Gawain in Wace, Lazamon, and Alliterative Morte Arturo: A Cultural Comparison
Martin B. Shichtman, in his essay on Wace and Layamon, describes history as "the transcribing of the illusions of an age" (1987, 106). He states that for many scholars in the Middle Ages, translating histories was not so much a matter of setting down, word for word, what were considered to be "hard facts," but of expounding on the truths behind the material, as they were relevant to the time and audience for which they were written. This often involved the omission of some material from the primary source, the addition of new material to it, and the reinterpretation of events and attitudes expressed in the work.
The figure of Gawain throughout Arthurian literature is an interesting one; he appears in more texts as a secondary character than any other knight named, and often gains glory even at the expense of the main hero (Busby 1980, 5). The first characteristic which separates him from the other knights is his relationship to Arthur: it is usually stated that he is Arthur's sister's son, a kinship that is found from William of Malmesbury's Gesta Regum Anglorum (c. 1125) and Geoffrey of Monmouth's Historia Regum Britanniae (c. 1136) onward (Busby 1980, 31). However, it is notable that Gawain often seems more like a type than an individual; in Old French literature he is never the subject of a biographical romance, as are most of the other knights, he never has one particular lady's name associated with him, and he is frequently used as a constant against which other knights are judged, the perfect embodiment of good qualities, more a symbol of perfection than an actual person (Busby 1980, 7).
Because of this, he makes an especially good study when looking at what an author considered to be "perfection" within his society. In the various ways in which Gawain is portrayed, he often serves as a focal point from which to observe some of the cultural changes and ulterior motives present in the legends of which he is a part.
The basic story of Arthur (and Gawain) found in Geoffrey's Historia was later translated and reworked many times: by Wace in the Norman French Roman de Brut, in an Anglo-Norman fragment, by Layamon in the Early Middle English Brut, and in the Middle English Alliterative Revival piece the Morte Arthure (the AMA), among others.
Over the course of the poem Sir Gawain and the Green Knight, Sir Gawain faced situations that influenced his character which can be taken and analyzed for a teenager today. A teenager typically faces the issue of blending in and accepting who they are in high school, and by viewing Gawain’s experiences and changes, we can use it to adapt along with our peers in school. Initially, he is seen as a humble and unpopular knight amongst every other at the round table in Camelot. However this changes after engaging in a violent game with the Green Knight. Gawain gained fame over the course of a year, and as a result it had changed his initial outlook on his loyalty to the chivalric code, as well as his values on life.
Phillipa, Hardman. "Gawain's Practice of Piety in Sir Gawain and The Green Knight." EBSCO host Academic Search Premier.
To continue on testing a knight that does not seem worthy certainly will not result in much of a story, or in establishing a theme. Through the use of symbols, the author of Sir Gawain is able to show that Gawain possesses the necessary attributes to make him worthy of being tested. He also uses symbols throughout the tests of each individual attribute, and in revealing where Gawain’s fault lies. The effective use of these symbols enables the author to integrate the test of each individual attribute into a central theme, or rather one overall test, the test of chivalry. To establish the knight as worthy, the author first shows Gawain’s loyalty to his king.
...Gawain’s time in the wilderness, living nature, and his acceptance of the lady’s offering of the green girdle teach him that though he may be the most chivalrous knight in the land, he is nevertheless human and capable of error.
Shedd’s central argument is that Sir Gawain’s true conflict is internal; it is with the duality of his own humanity. He starts by explaining that “man stands midway between the angels and the animals, partaking of both natures” (Shedd 245). According to Shedd, no man is truly capable of perfection until he can understand this concept. This is why Gawain does not undergo a typical romantic tale of success; he experiences moral
Edgar Allan Poe is one of the most influential writers to date. His thrill filled tales of darkness and death helped people see a different side of romantic literature. Many believe that his isolated life and drinking problem helped influence his works. Poe showed his most prominent life accomplishment and disappointments through his life in his stories. He defined a lot of his life’s parallels through his works.
In the Authorain legend, Sir Gawain has great nobility, honesty, loyalty and chivalry. Sir Gawain is the nephew of King Arthur and a member of the king's elite Round Table. In the texts of Sir Gawain and the Green Knight and "The Wedding of Sir Gawain and Dame Ragnell," Gawain is portrayed as a hero who exemplifies the characteristics of an honorable knight. He is viewed by many in King Arthur's court as a noble man who is loyal to the king, and who will sacrifice his own life to protect his lord. Sir Gawain represents an ideal knight of the fourteenth century.
Howarth, W. L. (1971). Twentieth century interpretations of Poe's tales; a collection of critical essays.. Englewood Cliffs, N.J.: Prentice-Hall.
Poe became a huge role model in American romance literature. "Edgar Allan Poe helped to establish the image of the Romantic artist as a being who not only created art from the essence of his own personal suffering but also came to define him through this suffering." (Magistrale 1). Poe's life and all his heartbreaks and suffrage through it all are what made him such a good writer. He wrote about sad, depressing, dreary feelings because that is how his childhood and later life was.
Many people label Edgar Allen Poe a horror writer, plain and simple others refer to Poe as the father of the detective story, but over all he´s one Americas greatest writers. His ability of expressing the world in gothic ways, really captures the reader´s attention. Even though he lead a tough life and was known as a sadistic drug addict and alcoholic, he still managed to produce great pieces of literature. Three of his greatest works were The Tell Tale heart, The Fall of the House Usher, and The Raven. All of these are very known troughout the world and are considered three of Poe´s greatest pieces.
As this mythical poem begins readers are quickly introduced to the pinnacle of this “pyramid of power”, the king and queen. King Arthur and his “full beauteous” wife Queen Guinevere were “set in the midst, placed on the rich dais adorned all about” (Neilson 3). During this time, royal monarchs often hosted large illustrious gatherings in order to display their wealth, prestige and power. This display of rank is evident when the all powerful “King Arthur and the other knights watch approvingly as Sir Gawain advances” to take the place of his cherished king and accept the Green Knights challenge (Swanson 1). Randy Schiff further clarifies the difference between kings and knights in medieval times when he states, “ Displaying his mastery of courtly deference, Gawain in “Sir Gawain and the Green Knight” publicly defines himself through kinship, telling Arthur that he is praiseworthy only “for as much” as Arthur is his “em” (uncle)”(1). In the fourteenth century feudal system the top ranking social class position belong to the king and the queen.
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
Sir Gawain and the Green Knight. Trans. Brian Stone. The Middle Ages, Volume 1A. Eds. Christopher Baswell and Anne Howland Schotter. The Longman Anthology of British Literature. Fourth ed. Gen.eds David Damrosch, and Kevin J. H. Dettmar. New York: Pearson-Longman, 2010. 222-77. Print.
Edgar Allan Poe is one American author whose name is known to almost everyone. Edgar is known for his elegant poems and for being a tough critic of refined tastes, but also for being the first master of the short story form, especially tales of mystery. He has a talent of having an extraordinary hold upon the readers imagination and not letting lose. Many advents of Edgar’s life has probably led to the strange, but successful and renowned pieces of American literature.
Providing the basis of nineteenth century physics, Young's Double Slit Experiment proved that light was made up of waves. During Thomas Young’s time, it was very difficult to describe the behavior of light. The predominant theory was that light was made up of particles. However, in his experiment, Young was able to observe the interaction of light waves when passed through two slits, showing the wave-like nature of light. This report will cover the reasons for Young’s experiment, the experiment itself, and its implications.