Nature and humanity are innately intertwined, and their differences only amplify their connection. Judith Wright’s poems ‘Brothers and Sisters’ and ‘Flame Tree in a Quarry’ unravel the wonder of nature and its correspondence with humanity’s attitudes at various stages of its interaction with the landscape. Meanwhile, the album cover of ‘River of Dreams’ by Billy Joel explores society and the landscape’s common origins, and powerful potential for action that morphs with time, into new values and behaviours. All texts acknowledge the embedded shared values susceptible to resculpting, which continually carve the framework for a closer, more interlinked relationship between humankind and the landscape.
Humanity stems from nature, possessing a
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Time has a crippling effect on humans, making them ‘cracked and old’, where the onomatopoeic imagery in Brothers and Sisters symbolises the ever-evolving attribute and weakening of mankind, physically and morally. This is complemented with the haphazard arrangement of small men with differently coloured horses at war on a dark plain (River of Dreams), which represents humanity’s constant activity in its hasty attempts to claim ‘more’ before its time ends: more land, more wealth, more time. This is similar to colonialism, in which humans were greedy for a constant conquering and advancement that resulted in endangering the Indigenous Australians during Wright’s time, and thus demonstrates the transition of society from content stewardship of the land, to a battle for gain. Contrastingly, nature in Flame Tree in a Quarry is depicted as a ‘living ghost of death’, in which the oxymoron indicates its immortalised, transcendent state that persists and remains alive regardless of its encounters, untouched by time and consistent with its original state. However, its negative connotation indicates that despite the patient, majestic power of nature, its immaculate state is not necessarily ideal either. Thus, the passing of time pressures the common values within nature and humanity to diverge with differing modes of expression, where nature is unblemished in patience while humanity undergoes rapid change …show more content…
Despite nature’s capacity to exist without humanity, ‘orchards would never be planted’. The high modality of the metaphor of an orchard and its fruit unable to be formed reflects the absence of human drive for a set goal nor its deliberately planned path of growth– bearing no ‘fruits’ or rewards in the long run. In comparison, when humanity’s rapacious attempts strip the landscape of its resources (Flame Tree in a Quarry), nature ‘springs up this scarlet breath’ where the sibilance and personification of the earth emphasises the sharp pain and loss. Furthermore, the symbolism of ‘scarlet’ as blood from a wound also exemplifies humanity’s self endangerment upon damaging the land, in spite of their temporary materialistic gain. Therefore, although both the land and humans may, at least momentarily, survive with the absence of the other, both have their progress capped. Accordingly, the River of Dreams illustrates humanity and nature’s reliance on one another in the ship on the luminescent blue ocean in the background’s centre of the River of Dreams. The ocean symbolises nature’s patience and gentle nurturing power being the medium of support for the ship that represents humanity. This conveys humanity’s striving intention for an advance to a pinpointed destination, sanctioned by nature’s serenity and stability to prevent society’s total submergence in greed
Cronon, William “The Trouble with Wilderness; or, Getting Back to the Wrong Nature” ed., Uncommon Ground: Rethinking the Human Place in Nature, New York: W. W. Norton & Co., 1995, 69-90
In nature, someone can hear the sounds of a creek flowing and birds chirping and insects buzzing; in civilization, someone can hear engines roaring, people chattering, and buildings being built. In nature, one feels happiness and contentment; in civilization, one feels guilt and misery and sorrow. These simplicities of nature are what appeals to William Cullen Bryant in the poem ‘Inscription for the Entrance to a Wood’. The poem tells the reader that nature is a happier place than civilization and that nature gives one the answers to their existence and problems of life that civilization created. Civilization is ugly and corrupt while nature is beauty and tranquility.
In Emerson’s “Nature” nature is referred to as “plantations of god” meaning that nature is sacred. Also mentioned, is that “In the woods is perpetual youth”(#) conveying that nature keeps people young. Therefore, these excerpts show that nature is greatly valued by these transcendentalists. Transcendentalists would likely care significantly about the environment. In contrast, nowadays nature is often and afterthought. Natures’ resources are being depleted for human use, and the beauty of nature is also not as appreciated by modern people as it was by transcendentalists. The threat to nature in modern times contrasts to the great appreciation of nature held by authors like Emerson and
Perceptions of the natural world have fluctuated throughout humanity’s short time on this earth, going in and out of style as societies and technologies have grown and died. As is the the very nature of literature itself, literature and its authors have managed to capture these shifting views, expressed and illustrated by the art of written word. Naturally, the literature chosen for us to read based on this fluid theme of nature encompasses an array of perspectives. One of these views is that nature is sublime and above all else, a reflection of all that which is perfection. Another is that nature is cold, uncaring, and indifferent to the vanities of humanity.
The nature in which we live is truly beautiful and something to preserve and treasure. When the Europeans first came to North America, they were immediately in love with the views they encountered. They were interested in wanting to know more about the land, the animals that peeked around, and the people who called it home. Artists such as, John White had heard the tales of what Christopher Columbus had described during his time in North America, which led to them wanting to make their own discoveries (Pohl 140). Everyone had their own opinions and views of the world, but artists were able to capture the natural images and the feeling they had through their paintings (Pohl 140).
