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Into the wild literary analysis
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Into the wild literary analysis
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The Burning Passion in Jane Eyre “Tongues of flame darted round the bed: the curtains were on fire. In the midst of blaze and vapour…” As Charlotte Brontë wrote the novel Jane Eyre, she included the word “fire” several times. She uses is a description, a background image, and as an action event. The use of fire gives a way to show the passion that the characters have. The deep emotion the characters’ hold is shown through fire, which leads to the larger theme of love. The fire occurs because of love and love is grown next to the fire in the novel. Though the fire imagery in Jane Eyre generally shows the vivid emotions of anger from Bertha Mason for Mr. Rochester’s abandonment of her and Jane Eyre’s of love by her trying to save him and then …show more content…
Rochester’s by Bertha Mason. Jane Eyre awoke to a laughing sound and someone outside of her door. This led to her investigating and finding something she did not expect. “Something creaked: it was a door ajar; and that door was Mr. Rochester’s, and the smoke rushed in a cloud from thence. I thought no more of Mrs. Fairfax; I thought no more of Grace Poole, or the laugh: in an instant, I was within the chamber. Tongues of flame darted round the bed: the curtains were on fire. In the midst of blaze and vapour, Mr. Rochester lay stretched motionless, in deep sleep. “Jane then saved Rochester’s life. This act illustrates the passion that Jane experiences. She risked her life to go into a room doused in flames to save a man’s life. The fire is a representation of passion. Bertha Mason did this with passion in her heart. A passion can be defined as, “strong and barely controllable emotion.” This emotion that evokes passion in Bertha Mason here is anger. Anger that she is being held captive by the person she is married to. The emotion that evokes passion in Jane Eyre is love. Love for Mr. Rochester. There is one fire, but two different passions that are symbolized through this. The fire engulfs and surrounds Mr. Rochester, just as his relationships with both women do. He is falling for Jane and surrounded by that emotion, but he is also …show more content…
The anger that Bertha feels towards Mr. Rochester and Jane Eyre is embodied by the fire. Jane learns the story of the fire from the host at the Rochester Arms when he explains, “However, on this night, she set fire first to the hangings of the room next her own, and then she got down to a lower story, and made her way to the chamber that had been the governess’s—(she was like as if she knew somehow how matters had gone on, and had a spite at her)—and she kindled the bed there; but there was nobody sleeping in it, fortunately. “She lights both Mr. Rochester and Jane’s rooms on fire. The two people she has the most anger towards. Her emotions ignite like the flames to end them and then end herself. Bertha Mason does this to epitomize her burning ties with Thornfield and Mr. Rochester. She dramatically burns the place down. She isn’t trying to only hurt Mr. Rochester in this instance. This time, she burns more than just his room. She goes to Jane Eyre’s former room and burns it as well. From this action, it is shown that Bertha knows this is the end. This is her officially burning the ties and the relationship she had at Thornfield. The entirety of this even relates back to the theme of love because when Jane Eyre finds out about the fire, once again she is worried about the safety of Mr. Rochester. Her curiosity in the situation shows the passion she has for him;
Jane Eyre’s inner struggle over leaving an already married Rochester is the epitome of the new "lovemad" woman in nineteenth-century literature. Jane Eyre is the story of a lovemad woman who has two parts to her personality (herself and Bertha Mason) to accommodate this madness. Charlotte Bronte takes the already used character of the lovemad woman and uses her to be an outlet for the confinement that comes from being in a male-dominated society. Jane has to control this madness, whereas the other part of her personality, her counterpart, Bertha Mason, is able to express her rage at being caged up. As what it means to be insane was changing during Bronte’s time, Bronte changed insanity in literature so that it is made not to be a weakness but rather a form of rebellion. Jane ultimately is able to overcome her lovemadness through sheer force of her will.
