Foreshadowing In Rip Van Winkle

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In Washington Irving’s short story “Rip Van Winkle” the setting takes place in the beautiful Hudson River Valley overlooking the Catskills Mountains which the author attributes a fairy-like vista, equating it to a mystical view, this can be seen as a foreshadowing of the importance of the mountains and the supernatural event that will take place there. “Every change of season, every change of weather, indeed, every hour of the day, produces some change in the magical hues and shapes of these mountains…” (Irving 471-472). Irving describes the old village as one founded by the early Dutch colonists with quaint homes but amongst these he describes one that stands out for the wrong reasons. “In that same village, and in one of these very houses, …show more content…

With his description the reader can deduce that all is not well with the inhabitants of the Van Winkle home. Irving continues to describe Rip as a happy go lucky type he is very helpful to others and is looked upon kindly by the towns people. Rips problem however is that what he does for others he won’t do for himself. “…his wife kept continually dinning in his ears about his idleness, his carelessness, and the ruin he was bringing on his family. Morning, noon, and night, her tongue was incessantly going, and everything he said or did was sure to produce a torrent of household eloquence” (Irving 473). The reader can construe that the domestic life for Rip Van Winkle is unbearable due in part to his nagging wife and his lack of effort when it comes to working on his own property, he apparently has no problem running errands for people or playing and spending time with kids that weren’t …show more content…

“Poor Rip was at last reduced almost to despair; and his only alternative to escape from the labour of the farm and the clamour of his wife, was to take gun in hand, and stroll away…” (Irving 474). Rip admires his surroundings observing the beauty of the Hudson River Valley and is dreading the thoughts of having to go back home as nightfall approaches, until he hears his name being called. Immediately the reader sees the change in setting. “Rip now felt a vague apprehension stealing over him; he looked anxiously in the same direction, and perceived a strange figure slowly toiling up the rocks, and bending under the weight of something he carried on his back” (Irving 475). Rip proceeds to help the stranger up the mountain with a keg, taking note of distant thunder every now and then; this setting infers to trouble ahead. When Irving describes the entrance into the amphitheater we are given a somewhat detailed description of the men that were playing nine-pins. “The whole group reminded Rip of the figures in an old Flemish painting, in the parlour of Dominie Van Schaick, the village parson, and which had been brought over from Holland at the time of the settlement” (Irving

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