In “The Fish” by Elizabeth Bishop, the narrator attempts to understand the relationship between humans and nature and finds herself concluding that they are intertwined due to humans’ underlying need to take away from nature, whether through the act of poetic imagination or through the exploitation and contamination of nature. Bishop’s view of nature changes from one where it is an unknown, mysterious, and fearful presence that is antagonistic, to one that characterizes nature as being resilient when faced against harm and often victimized by people. Mary Oliver’s poem also titled “The Fish” offers a response to Bishop’s idea that people are harming nature, by providing another reason as to why people are harming nature, which is due to how people are unable to view nature as something that exists and goes beyond the purpose of serving human needs and offers a different interpretation of the relationship between man and nature. Oliver believes that nature serves as subsidence for humans, both physically and spiritually. Unlike Bishop who finds peace through understanding her role in nature’s plight and acceptance at the merging between the natural and human worlds, Oliver finds that through the literal act of consuming nature can she obtain a form of empowerment that allows her to become one with nature.
In Ralph Waldo Emerson’s “Nature”, he develops his own perspective on the interconnection between humans and nature. As an admirable essayist and transcendentalist, he believed that man can have the ability to go and find the Truth in solitude and nature, and can return to reason and faith. “You cannot see the mountain near.” When one is near a mountain, it looks enormous; however, you can see it in its entirety from a far distance. There is no need to even perceive it as a challenge, especially if instead we focus on one rock at a time; loving and appreciating the journey. Having the right perspective towards things can help form a healthy reality. He believed nature could positively change people’s outlooks in life. In Emerson’s view, “Nature always wears the colors of the spirit.” In other words, he is saying that however someone feels is how they will view nature. From his experiences, he believes if a man becomes part of nature once again, loses his egotism and becomes a lover of beauty, then he has become a “transparent eyeball.” Having experience as Emerson did with nature can make one’s perspective more valuable and precious in this
Have you noticed that we feel a powerful desire to connect with nature during difficult times? Whether we are injured, depressed or sad our inclination towards nature increases. Patients in hospitals recover faster if they are in a room with a nice view. Why? Because nature is so pure and powerful that can restore our spirits and heal our bodies and minds. The beauty of nature has been praised in art, poetry, writings and films. Naturalists, poets and writers have documented the many benefits of spending time in nature. "Calypso Borealis" by Muir and "I wandered Lonely as a Cloud" by Wordsworth are two great pieces of literature where our hearts are filled with an indescribable emotion. John Muir and William Wordsworth express their relationship
From the lone hiker on the Appalachian Trail to the environmental lobby groups in Washington D.C., nature evokes strong feelings in each and every one of us. We often struggle with and are ultimately shaped by our relationship with nature. The relationship we forge with nature reflects our fundamental beliefs about ourselves and the world around us. The works of timeless authors, including Henry David Thoreau and Annie Dillard, are centered around their relationship to nature.
In Alain de Botton’s collection of philosophical essays, The Art of Travel and Tim Winton’s short story ‘Neighbours’ the representation of people and landscapes leads us to a greater awareness of the complexity of human attitudes and behaviours. This is explored through the idea that changes in one’s receptivity to the landscape can determine their perspective of it and thus influence their behaviour and attitude towards those people in the landscape.
In his poem, 'Lines Written in the Early Spring,' William Wordsworth gives us insight into his views of the destruction of nature. Using personification, he makes nature seem to be full of life and happy to be living. Yet, man still is destroying what he sees as 'Nature's holy plan'; (8).
This chapter explores the idea of landscape in an anthropological construct. Hirsch aims to move away from the western ideals of understanding of landscape, and deconstruct it in an attempt to understand the local interoperation of landscape to prove it is part of a cultural process. Landscape has been used as a “standard framing device” (p1) by those looking from the outside in across anthropological history. Hirsch is looking to explore the landscape through the cultural understandings of the local people. (p1-5)
Nature is often a focal point for many author’s works, whether it is expressed through lyrics, short stories, or poetry. Authors are given a cornucopia of pictures and descriptions of nature’s splendor that they can reproduce through words. It is because of this that more often than not a reader is faced with multiple approaches and descriptions to the way nature is portrayed. Some authors tend to look at nature from a deeper and personal observation as in William Wordsworth’s “I Wandered Lonely as a Cloud”, while other authors tend to focus on a more religious beauty within nature as show in Gerard Manley Hopkins “Pied Beauty”, suggesting to the reader that while to each their own there is always a beauty to be found in nature and nature’s beauty can be uplifting for the human spirit both on a visual and spiritual level.
Through the ingenious works of poetry the role of nature has imprinted the 18th and 19th century with a mark of significance. The common terminology ‘nature’ has been reflected by our greatest poets in different meanings and understanding; Alexander Pope believed in reason and moderation, whereas Blake and Wordsworth embraced passion and imagination.
Many poets are inspired by the impressive persona that exists in nature to influence their style of poetry. The awesome power of nature can bring about thought and provoke certain feelings the poet has towards the natural surroundings.