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Compare and contrast daedalus and icarus
Compare and contrast daedalus and icarus
Essays about father son relationships
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The Tides Have Turned The circus acts known as Icarian Games have existed for hundreds of years, and the origin myth of Icarus and Daedalus even longer. This story of a father and son is very prevalent in Alison Bechdel’s graphic memoir, Fun Home. Bechdel’s relationship with her father has various parallels to this myth, but who plays which role? Bechdel distorts the Icarus-Daedalus myth to illuminate her views on the role reversal within her growing relationship with her father. In the first two pages of Fun Home, Bechdel associates her father most with Daedalus. Besides his Daedalus-like action of launching her into the sky on his legs, Alison describes him as a master craftsman. Bruce constantly fixes up the Bechdel home and finds beauty
In the beginning of Fun Home, she identifies with Icarus primarily because she, in that memory, is the child. She explicitly describes this encounter with her father as a “reenactment of this mythic relationship” between Daedalus and Icarus (4). She ends up falling off her father’s feet, comparable to how Icarus fell to the sea. Although Bruce takes the role of Icarus at the end of the graphic novel, Bechdel still sees herself as Icarus as well. Alison lines up with Icarus based on their youth through images. This is seen mainly in the last panel, when Alison she is about to jump into the water just like Icarus. Saying that both she and her father took the role of Icarus at the end, Alison wouldn 't fall into the sea, but into the arms of her father (232). As Bechdel closes her novel, she poses various questions about what would happen if her father hadn’t died. It stands to reason that Bechdel refers to her own “inventive bent” while inquiring about her father. In this way, her “What if it had happened this way?” becomes not just Alison as a character attempting to cope with her father’s death, but also as a writer asking the classic question of “What if the story went this way?” Bechdel recognizes her ability to craft her story any way she likes, exploring the thought of what her story could have been if her father was still living. As Icarus, Alison has the ability to soar with the safety net of her father to catch her and enjoy her
In the article Skin Deep written by Nina Jablonski and George Chaplin, they discuss and look deeper into the diverse differences in skin color. Our skin color has developed over the years to be dark enough to prevent the damaging sunlight that has been harming our skin and the nutrient folate that it carries. At the same time out skin is light enough to receive vitamin D.
Summary and Response to Barbara Kingsolver’s “Called Home” In “Called Home”, the first chapter of the book Animal, Vegetable, Miracle: A Year in Food Life, Barbara Kingsolver presents her concerns about America's lack of food knowledge, sustainable practices, and food culture. Kingsolver introduces her argument for the benefits of adopting a local food culture by using statistics, witty anecdotal evidence, and logic to appeal to a wide casual reading audience. Her friendly tone and trenchant criticism of America's current food practices combine to deliver a convincing argument that a food culture would improve conditions concerning health and sustainability.
Alison Bechdel uses her graphic memoir, Fun home, to explore her relationship with her father. She uses the book as a tool to reflect on her life and the affect her father had on her. She discovers how her fathers closeted sexuality affected her childhood and her transition into adulthood. His death left a powerful mark and left her searching for answers. She clearly states this when she says, “it’s true that he didn’t kill himself until I was nearly twenty. But his absence resonated retroactively, echoing back through all the time I knew him.” (23). This feeling drove her to look back on their relationship and find what binds her so strongly to a man she never understood.
Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide. Unlike most autobiographical works, Bechdel uses the comics graphic medium to tell her story. By close-reading or carefully analyzing pages fourteen through seventeen in Fun Home one can get a better understanding of how a Bechdel employs words and graphic devices to render specific events. One can also see how the specific content of the pages thematically connects to the book as a whole. As we will see, this portion of the book echoes the strained relationship between Bruce Bechdel and his family and his attempts to disguise his homosexuality by creating the image of an ideal family, themes which are prevalent throughout the rest of the nook.
Fantasizing is a way for one to, even if just for a moment, escape the sometimes harsh realities of the world. Many children have imaginary friends, created by their own thoughts to make the world around them seem just a little more exciting. Fantasies, whether from a novel or our own mind, can make the world seem like a place of endless wonder, but it is when one is unable to distinguish the fantastical world from the real world that this fantasizing can become dangerous. The Centaur Plays Croquet by Lyle Saxon contains two stories in one. Firstly, the surface story of Ms. Ada Weatherford Calander who stumbles upon a centaur in the woods. But, if we look under the surface, we can see the story of Saxon himself living as a gay man in Louisiana,
The main character of this book is Susan Caraway, but everyone knows her as Stargirl. Stargirl is about 16 years old. She is in 10th grade. Her hair is the color of sand and falls to her shoulders. A “sprinkle” of freckles crosses her nose. Mostly, she looked like a hundred other girls in school, except for two things. She didn’t wear makeup and her eyes were bigger than anyone else’s in the school. Also, she wore outrageous clothes. Normal for her was a long floor-brushing pioneer dress or skirt. Stargirl is definitely different. She’s a fun loving, free-spirited girl who no one had ever met before. She was the friendliest person in school. She loves all people, even people who don’t play for her school’s team. She doesn’t care what others think about her clothes or how she acts. The lesson that Stargirl learned was that you can’t change who you are. If you change for someone else, you will only make yourself miserable. She also learned that the people who really care about you will like you for who you are. The people who truly love you won’t ask you to change who you are.
