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Transition from childhood to adulthood essay
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The transition from childhood to adulthood can be challenging. There are many things to learn and let go. Sometime teenagers can dramatize certain events to make themselves seem defenseless. Amy Tan, Chinese-American author, makes her Chinese Christmas seem insufferable. In Tan’s passage “Fish Cheeks”, Tan uses diction and details to exemplify the indignity caused by her Chinese culture. The diction Tan uses exemplifies the degradation of Tan due to her family's Chinese culture. Using the word “stunned” to describe her reaction to a typical Chinese custom is bizarre (Paragraph 6). Tan has grew up accustomed to this, and is now surprised at her Dad for practicing a polite Chinese gesture. Tan only acted this way due to the presence of the the minister’s family. Tan continued displayed the abnormal behavior throughout the passage making the reader assume this is the only way she acts. This makes her …show more content…
Using the detail,“Dinner threw me deeper into despair,” conveys the painful feelings caused by her family at dinner (Paragraph 5). This detail indicates that Tan was continuingly losing hope that the night would get better. Tan reveals these agonizing feelings to make the reader feel compunctious. In making the reader feel sorry for her, Tan knows she can continue to misreport details in the passage without being questioned. The detail,“What would he think of our noisy Chinese relatives who lacked proper American manners,” emblematizes the dishonor Tan feels towards her relatives and cultural background (Paragraph 2). This detail implies that due to Tan’s attraction to Robert, she will detract her feelings of others to better her relationship with Robert. Tan used this detail to reveal that if Tan cannot better her relationship with Robert, she will become despondent. As a result of distorting details, the passage illustrates Tan’s dishonorable feelings towards her cultural
South Park is an animated TV series created by Trey Parker and Matt Stone, which first aired on Comedy Central in 1997. The show features four boys Eric Cartman, Stan Marsh, Kyle Broflovski, and Kenny McCormick. South Park has been seen as one of the most controversial shows due to its raunchy humor and obscene depiction of characters in the show. South Park deals with many current issues in the news surrounding anything from in politics to religion. In dealing with these issues South Park involves adult comedy that parodies current issues going on in the United States and around the world. South Park also uses many other rhetorical deceives, such as
In this story, the main character Amy is chinese and seems to hate everything about her culture because she feels it humiliates her. Both main characters in these stories feel humiliation and hate towards the wrong things. In addition, both these characters show that they matured. In “Fish Cheeks,” the author shows that Amy matured when she wrote, “And even though I didn't agree with her then, I knew that she understood how much I had suffered during the evening's was able to fully appreciate her lesson and the true purpose behind our particular menu.” In “The dinner. It wasn't until many year later – long after I had gotten over my crush on Robert – that I Parsley Garden,” William Saroyan shows Al Condraj matured when he wrote, “I worked all day,” Al said. “Mr. Clemmer gave me the hammer after I’d worked for one hour, but I went right on working. The fellow who caught me yesterday and showed me what to do, and we worked together. We didn’t talk, but at the end of the day he took me to Mr. Clemmer’s office and he told Mr. Clemmer that I’d worked hard all day ought to be paid at least a dollar.” Both these characters had similar problems and then similar growth and maturity towards the end of their
America was not everything the mothers had expected for their daughters. The mothers always wanted to give their daughters the feather to tell of their hardships, but they never could. They wanted to wait until the day that they could speak perfect American English. However, they never learned to speak their language, which prevented them from communicating with their daughters. All the mothers in The Joy Luck Club had so much hope for their daughters in America, but instead their lives ended up mirroring their mother’s life in China. All the relationships had many hardships because of miscommunication from their different cultures. As they grew older the children realized that their ...
The first and most important conflict in the novel is heritage. Both mothers, Suyuan and Lindo, come from a Chinese background and try to instill their knowledge and strengths into their children. However, their children are being raised in America with new ideals and a powerful freedom that both mothers never experienced. The two contrasting cultures present a scenario in which both influences cause great confusion and separation in relationships.
She shows that in 1987 culture simulation was a big struggle for both young and old generations. As a child, Tan was beyond eager to accept this new lifestyle, yet, her family stayed true to their culture. Her mother still cooked original Chinese meals, and her father still burped after a meal in appreciation. These few things brought Tan embarressment of her family and heritage. Tan wished she could just change into an American, so much in fact that she prayed for “a new slim American nose” (Tan 74). Her mother didn’t forbid her from doing anything American, yet she wanted Tan to remember where her roots were. “You want to be the same as American girls on the outside…But inside you must always be Chinese. You must be proud you are different. Your only shame is to have shame” (Tan 75). Not until Tan was older did she appreciate her mother’s sensible words and what lengths her parents went to keep her
Cheng states how she enjoys the imagery and ability Tan has to describe what the setting of her novel is. “It helps us to see what life truly is like through the eyes of a Chinese immigrant.”(2 Cheng) I agree with Cheng on this. There are many quotes and details that will help to clarify this. One is a quote from the novel, and it says “It was one of those Chinese expressions that means the better half of good intentions.” This supports the critic in that it shows how she was raised in a primarily chinese household. Another quote from Joy Luck Club “They see daughters who grow impatient when their mothers talk in Chinese.” This is an example of the previous point that Tan incorporated her feelings towards her mother in her youth into her works. The last supporting point from the work is an example of imagery. “I could see why my mother was fascinated by the music. It was being pounded out by a little Chinese girl, about nine years old, with a Peter Pan haircut. The girl had the sauciness of a Shirley Temple. She was proudly modest like a proper Chinese child. And she also did this fancy sweep of a curtsy, so that the fluffy skirt of her white dress cascaded slowly to the floor like the petals of a large carnation.” This amazing use of imagery help to see why the critic thought so highly of Tan’s
In the story, "Fish Cheeks" it talks about how Amy Tan's Chinese family invites an American boy's family over for dinner. Amy Tan wants to impress him and thinks that he wont like the food her mother made even though it is her favorite food. She can tell that he doesn't like the food and she is embarased. So, Amy wants to fit in.
