Shakespeare and his works questioned and presented the Elizabethan society, the stage used as a tool to represent larger ideas. Gender in the play is largely linked with morality, sin, redemption, fall and passionate pleasure. In King Lear there is an abuse of power, especially in regards to woman. The devouring feminine, and a fall from grace by the patriarchy ensued through incestuous behaviour, adultery and unnatural relationships leads to a fluidity in gender and generational roles. The violation of the natural order awakens divine retribution, leading to the collapse of the kingdom and chastisement eventually resulting in the rebirth of the patriarchy. In King Lear gender issues resolve from a power struggle, a deviation by the paternal …show more content…
Firstly Cordelia is seen to deviate between two extremes either extremely feminine and passive or extremely masculine and assertive. She is a daughter, son, wife, and mother. The sisters Goneril and Regan are in contrast extremely masculine, they are promiscuous and fiendish. Lear calls them hags or witches. This further reinforces Elizabethan myths of women only being ‘men’ if they were religious. Religion was said to come from man’s deviation from nature seen in Adam and Eve where sin cut off them from God and paradise and sent all of humanity into chaos and destruction, with brothers killing each over. In this case Cordelia maintains her femininity because she is divine and with holy tears, while Goneril and Regan are fiends, in their power. It represents the image of good and evil polar opposites in the daughters. In the …show more content…
There is an unnaturalness where gender and generational roles are subverted. In the context relating to the death of Henry Tudor and the incest and witchcraft tainting Elizabeth’s birth and duality as a Virgin Queen. Overall in King Lear the issues surrounding gender are associated with unnaturalness, a deviation from the laws of nature, from the authority of God and the misuse of power. Gender and its treatment is the cause of the fall of Lear’s reign. The incest and adultery are a curse on the land and the royalty, the wind battles against the evil natures of the characters men. The restoration of the patriarchy and order in society is linked to the chastisement undergone by Edgar, and the result being the victory of his noble and chivalrous character over that of the false Edmund. The darkness and shame of the relationship to the female gender and sexuality are brought to life, and rage throughout, what was hidden or kept in the darkness is brought out. In relation to the context the issue being the challenge to patriarchal culture and the tragedy of the reversal of gender roles resulting from the hamartia or fall of grace of the noble
Cordelia uses her self-entitlement to create a newfound identity for herself that is stronger and more prominent. The text creator develops her character through a very strong leader who regardless of her gender is able to use her sense of entitlement to empower herself. On the other hand, closely following this concept set out by Shakespeare, he also expands on the other side of this curtain through King Lear. Lear’s fatal flaw is indeed is self-entitlement and this upper status of himself he has built up. It not only leads to the ultimate downfall of himself, but further also causes the destruction of the closely held relationships in his life – causing them to be lost or for the element of complete moral respect to diminish; degrading the value of entitlement. all in all, Shakespeare expands on this key element of self-entitlement and delivers the idea to the reader that when managed it can be a tool that empowers an individual, or when gone out of one’s control can be the singular reason to the ultimate downfall of an
In Shakespearean time and even up to the turn of the 20th Century men were expected to be the sole provider of the family, entailing them to be either well educated or hard working. They were also expected to be good with the handling of finances and property. It was also acceptable for them to be barbaric, boisterous and socially well connected. This has given the men of this time an overwhelming sense of power, respect and freedom; rights which were not given to women at this time. Far from what was socially acceptable in regards to men, the gender identity of women was of a somewhat weaker nature. Women during Shakespearean time were regarded as docile, quiet and non-opinionated. Their socially acceptable role in many cases was to be domestic, entailing them to spend countless hours in the home, tending to basic familial needs, such as cooking and cleaning. This position prevented many women to receive an education or to socialize outside of the home. As a result of their inferior social status, they were expected to be submissive and to cater to her husband’s needs at all times. Women in Shakespearean time were also treated as property, either by their husbands or fathers, which diminished any sense of self-worth they may have possessed. This gender ideology ultimately paralyzed women, as the majority were helpless to alter their social standing or designated familial role.
The Manipulation of Gender Roles in Shakespeare’s Othello. Of Shakespeare’s great tragedies, the story of the rise and fall of the Moor of Venice arguably elicits the most intensely personal and emotional responses from its English-speaking audiences over the centuries. Treating the subject of personal human relationships, the tragedy, which should have been a love story, speaks to both reading and viewing audiences by exploring the archetypal dramatic values of love and betrayal. The final source of the tragic action in Shakespeare’s
Gender roles are one of the most controversial topics in the history of humanity. Some people approve of them, while others disagree with them. Gender roles are defined as “the behavior learned by a person as appropriate to their gender, determined by the prevailing cultural norms”. There are times throughout history where gender roles were very unfair. However, some individuals still defied them in both open and discreet ways. One of these individuals was the famous literary figure, William Shakespeare. Although Shakespeare may have defied gender roles in some of his other literary works, the scope of this essay will be limited to his stellar play, Macbeth. In Macbeth, Shakespeare mostly uses three characters to defy gender roles: The Three
After Macbeth discovers the Witches’ prophecy, he tells his wife, Lady Macbeth, about it. She reacts differently than one would expect a woman to do. She begins to mock Macbeth and ridicule his masculinity. By the conveyance of her speech, Lady Macbeth emphasizes that she is in charge and that Macbeth needs to follow her in order to achieve anything, as she states, “Yet do I fear thy nature;/ It is too full o’ th’ milk of human kindness/To catch nearest way” (1.5.16-18). Shakespeare employs the rhetorical device of a metaphor to describe Lady Macbeth’s view on Macbeth’s personality.
