal, and brutal boxing scenes ever filmed. With blood and sweat spraying, flashbulbs’ bursting at every blow Scorsese gives the common man an invitation into the square circle where only the hardest trained gladiators dare to venture.
Hemingway’s dialogue reveals the difficult nature of a relationship between a man and a woman, as it focusses on incompatibility of their relationship and their different values on abortion. The reader witnesses a deep conflict between them on the issue as the decision will affect both their relationship and the rest of their lives.
The novel, The Sun Also Rises, by Ernest Hemingway is an example of how an entire generation redefined gender roles after being affected by the war. The Lost Generation of the 1920’s underwent a great significance of change that not only affected their behaviors and appearances but also how they perceived gender identity. Lady Brett Ashley and Jake Barnes are two of the many characters in the novel that experience shattered gender roles because of the post war era. The characters in the novel live a lifestyle in which drugs and alcohol are used to shadow emotions and ideals of romanticism. Brett’s lack of emotional connection to her various lovers oppose Jake’s true love for her which reveals role reversal in gender and the redefinition of masculinity and femininity. The man is usually the one that is more emotionally detached but in this case Lady Brett Ashley has a masculine quality where as Jake has a feminine quality. Both men and female characters in the novel do not necessarily fit their gender roles in society due to the post war time period and their constant partying and drinking. By analyzing Brett, Jake, and the affects the war had on gender the reader obtains a more axiomatic understanding of how gender functions in the story by examining gender role reversal and homosexuality.
Within The Picture of Dorian Gray and The Sun Also Rises, Oscar Wilde and Ernest Hemingway respectively illustrate characters that hold a fascination for their own beauty. Through this essay I will compare and contrast those characters, Dorian Gray and Brett Ashley, and their obsession with their said beauty. Within The Picture of Dorian Gray both Dorian Gray and Lord Henry value youth to extreme extents, and Dorian is able to grasp a sense of eternal youth only to drive himself to his own demise. Brett Ashely on the other hand, uses her beauty to find a powerful identity within a patriarchal society, and at the end of the novel she finds herself cycling back to who she was in the beginning of the novel. While both characters use their beauty to gain power, Ashely is able to avoid the downward spiral that Dorian suffers due to her dependent relationship with Jake Barnes. Within The Picture of Dorian Gray, Basil is incapable of forming any reciprocal relations with Dorian, thus allowing Lord Henry to mold him. Henry plants the seeds for Dorian’s development, but Dorian breaks away from Henry and begins to develop an overzealous form of masculinity that excludes all external relationships. It is due to this disconnect that Dorian is unable to reach the same fruition of his goals as Ashely is. Through their tales both Dorian and Ashely developed into strong idealized figures of beauty, but only Brett is capable of maintaining her mentality.
In the story Santiago’s bravery is unsurpassed but it is not until he hooks the “great fish” that we truly see his valor and perseverance. Through Santiago’s actions Hemingway teaches the reader about bravery and perseverance in the face of adversity. He demonstrates that even when all is lost and seems hopeless a willful heart and faith will overcome anything. Santiago had lost his “luckiness” and therefore the respect of his village. Through the description of his cabin we also suspect that Santiago is a widower. Although Santiago has had many troubles he perseveres. He has faith in Manolin, in the Yankees, in Joe DiMaggio, and most importantly in himself.
The pivotal character of Ernest Hemingway's novel, The Sun Also Rises is Jake Barnes. He is a man of complex personality--compelling, powerful, restrained, bitter, pathetic, extraordinarily ordinary yet totally human. His character swings from one end of the psychological spectrum to the other end. He has complex personality, a World War I veteran turned writer, living in Paris. To the world, he is the epitome of self-control but breaks down easily when alone, plagued by self-doubt and fears of inadequacy. He is at home in the company of friends in the society where he belongs, but he sees himself as someone from the outside looking in. He is not alone, yet he is lonely. He strikes people as confident, ambitious, careful, practical, quiet and straightforward. In reality, he is full of self-doubt, afraid and vulnerable.
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
Fighting for his power and for a better future, Santiago held strong using what he had to win his battles. “I wish I had a stone for the knife,” the old man said after he had checked the lashing on the oar butt. “I should have brought a stone.” You should have brought many things, he thought. But you did not bring them, old man. Now is no time to think of what you do not have. Think of what you can do with what there is.” (Hemingway 31) If Santiago had given up, letting the fish and everything else, which fought against him, win, he would have been defeated. However, he did not return defeated, despite what he had gone through, Santiago used what he had endured to make him stronger. Learning a valuable lesson, through his time alone out in the boat, Santiago went back to his home knowing just how much he needed Manolin. Santiago proved his strength while opening up his eyes to his own weaknesses. Coming back after the fight of his life, with his fish eaten away by sharks, and all his strength gone, Santiago was clearly destroyed, yet he had gained more than he could have ever imagined. “They beat me, Manolin,” he said. “They truly beat me.” “He didn’t beat you. Not the fish.”… “Now we fish together again.”… “I’ll bring the food and the papers,” the boy said. “Rest well, old man. I will bring stuff from the drugstore for your hands.” (Hemingway 35) Instead of becoming defeated, Santiago demonstrated his resilient character and gained a hope for his future with Manolin by his side.
Through the personalities and narrative of Angela and her fiance Bayardo, the author introduces the foundation and builds the understanding of the Columbian sense of the machismo and the marianismo. Machismo is defined as strong or aggressive masculine pride, where men are allowed to have different partners. Women, on the other hand, are only allowed to have one partner and it cannot be outside of the marriage; it’s also a way for men to express their dominance over the women. For example, it was said that “No one would of thought, nor did anyone say, that Angela Vicario wasn’t a virgin… ‘The only thing I [Angela Vicario] prayed to God for was to give me the courage to kill myself’’’ (Marquez 37). This clearly tells the reader that Angela had failed to fulfill her culture 's expectation, because “no one” would 've thought that she “wasn’t a virgin” and now she is living in fear, similar to living beside a bomb, because you have no idea when the bomb is going to explode. She tried to pray for “courage” in order to kill herself because she knew when her family find out about the truth, either she or the man who took her virginity would end up dead. On the other hand, it was said that “...Bayardo San Roman was going to marry whomever he chose...‘love can be learned too.’”(Marquez 34). This quote serves as an example of the power and choice that an upper