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Gender representation in the media
Gender representation in the media
Gender representation in the media
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Elizabeth Montgomery was an American actress who lived from 1933 to 1995. Of her five decades of work in the entertainment industry, her most renowned role was as Samantha in the comedic-fantasy TV series Bewitched which aired from 1964 to 1972. During the period when Americans were experiencing trying events such as the assassination of President John Kennedy and the civil rights movements, Samantha’s magical powers and almost perfect life served as a means for the stressed public to periodically dismiss reality. In real life, Elizabeth Montgomery was an empowered activist. However, this paper will explore the influence of social and cultural aspects in regards to gender and women’s leadership roles as observed through the character Samantha, which Elizabeth Montgomery developed and brought to life.
In the series Bewitched, Samantha is
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For instance, regardless of her level of anger, Samantha was always respectful. She was also good-natured and well intentioned for in her world, those with corrupt intentions usually suffered immediately. She also boasted the “Big Five” characteristics- Openness, Conscientiousness, Extroversion, Agreeableness, and Neuroticism as identified by Eagly and Carli (2007). She asked the right questions at the right time and always remained calm during testing situations. Additionally, in line with the suggestions of Grant and Taylor, Samantha becomes a quick thinker as her interaction with the human world increases (2014). In addition, Samantha consistently projected warmth from the pilot episode to the finale, which according to Grant and Taylor may have contributed to her effectiveness in leadership (2014). In addition, Samantha routinely utilized her sense of humor together with her female charm to cover-up any unfavorable situations. Noteworthy is the fact that Samantha also smiled a
The role of American women has changed significantly from the time the nation was born, to the modern era of the 1950s and 1960s. Many people, "... believed that women's talent and energies ... would be put to the better [use] in the new republic." (Clinton 3) Clearly showing that society has seen the importance of the women's talents and that their skills can be very useful, exploited this and thus, the change of the women's role was inevitable. Society has understood that the roles of women played an important role on all parts of life.
It is often said that the media and the arts are an accurate reflection of any given community. This is especially true in American pop-culture, where television shows depict the various stereotypes attributed to men and women and the roles they play in society. House, a highly popular medical drama that revolves around Dr. Gregory House and his diagnostic team, is a particularly good example as it represents the true state of the traditional gender roles in American culture today by, both, redefining and reinforcing them over the course of the show.
Today’s women are an accumulation of the characteristics of their predecessors. In the film Dance, Girl, Dance, the two supporting characters, Bubbles and Judy, exemplify some of the most relevant characteristics of contemporary women. The character of Bubbles not only demonstrates manipulative and superficial behavior, she also demonstrates ambition and resourcefulness. The character of Judy exhibits independence and tenacity, but also naivety and innocence. Today’s women have molded themselves with the most relevant characteristics of each of these women, drawing form both positive and negative attributes.
The role of women in American history has evolved a great deal over the past few centuries. In less than a hundred years, the role of women has moved from housewife to highly paid corporate executive to political leader. As events in history have shaped the present world, one can find hidden in such moments, pivotal points that catapult destiny into an unforeseen direction. This paper will examine one such pivotal moment, fashioned from the fictitious character known as ‘Rosie the Riveter’ who represented the powerful working class women during World War II and how her personification has helped shape the future lives of women.
There are two women from the near and distant past that have become strong female role models in recent years: Queen Elizabeth I and Virginia Woolf. These women were not without problems while growing up, though. Elizabeth’s mother was beheaded after being charged with treason when she was only three; she grew up viewing women as indispensable after her father had six wives; her family kept dying (mother, step mother, father, half brother, sister), and she was locked away by her sister Queen Mary in the Tower of London for a number of years. Virginia Woolf on the other hand battled with depression and mental disease her whole life, was denied a typical education because she was female, had many mental breakdowns after death of mother, and was institutionalized after father’s death. Both Elizabeth Tudor and Virginia Stephen-Woolf shared many of the same family problems in their lives, but their life paths and careers were drastically different from one another.
