A Comparative Analysis of 18th Century French and English Chairs Throughout the 18th century in France and England, a stylistic and elegant design was brought to life through structural design of not only buildings but furniture. During the 18th century life was drastically different from life but one thing remains the same. Citizens were commonly found socializing in groups in known as salon gatherings. A broad range of topics could be brought up at this time for discussion. The question of comfort arose in these gatherings and designers were put to the test to create seating that was comfortable yet still true to the era and time. Chairs could be categorized under rococo, baroque, and neo classic. These chairs in particular were inspired by Kings including Louis XVI, Louis XV, and Louis XVI. For English inspired chairs, The Queen Anne, Sheraton, and Chippendale were the all key pieces in the 18th century. French style chairs During the 18th century, Louis XIV Baroque chairs were made especially for French King, Louis XIV. These chairs were made to expose the Power that King Louis XIV owned. The overall look of these chairs, had great volume and, were very masculine. The arms and legs of the chairs were usually engraved with acanthus leaves, fluer-de-lis, human, and animal grotesques (The Aestate). Other engravings found on the ancient chairs included: a gold sun with a head in the middle, which illustrated Louis XIV as a half god. The upholstery on these pieces of furniture was typically textured, and had quite the look! They came in a variety of designs and fabrics. The outrageous design of this chair was made to show Louis XIV’s power over the French church. Louis XIV chairs have very large S-shaped legs that are att... ... middle of paper ... ...ack shapes. The Sheraton also has a very straight and plain splat with nothing on it. Similarities and differences between French and English chairs include: Both French and English styles are made with high-end and lavish materials; French chairs are much busier and prompt where English are not; The French chairs have more detail than English; the French chairs are larger and all have hand rests where Hepplewhites are the only English style that have hand rests. Studying the two very different styles of chairs is very interesting. Going into a furniture store or even someone’s house, I can tell different chairs apart. All chairs are elegant and unique in some ways more than others. I am looking forward to using my knowledge to my advantage when it comes to my future career in design. Thanks to this project I can now identify chair French and English chair styles.
I wander down the Hall of Mirrors in the French Palace of Versailles. Soon after I am thinking of the converse style, and recall that German Architect Mies van der Rohe has created the most simplistic a...
During the eighteenth century, French culture promoted styles and trends that furthered the gender roles of Parisians. The gowns worn in European countries, particularly France featured elaborate clothing designs, influenced by the Rococo artistic trends of the period. French style incorporated colorful decorations into their intricate court dresses. These dresses were even worn by iconic fashion figures such as Marie Antoinette. The formal dress specifically demonstrates the luxury and status of the upper class, but more importantly the strict guidelines that young women had to abide by. This dress in particular and many alike were used as a tool of oppression during the eighteenth century to hinder women from pursuing male dominated roles
The sarcophagus shows a couple relaxing on a Bed or a cushion the kind they would have used at a banquet. “The body of the sarcophagus is styled so as to resemble a kline (dining couch).” This piece was so large
The 1600’s were influential years for interior design and architecture throughout the world, specifically in France. Design was becoming something to be celebrated, and with the Council of Trent calling for art that was less academic and more appealing to the public it was the perfect setting for a new era of design.
Images and photographs of upper-middle class homes portray distinct likenesses to the fashions of high society dwellings. The upper-middle classes emulated high society, projecting their wealth to the furthest extent possible. Inside Aristocratic homes, parrots in cages were sometimes found, along with magnificent ceilings, vaulted and carved, and walls covered by fantastic paintings and “antlered heads of many a noble stag” (43, 48-49). Beautiful chandeliers hung from the ceilings, and a piano was nearby, along with pleated lampshades relished with bows near shelves of books, ornaments, and souvenirs. Chairs and sofas were found covered in chintz, family photographs were framed in silver and velvet, and there were numerous small tables with “tortured legs” (51). Many of these styles were mimicked on smaller levels in upper-middle class homes as families such as the Veneerings strove to “show off” their status and possessions.