K: Exactly. Those of us involved with the labor movement were trying to ensure things such as
Secondly, Tan uses embarrassment by having her relatives not have manners. “My relatives lick their chopsticks and reach across the table.” This shows that she’s embarrassed by her family. And, Tan uses awkwardness by having her relatives not having manners. “My relatives murmured with pleasure when my mother brought out the
Chinese Cinderella is a compelling autobiography by Adeline Yen Mah, a struggling child, yearning for acceptance and love in her dysfunctional family. In this novel of “a ‘secret story of an unwanted daughter”, Adeline presents her stepmother Niang, as a violent, impatient, biased, domineering and manipulative demon. Analysing the language used by the author, we can discover how effectively she does this.
As Maxine Hong Kingston plays after school with the silent Chinese girl, their innocent games turn to vindictive bullying as Maxine aims to physically force the girl to speak. Finally, “sounds did come out of her mouth, sobs, chokes, noises that were almost words” (178). The word “almost” implies an in between area, something that is neither this nor that. For the author, this lack of distinction symbolises her own ambiguity in terms of her place in two separate communities, and consequently also embodies her search for a resolution to the duality of her identity. The clash of customs that controls her, ultimately causes a violent response portrayed through the tormenting of the quintessential Asian girl. The harassment of the silent girl reflects the surfacing of Maxine’s internalized rejection of the hold both cultures have on her. For the author, the other girl epitomizes all that she abhors about Chinese culture; the way the Chinese appreciate the silence, and the secrecy that it maintains. Not only that, her softer, quieter peer also delineates all that she resents about herself, especially her inability to conform to what she believes to be, the more powerful American society, despite her best efforts at speaking louder. Susan Cain corroborates the narrator’s needing to adapt without the obstruction of “a double consciousness- part Asian and part American- with each side calling the other into question” (Cain 198). Maxine Hong Kingston’s desire to satisfy the warring sides of her personality manifests in the attack on the mute girl, revealing that the weight of a collective’s standards ultimately culminates in a direct challenge of the restraints placed on
The human ego has an undeniable knack for inserting itself into the world. Yet, even with this self-insertion, humans want to stay separate from nature, beings sentient yet dependant upon nature, a sort of parasite which feeds on the beauty around them and fuel their massive culture from it. Author Robert Finch in his essay, Very Like a Whale, uses profound ambiguity to illustrate the pull on humans to the somewhat forgotten natural world.
Tan prays for a “blond haired boy…and a slim new American nose” due to the fact that it is stereotypical in America. She is not happy with her Asian looks and wants to be white because she views the stereotypical American look as ideal. Moreover, the author is ashamed with of the behavior of her Chinese relatives because they “lacked proper American manners.” Tan implies that manners from other cultures are improper and that the only correct manners are American manners. Amy sees the food as “appalling mounds” littering the kitchen although it is her favorite. Picturing the scene through Robert’s eyes, she is horrified with what she notices. Furthermore, she expresses that the food is worthless and she wants to get rid of it, along with all things Chinese. The author looks down upon her own Chinese culture and wishes to not to be a part of it because she regards it as lower in status than American culture.Amy Tan displays her strong desire to hide her identity. She longs to be the same as Americans on the outside because she cannot accept that she is different. Finally as an adult, Tan learns to be both American and Chinese; she overcomes the internalized racial bias by accepting who she is. The only way to conquer a personal struggle is to learn to recognize who you are
The first paragraph is used to describe Robert’s appearance in a way that one can easily picture how he looks like. It is easy to picture the blond hair, the very slim American nose and the very white nature of Robert. Tan goes ahead to describe how noisy his relatives are and how she was scared they would embarrass her in front of Robert of Christmas day. She was scared that being Chinese would be embarrassing in front of the minster’s American family. She was also afraid that the Chinese food that her mother served would not be as good as the American food the minister’s family was used to. In one of the paragraphs, Tan vividly describes all the food that her mother was preparing for Christmas. This description is so vivid that one can easily get a picture of how messy the kitchen was. The narration of how dinner went is also very dramatic and demonstrates how her Chinese family differed from the American family. From the narration, it is clear that there was a discord between the way of eating between the American family and Tan’s Chinese relatives. When Tan’s father offered her the fish cheeks, the embarrassment is evident from the description given by Tan (Tan 117). The embarrassing nature of the dinner continues to be described when Tan’s father belched out loudly as a sign of being satisfied. While in the Chinese culture this was thought to be a polite
Tan also does a fantastic job depicting a real life circumstance for all young teens coping with their parents. The beginning of the story starts of with a demanding tone, then, throughout the story it slowly transitions to an apologetic tone mainly because both Jing-mei and her mother learn from this strenuous road of perseverance. But what is all of that going to cost them, their relationship? The constant bickering between both parties going back and forth demonstrate how hard it is to find common ground with your parents, no matter what age you are. This story shows how complex mother-children relationships are while also including the culture differences and generational