In American culture today, women continue the struggle of identifying what their roles in society are supposed to be. Our culture has been sending mixed messages to the modern day female, creating a sense of uneasiness to an already confusing and stressful world. Although women today are encouraged more than ever to be independent, educated, and successful, they are often times shamed for having done just that. Career driven females are frequently at risk of being labeled as bossy, unfeminine, or selfish for competing in many career paths that were once dominated by men. A popular medium in our culture such as television continues to have significant influences as to how people should aspire to live their lives. Viewers develop connections with relatable characters and to relationship dynamics displayed within their favorite shows. Fictional characters and relationships can ultimately influence a viewer’s fashion sense, social and political opinion, and attitude towards gender norms. Since the days of Bewitched and I Dream of Jeanie, where women were commonly portrayed as being the endearing mischievous housewife, television shows have evolved in order to reflect real life women who were becoming increasingly more independent, educated, and career oriented throughout the subsequent decades. New genres of television are introduced, such as the workplace comedy, where women are not only career oriented, but eventually transition into positions of power.
Baker, Ella. A. Developing Leadership among Other People in Civil Rights. The American Women's Movement, 1945-2000. A Brief History with Documents. Comp.
Seid’s use of historical evidence effectively proves that women aspire to be like the models and actresses. She gives descriptions and facts that make the models and actresses stand apart from most American women.
Allyson Jule’s article on feminism in conjunction with Mary Tyler Moore establishes that the show can be used to teach the American movement of second wave feminism (123). She looks at the show as more of a historical teaching tool rather than just a comedy. On the other hand, Willa Paskin explores another view of the show, the comedy.
Marable, Ingrid A. The Women of August Wilson and a Performance Study and Analysis. Thesis. University of Central Florida, 2009. Web.28 Apr. 2014.
During the 1950‘s suburbs such as Levitown were springing up all across the country, and the so-called American dream was easier to achieve for everyday Americans than ever before. They had just come out of two decades dominated by The Great Depression and World War Two, and finally prosperity was in sight. The need for women to work out of the home that was present during the war was no more, and women were overwhelmingly relegated to female-dominated professions like nursing, secretaries, and teachers, if they worked at all. Televisions became very popular, and quickly became part of the American cultural canon of entertainment. Leave It To Beaver is a classic American television show, encompassing values such as respect, responsibility and learning from your mistakes. But, at least in the episode used for this essay, it is also shockingly sexist to a modern viewer. This begs the question, what does the episode The Blind Date Committee1 say about the gender expectations of the 1950’s?
Stefanie Simon, and Crystal L. Hoyt purpose is to show that women exposed to media images of women in counterstereotypical roles reported less negative self-perception and greater leadership aspirations than women exposed to images of stereotypical roles. Simon and Hoyt first argument is that despite the fact that women make up nearly half of the U.S. workforce that statistically they are 78% less women than men at the top CEO positions in the fortune 500. Simon and Hoyt last argument is that negative stereotypes about women in leadership positions are closely tied to gender role stereotypes about men and women. This article is significant to my essay because it goes into detail about how the portrayal of stereotypes in media have a negative
Another important discrepancy between reality and Hollywood’s portrayal of it can be found in union leadership. While Silkwood depicts multiple women in positions of power within the company union, in all actuality Karen Silkwood was the only woman who held such a position. Since women in positions of leadership were rarer in the 1970’s, this is an interesting omission. Silkwood’s era marked the rise of second-wave feminism; a primary issue addressed by second-wave feminists was sexism in the workplace as well as the importance of increasing the number of female leadership in the
My research question is, “How does the cultural movements involving feminism affect female characters in television series until today?” The aim of this research is to investigate the role of cultural events regarding feminism and their influence on the female characters’ personalities in popular television series.
These homemaking shows’ tactics were to encourage and show women that being a homemaker, wife, and mother is not a lonely life or a life full of drudgery and that having this status is not being an unproductive citizen. These shows had to incorporate these tactics because a decade before women’s role were vastly different to the roles they have now. Women before were working in jobs that were mainly solely for men, they were independent by earning their own wages, and being patriotic citizens by participating in the war effort by fighting on the home front or joining the military. Their work on both fronts were dangerous and life-threatening in which these jobs were predominantly for men; many were spies, others made bombs and weapons, and many flew planes and carried out dangerous missions. All of this changed during the postwar years in which their main occupations now were mothers and housewives. It may seem that women decreasing independence and their rigid gender and social mobility made them feel limited in