Jane Eyre is born into a world where she is left bereft of the love of parents, family, or friends, but instead surrounded by hateful relatives. She resolves to attend school to begin her quest for independence. This theme is seen through Jane’s behavior when she renounces her relation to her aunt Mrs. Reed, ignoring the nurse’s orders and leaving her room to see Helen again, and when she acquires the courage to speak her opinion to Mr. Rochester.
Charlotte Bronte utilizes the character of Bertha Rochester to interrupt Jane’s potential happy ending with Mr. Edward Rochester. Bertha is announced by Mr. Briggs as a way to stop the wedding and it also shows how hopeless Jane’s situation is. “That is my wife “said he. ‘Such is the sole conjugal embrace I am ever to know—such are the endearments which are to solace my leisure hours! And this is what I wished to have,’” (312) and “’I wanted her just as a change after that fierce ragout,’” (312) are quotes that express Mr. Rochester’s reasons for trying to remarry while he already has a wife, meanwhile showing his disposition towards said wife. Had Mr. Briggs and Mr. Mason not been present for the ceremony, Jane may have lived happily in ignorance. Due to Bertha’s involvement however, Jane could never truly call herself Mr. Rochester’s wife. She says, “’Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire—I should then be your mistress: to say otherwise is sophistical—is false.’” (323) This quote shows that as a result of Bertha’s exposure, Jane refuses to marry Mr. Rochester. The influence that Bertha’s brief debut had on Jane’s life was significant enough to hinder the growth of her relationship with Mr. Rochester.
In the start of Fahrenheit 451, Montag’s thoughts are that fire is good for society. He burns books for a living, and never thought twice about doing his job. That is until he meets characters such as Clarisse, Beatty, and the academics. Montag’s understanding of the nature of fire changes as he becomes enlightened through his relationships.
Chapter 23 of Charlotte Bronte's Jane Eyre Jane Eyre begins by telling us about Jane's strict and unhappy upbringing with her upper class Aunt, Mrs. Reed. She is then sent to Lowood School where her only friend Helen falls ill and dies. When Jane is older she becomes a Governess working for Mr. Rochester at Thornfield Hall. Jane and Rochester fall in love but neither of them express their feelings to each other.
... destroys Thornfield. While Jane lives at Thornfield the place is consistent with a "ridge of lighted heath, alive, glancing and devouring" as her passion for love and kindness is fulfilled by Mr. Rochester. The place then dies when she leaves, and is still "the same ridge, (just) black and blasted after the flames are dead" when Bertha burns it down.
The novel Jane Eyre by Charlotte Brontë is an early 19th-century English literature; a literary work that is evocative and riveting. It depicts acts of betrayal between family members, loved ones and self-inflicted betrayal. The acts of betrayals are done by Mrs. Reed, Mr. Rochester and Jane Eyre herself.
Jane Eyre's literary success of the time has been cheaply commercialized. In other words, Bronte's novel never got the appreciation it deserved, in the areas it deserved. Many 19th century critics merely assigned literary themes to their reviews to "get it over with". Critics commended Jane Eyre for everything from its themes to its form. However, their surface examinations amount to nothing without careful consideration of the deeper underlying background in Jane's life where their hasty principles originate. The widely discussed free will of Jane's, her strong individuality, and independence are segments of a greater scheme, her life. For example: Jane's childhood serves as the most important precedent for all of the self-realism although this purpose is widely disregarded. Even though "many have celebrated Bronte's carefully wrought description of her protagonist's first eighteen years for its vivid pathos, no one has as yet accorded this childhood its deserved weight in the novels ultimate resolution." (Ashe 1) Jane Eyre's genius develops in a series of internal reactions to external circumstances rather than shallow judgments about those internal happenings.
The Novel Jane Eyre by Charlotte Bronte took a surprising twist when Bertha "Mason" Rochester was introduced. Bertha leaves a traumatizing impression on Jane’s conscious. However, this particular misfortunate event was insidiously accumulating prior to Jane’s arrival at Thornfield. Through Bertha, the potential alternative dark turn of events of Jane’s past are realized, thus bringing Jane closer to finding herself.
