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Franz Kafka the metamorphosis views on society
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Metamorphosis by franz kafka summary and analysis
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Upon first glance, Kafka’s 1916 novel The Metamorphosis seems to be the tale of a man who wakes up one morning and finds himself transformed into a giant vermin. However, this novel actually reveals a metaphoric example of the overall structure of society through the economic theories of Marx and Engels. The protagonist of the story, Gregor Samsa, is in some ways a representation of the proletariat, or working class, and his unnamed manager signifies the bourgeoisie. After Gregor’s transformation, the conflict that arises between the two, because Gregor is unable to work, represents the dehumanizing structure of relations between social classes. There are three main segments to the metaphor in this story. First, Kafka skillfully weaves a picture of the characters and the social and economic classes they represent. Then, he details Gregor’s transformation and the way it impedes his ability to do labor. At this point, Kafka then describes the results of this inability to work: Gregor is abandoned by his family and dies. While no man can literally be transformed into an insect, they can lose their ability to work. Kafka’s novella, therefore, is an imaginative portrayal of a quite common scenario and provides readers with valuable insight into the conflicts that take place between economic classes.
During the introduction to The Metamorphosis, readers quickly discover that Gregor is a representation of the proletariat in the story. As a traveling salesman, he has no choice but to commit to hard labor in order to support his family. While lying in bed, he claims that “Day in, day out--on the road… I’ve got the torture of travelling… eating miserable food at all hours…” (Kafka 4). Kafka chooses to describe Gregor’s profession as “worry...
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...ges removed the relationship between Gregor and his family, something which is viewed as sacred in most cultures.
Although the exact story in Kafka’s novella could not possibly occur outside of the realm of fiction, it represents the extremely real scenario in which a worker is abandoned by his or her family and employer after being rendered unable to work or provide financial support. By viewing The Metamorphosis from a Marxist perspective, readers can very quickly distinguish the underlying issues between the proletariat class and the bourgeoisie. Due to the fact that economics supercede almost everything else in a Capitalist society, including fundamental social values, citizens who are unable to commit to extensive labor or earn wages are quickly abandoned. More often than not, as was the case with Gregor Samsa, the result of this abandonment tends to be death.
The story The Metamorphosis revolves around Gregor Samsa, a devoted son and brother who works tirelessly to provide for his family, waking up finding out that he has been transformed into a larger than life insect. Franz Kafka enlightens the readers to how being dependent on one person can lead a family to being weak when that support system is ripped away from them. The situations that Gregor is put into knocks him down from the head of the family into nothingness while at the same time boosts his family from that nothingness into being a strong support system for each other. Gregor 's transformation, his dependency on his sister for food, his injury, the family choosing strangers over him, and ultimately his death are all things that lead to this downfall, or metamorphosis.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Franz Kafka's The Metamorphosis is a masterfully written short story about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understanding of the relationships around him. The underlying theme of The Metamorphosis is an existential view that says any given choice will govern the later course of a person's life, and that the person has ultimate will over making choices. In this case, Gregor?s lack of identity has caused him to be numb to everything around him.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
Even before Gregor Samsa’s random transformation, Gregor was practically dehumanized by his family members. They did not see him as a family member but rather as a source of income. Each member seemed to have a scarce to almost zero amount of interest or
In the novel, The Metamorphosis, Kafka writes about a man who one day transformed into a bug. Kafka’s own feelings of nothingness caused this story to shape into this unique story. Kafka writes, “The dream reveals the reality, which conception lags behind. That is the horror of life – the terror of art” (qtd. In Kennedy and Gioia 299). Kafka said this as a rebuttal to a friend trying to pry information out of him about The Metamorphosis. Kafka meant that the true burden of art is that a person’s experiences will always heavily influence their creations, and that is horrifying. It is clearly shown in his writings that his personal experiences helped shape the story The Metamorphosis. Every little detail about Gregor’s life is a reflection of Kafka’s own life. Gregor’s family, job, and dreams all were influenced by Kafka’s personal experiences. His father was domineering just as Gregor’s father controlled him after he turned into an insect. He had a horrid job just as Gregor did, and he lived at his parent’s house for most of his life. Gregor’s dreams of being free from his job and parents were also Kafka’s dreams. Kafka’s reality is shown in his story, The Metamorphosis, through Gregor’s family and dreams of freedom.