The 18th century fashion for men and women was influenced by the royal court and Puritans. Women’s fashion was very elegant and colorful, more so than the men’s fashion. The shoes worn by the women of the 18th century were made of silks and satin. They were decorated in laces and had a square or round shape. They also began to wear shoes of different and vibrant colors with higher heels. A majority of the time their shoes were not shown because of their extravagant skirts and petticoats. Lace was a stylish detail to women’s fashion during that time. They wore lace gloves and their petticoats were trimmed in lace. Men wore knee high boots that were either high-heeled or flat along with their knee length trousers. Their shoes were often neutral colors dark brown, light ...
same as the couch that was used for the painting, but the couch in the picture is a copy of the original couch. Plato makes it seem that art imitates the objects and events of real life.
Charles Santore said “Windsor furniture is the most historically significant furniture style to emerge from eighteenth-century America,” and backs up his claim by talking about the history of the furniture. First, Santore goes on by talking about important people from history like Benjamin Franklin, Charles Carroll, George Washington, John Adams, and others that have been seen sitting on Windsor chairs and furniture. Then, explains initially what is Windsor, how people use this furniture and history on the Windsor design.
Throughout Art and Design history, specifically Postmodernism, artists have recontextualised previous styles and forms in their works in order to ‘modernise’ . The common household chair has been an iconic symbol for both history and artistic rebellion in art and design. From the Dada movement, where the ordinary item was stripped of its practical use in the interest of becoming a ‘found object’, to the Bauhaus movement where the chair became a representative vessel for the radical leap towards combining the aesthetic with the practical in Twentieth Century design. Martino Gamper touches on these previous acts of artistic rebellion whilst honing in on the Postmodern take on recontextualisation
...rchitecture into the early neo-classical/ baroque style. Wren’s style was one of simple magnificence. His style was composed more of in agreeable proportions rather than glorious decoration. Wren was believed to have contributed design ideas for many buildings for which he did not do final designs. Wren’s design concepts were carried into the early years of the eighteenth century by fellow architects, Hawksmoor, and his partner Vanbrugh. However, Wren’s relative simplicity, and his “Protestant plainness” in comparison with European “Popish” richness, was dominated in their designs by superimpose of rich applied decoration and a more complex and extravagant style.
Architecture is essential to society because it does not only provide a physical environment where people live, but at a deeper level, architecture provides an expression of human civilization at a certain point of time, which endures through the years for future generations to study and appreciate. In fact, architectural design can shape a person's future aspirations, and the direction and tendency by which he is able to fulfill his goals (Yick, 2015). In line with this assertion, this paper will discuss the architectural cultural of London, Paris, and Saint Petersburg in 1800.
The French and the English Revolution have many differences and similarities. One similarity that the French Revolution and the English revolution was their dissatisfaction of their monarchs. Another similarity is there vast separation of their social classes. Even though they have many similarities they also have many differences. A few of the differences were the currency the agriculture and financial stability. These are a few of the similarities and differences of the French and the English
The Rococo art style in the 18th was a decorative style of art that originated in the hotels and salons of Paris. S and C curves, shells, wings, scrolls, plant tendril forms, and cartouches meaning elaborate frame, all distinguished Rococo. However, the Neoclassicism art style in the late 18th century portrayed the middle class society and unlike the composition of Rococo painted ceilings, its composition is simpler with limited figures. The Rococo and Neoclassical styles of art were both influenced by European life, reflected Europe’s culture, and had different political and social themes.
Most wouldn’t think twice about the layout of the house they occupy, and even if they did the presumption that it is purely developed from absolute function would be a misconception. The plan of domestic spaces has developed over the centuries and this essay is set out to describe how this came to be, focusing on the influence that mannerisms had on design. From analysing two specific house plans from different time periods, one would begin to see the impact ...
Based on your personal style and choice, decide on whether you want a traditional, transitional or modern dining room. Based on the style, decide whether you want your furniture made out of wooden, glass, metal, plastic or some other material. Also, keep in mind the usability and feasibility of your choice. If your entire home is done in a very modern style, bringing in a very traditional wooden dining table would appear out of place. Similarly, a metallic dining set in a place subjected to high humidity may be a bad idea as it is prone to get rusted.