Jane Eyre, written in 1847 by Charlotte Bronte, relates a tale of tragedy, mystery, and gothic romance. Covering the multiple issues of England in that time, Bronte writes of orphan treatment, social class, and Britain’s controversial law of prohibiting divorce in all circumstances. Orphaned at a young age and unwanted by her guardian Mrs. Reed, Jane searches for higher prospects in education at Lowood, eventually earning a position as a governess at Thornfield. Complications disrupt her life, when she becomes engaged to her employer, Mr. Rochester, and soon after discovers that he is already married to a lunatic. Leaving Thornfield, Jane finds a home with St. John and his two sisters. Eventually, she returns to her former employer, discovering Thornfield in ashes, Mrs. Rochester dead, and Mr. Rochester blind and free from wedlock. Flooded with motifs, Jane’s continual struggles between her passions and responsibility prevail as the main theme of Bronte’s entrancing narrative.
The similarities between the two fire scenes might lead one to suspect that they are in some way parallel, yet their differences discount this oversimplified view. Both fires are set by arsonists described as insane. Bronte's Bertha is "the mad lady, who was as cunning as a witch" (Bronte 435). Rhys's Antoinette recalls "a horrible noise sprang up" from the attacking freedmen, "like animals howling, but worse" (Rhys 38). This madness, however, serves different purposes for each scene. Bronte uses madness to further degrade Bertha to the level of bestiality and insanity, a theme which she develops from the very moment the character is introduced until her fiery death in the destruction of Thornfield. By reducing Bertha to a single dimension, Bronte uses Bertha not as a character but as a tool with which to manipulate the flow of the plot. Rhys, however, uses madness toward a diffe...
... the anger that she had expressed as a young girl, due to the fact that her society does not accept it. This anger that she once held inside is prevelant in Bertha's act. It is in the Red Room that Jane "became increasingly alive with bristling energy, feelings, and sensations, and with all sorts of terrifying amorphous matter and invisible phantoms" (Knapp 146). This igniting energy and flow of feelings, are very similar to those that Bertha realises at Thornfield.
Passion and reason, their opposition and eventual bringing together, serve as constant themes throughout the book. "Unjust!--unjust! Said my reason...How all my brain was in tumult, and all my heart in resurrection!" (Bronte, 17) Jane's passions are uncontrolled because she is not using reason. We see the dangers of nature and passion tempered by reason in the scene in which Rochester almost marries. Jane must get over her overwhelming passion for Mr. Rochester or Jane runs the risk of losing herself. In this case, passion nearly gains a victory over reason. Jane nearly loses her own personality in her overwhelming love. "Feeling without judgment is a washy draught indeed; but judgment untempered by feeling is too bitter and husky a morsel for human deglutition" (Bronte, 247). In other words, the individual must attain a balance between reason and passion, not be dominated by one or the other.
At the start of Jane Eyre, Jane is living with her widowed aunt, Mrs. Reed, and her family after being orphaned. Jane is bitterly unhappy there because she is constantly tormented by her cousins, John, Eliza, and Georgiana. After reading the entire book you realize that Jane was perfectly capable of dealing with that issue on her own, but what made it unbearable was that Mrs. Reed always sided with her children, and never admitted to herself that her offspring could ever do such things as they did to Jane. Therefore, Jane was always punished for what the other three children did, and was branded a liar by Mrs. Reed. This point in the book marks the beginning of Jane's primary conflict in the novel. She feels unloved and unaccepted by the world, as her own family betrays her.
Love is an important theme in the famous novel Jane Eyre by Charlotte Bronte. Jane's love for Rochester is clearly noticible throughout the novel. But Jane's true love for Rochster becomes appearent in only a few of her actions and emotions. Although it may seem Rochester manipulated her heart's desire, this can be disproven in her actions towards him. Jane followed her heart in the end, by returning to Rochester.