Franz Kafka’s The Metamorphosis is a novella that follows the story of Gregor Samsa who, one day, wakes up as an insect. On the surface, it’s just a story about a man who’s transformed into a bug; but, when deeper analyzed, you come to understand that it’s a about a man who was always a bug conflicted by his identity in a class struggle between what is known as the proletariat and the bourgeoisie. Kafka’s work was written in a time in history when the struggles between the classes were becoming more defined due to the rise of industrialization and other changing social structures. This story can best be interpreted though a Marxist lens. In Kafka’s The Metamorphosis, his Marxist ideology comes through in the way the characters represent the struggle between the proletariat and bourgeoisie classes during the turn of the century.
Sokel, Walter H. “From Marx to Myth: The Structure and Function Of Self-Alienation In Kafka’s Metamorphosis.” Critical Insights: The Metamorphosis (2011): 215-230. Literary Reference Center. Web. 15 Mar. 2014.
While Herman Melville’s “Bartleby, the scrivener” and Franz Kafka’s “The Metamorphosis” have unrelated plots, they both contain Marxist undertones that address alienation in the workplace as a result of capitalism. The protagonists, Gregor and Bartleby, are examples of how the working class is treated when they do not conform to the conventions of capitalism. Gregor and Bartleby alike are working class men who, through some turn of events, stop working and are deemed useless to those around them. Both of these stories end in the death of the protagonists, as these men are seen as unproductive and discarded by their capitalistic societies.
One of the saddest aspects of Franz Kafka's novella, The Metamorphosis, concerns the fact that young Gregor Samsa genuinely cares about this family, working hard to support them, even though they do little for themselves. On the surface, Kafka's 1916 novella, seems to be just a tale of Gregor morphing into a cockroach, but a closer reading with Marx and Engels' economic theories, unveils an impressive metaphor that gives the improbable story a great deal of relevance to the structure of Marxist society. Gregor, the protagonist, denotes the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict, that arises between the two after Gregor's metamorphosis, contributes to his inability to work. This expresses the impersonal and dehumanizing structure of class relations.
Kafka’s response to the Industrial Revolution is touching as he represents the consequences on the working class society through the figurative transformation of Gregor Samsa into a bug. While Gregor is deprived of his human characteristics, such as his senses, he is also deprived of his connection with the world; Kafka’s conveys the feelings of the working society as they were dehumanized.
In The Metamorphosis Kafka illustrates a grotesque story of a working salesman, Gregor Samsa, waking up one day to discover that his body resembles a bug. Through jarring, almost unrealistic narration, Kafka opens up the readers to a view of Gregor’s futile and disappointing life as a human bug. By captivating the reader with this imaginary world Kafka is able to introduce the idea that Gregor’s bug body resembles his human life. From the use of improbable symbolism Kafka provokes the reader to believe that Gregor turning into a bug is realistic and more authentic compared to his unauthentic life as a human.
Helmut Richter analyzed the plot of The Metamorphosis in his essay. He depicts the main plot of the story to be Gregor’s failure at his work, which leads to his death. The climax of the story starts off early in the book. When Gregor wakes up one morning, he realizes that he has turned into a giant insect. Gregor was a salesman and his job required that he was very determined in his work. Kafka proves to us that Gregor did not do a good job as a salesman by transforming into a bug: a strong work force. Kafka’s use of this metaphor stresses the poor work that Gregor does as a salesman.
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
Although the exact story told in Kafka's The Metamorphosis could not occur outside the realm of fantasy, it represents the very real scenario of a worker being abandoned by his employer and family after becoming unable to work and support them financially. By looking at the novella from a Marxist perspective, we see that the underlying theme of the story is a conflict between proletariat and bourgeoisie. Because economics supercede everything else in capitalistic society, a citizen who is unable to labor and earn wages is quickly abandoned. And, the result of this abandonment is often (as it was in Gregor Samsa's case) death.