Bruce, an “Old Father, Old Artificer,” uses his art form as a way of whitewashing his past memories and faults. The exclamation of the woman shows the extent her father has covered up the truth. He has put many unneeded items and decorations in the house, distracting people that visit. Alison likes things functional, while Bruce likes things very elaborate and over the top, not needed. These decorations have made people confused from what is there and what is not.
In chapter one, “Old Father, Old Artificer”, of her graphic novel Fun Home: A Family Tragicomic, the young Bechdel generated her identity through the tensions and mysteries that engulfed her family the home. Masculinity, physical strength and a modern outlook were her personality traits as she grew, becoming the “Butch to [her father’s] Nelly” (269) and his opposite in several aspects. A conscious effort was made on her part to set her own pace from what her father expected of her. He was a strong, influential figure within her life. Expressing emotions towards her father was strictly not allowed in the home. Bechdel was left “rushing from the room in embarrassment” (273) on the one unforgettable occasion that she went to kiss him goodnight. She...
In this paper we will be look at the book called “Lying on the Couch”. I will be going over what I saw as the biggest ethical issues that I read about in this book, I will also go over my thoughts on this book and the ethical problems that I saw for Dr. Lash, Carol and Marshal Streider. I will explain my personal opinion regarding self-care and my reasoning as to why it is so important to maintaining clear boundaries.
The fundamental characteristic of magical realism is its duality, which enables the reader to experience both the character’s past and the present. In the novel, Monkey Beach, Eden Robinson uses this literary device to address the the trauma and mistreatment of the Haisla community in Canada by unveiling the intimate memories of the protagonist, Lisamarie, and the resulting consequences of this oppression. Monkey Beach illustrates how abuse in the past leads to another form of self-medication in the future - a neverending, vicious cycle for the members of the Haisla community. Many characters in Monkey Beach are scarred from childhood sexual abuse and family neglect, and resort to drug and alcohol abuse as a coping mechanism. These appalling memories are an account of the impact of colonization on the Haisla territory which continues to haunt the Aboriginal community throughout generations.
Sidewalk is a book written by Mitchell Duneier, an American sociology professor at Princeton University, in 1999; where the book has gained a lot of favorable reviews, leading its winning the Los Angeles Times Book prize and C. Wright Mills Award. Similarly, the book had become a classic in urban studies, especially due to the interesting methodology, which was used by Duneier while he was conducting his research. The book is based on observations, participant observation and interviews, which gave the author the ability to live and interact with the book and magazine vendors on daily bases. Although, this gave him an insight into the life of the sidewalk, many methodological issues have concerned scholars and students of sociology since the day this book was published. Duneier had admitted during the book that he couldn’t be completely subjective while conducting his research and writing his book due to his involvement and personal relationship with people who work and live at the sidewalk, which raise the question, whether the research is still relevant if the researcher is only giving us an objective outcome?
The book Lives on the Boundary, written by Mike Rose, provides great insight to what the new teaching professional may anticipate in the classroom. This book may be used to inform a teacher’s philosophy and may render the teacher more effective. Lives on the Boundary is a first person account composed of eight chapters each of which treat a different obstacle faced by Mike Rose in his years as a student and as an educator. More specifically in chapters one through five Mike Rose focuses on his own personal struggles and achievements as a student. Ultimately the aim is to highlight the underpreparedness of some of today’s learners.
Children are seen as adorable, fun loving, and hard to control. Ida Fink uses a child in “The Key Game” to be the key to this family’s life. The setting is placed during the start of World War II; Jews all around were being taken. Fink uses a boy who doesn’t look the traditional Jewish, “And their chubby, blue-eyed, three-year-old child” (Fink). As they read on the emotional connection is stronger because there is a face to go with this character. Fink draws a reader in by making connections to a family member the reader may know. A blue-eyed, chubby child is the picture child of America. A child in any story makes readers more attached especially if they have children of their own. The child is three way too young to be responsible for the safety of the father, yet has to be. Throughout the story, we see how the mother struggles with making her child play the game because no child should be responsible like
In Alison Bechdel’s graphic novel entitled Fun Home, the author expresses her life in a comical manner where she explains the relationship between her and her family, pointedly her father who acts as a father figure to the family as she undergoes her exhaustive search for sexuality. Furthermore, the story describes the relationship between a daughter and a father with inversed gender roles as sexuality is questioned. Throughout the novel, the author suggests that one’s identity is impacted by their environment because one’s true self is created through the ability of a person to distinguish reality from fictional despotism.
Vine Deloria, author of The World We Used to Live In, not only introduces his readers to indigenous Native American spirituality and traditional practices including ceremonies but also brings several important ideas of native spirituality to the forefront. He discusses the importance of having and maintaining a relationship with mother earth and all living beings; an interconnectedness with nature in all forms that is crucial to the understanding and practice of Native American spirituality. Dreams and visions were discussed as an important form of communication in indigenous spirituality. The important relationships with animal and plant spirits are discussed. The concept of power and what is considered power in Native Spirituality. Deloria talks about the importance of place in indigenous spirituality. It is believed that power and wisdom rests in places. The landscape holds memories of all that has ever happened. Through all the aspects Deloria discusses in his book, readers get a clear view and better understanding of Native American spirituality through various accounts of different tribal activities and interviews from both emic and etic perspectives of culture. By using a wide range of research, Deloria does a fairly good job of remaining unbiased which is a difficult thing for anyone to do.