Romeo and Juliet has different roles for different genders. During the Shakespearean period, when Shakespeare writes, most women had to marry when they were teen, when they were in adolescence or even before. However, the men who they were marrying were in their early to late twenties. In the household that the women lived in, the men basically owned them. The women always followed men’s word, which says that the male was the dominant gender of the society. Romeo and Juliet reflects this in a number of ways. Juliet was forced to marry Paris, by the word of her father, who said that if she did not marry Paris, she would go to the streets(Shakespeare, 3.5.154-62). Women were thought to be weaker and less important than men in Romeo and Juliet because men are trying to be the strongest out of everyone, women have a lower social status, and men think they owned women in Romeo and Juliet.
It will be a fatal error to present Cordelia as a meek saint. She has more than a touch of her father in her. She is as proud as he is, and as obstinate, for all her sweetness and her youth. And, being young, she answers uncalculatingly with pride to his pride even as later she answers with pity to his misery. To miss this likeness between the two is to miss Shakespeare's first important dramatic effect; the mighty old man and the frail child, confronted, and each unyielding... If age owes some tolerance to youth, it may be thought too that youth owes to age and fatherhood something more--and less--than the truth...6
Throughout Macbeth, Shakespeare dramatically shows what can happen when our common gender roles are broken. He shows the power that people can have over others when they aren’t acting the way they’re expected to.
Throughout Romeo and Juliet, by William Shakespeare, there is an overlaying presence of the typical roles that men and women were supposed to play. During Elizabethan times there was a major difference between the way men and women were supposed to act. Men typically were supposed to be masculine and powerful, and defend the honor. Women, on the other hand, were supposed to be subservient to their men in their lives and do as ever they wished. In Romeo and Juliet the typical gender roles that men and women were supposed to play had an influence on the fate of their lives.
The concept and perception of gender has changed radically from Shakespeare’s time to now, yet the perceptions of women and the limitations placed on them remain shockingly similar. William Shakespeare’s shortest tragedy, Macbeth, addresses gender concerns and the role of women in power positions. The play was written for King James VI of Scotland and I of England as he took the throne during a transitional period in the country’s history. The succession of King James marked the long-desired transition from a matriarchy to a patriarchy. Considering the historical context and Shakespeare’s affinity for King James, some Shakespearean critics hold Lady Macbeth responsible for the political, moral, and personal destruction in the play, as well
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
In the end, we can conclude that Shakespeare used a very conservative world view in his play, “Othello”. Using the characters of Othello, Desdemona, and Iago, Shakespeare reinforced the stereotypes of his time. In conclusion, gender expectations have greatly impacted the outcome of Shakespeare’s play, “Othello”, because the script of the play has reinforced the stereotypes such as girls who resist their fathers die, women who marry different race, class, and cultures die, and women who decide their own destiny die at the end. Through “Othello”, Shakespeare portrays women in a patriarchal system, and the result of the play is the consequences of gender disruptions. Therefore, there is no doubt that the gender expectations placed on both male and female characters have greatly impacted the outcome of Shakespeare’s play “Othello”.
The Shakespearean classic work Othello enchants the readers mind through the tragic love story of the witty and cunning soldier Othello and the charming and powerful Desdemona. The continuous reinforcement of their tragedy is molded by the gender roles present in the play, particularly those of Bianca, Desdemona, and Emilia. Although the men are important within the outcome of the play, mainly Iago and Othello, the women take a more subtle, yet effective approach in manipulating the work through their personalities. Bianca is a woman of self-esteem and sexual power while Desdemona is the keeper of Othello’s heart and handkerchief, never once denouncing him, even her death. Emilia subtly represents that women are just as powerful, if not more,
Regan is one of the strongest female characters who displays a great deal of character transformation throughout the course of the play. Regan shows her strong and powerful characteristics when she does not hesitate to tell her father that; “This house is little: the old man and’s people / cannot be well betow’d” (II, iv, 285-286). This exemplifies how Regan’s character has changed due to the fact that she has now become so powerful that she no longer needs to flatter the King. Regan’s behavior towards Lear shows how she never loved him and just used him to get power over the kingdom. This demonstrates her character development because now she no longer has to worry about having to act loving and caring towards her father, since now she has nothing that she wants from him and he has become nothing to her. Moreover, another action that exhibits Regan’s character change is when she yells; “Give me thy sword. A peasant stand up thus!” (III, vii, 77). This action of killing the servant signifies that Regan has fully transformed into a powerful person, because during the Shakespearean era women did not hold swords or commit murders. However, when Regan kills the servant, its shows that she has now taken the role of a dominant and powerful male. This comparison between Regan and man shows that Shakespeare is trying to illustrate her total transformation from being a ‘weak, oppressed’ woman to a strong, powerful woman. Therefore, in conclusion Shakespeare uses women to show their character development which is influenced by
While at war with each other for Edmund 's love, jealousy and resentment surface between the two. Goneril plots to murder her own husband and kill her own sister, an act purely driven by greed and lust to win Edmund 's love and have complete control of the kingdom (Lind). Being so power-hungry, Goneril has no conscience, not even for her own flesh and blood. She is willing to fight and win at all cost while basing her theory of life on the "survival of the fittest" concept. Goneril and Regan show superior strength as strong women by being deceitful and cruel towards their father, husbands and finally each other, but their behavior caused everything to happen with dirty intentions, leading to their downfall of power and death (Teach). Shakespeare appears to paints all empowering women as conniving, selfish and evil. Well, "if the shoe fits," Goneril and Regan wear it