Film Analysis Of Christopher Nolan's 'The Prestige'

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The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound helps to resolve the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various …show more content…

While the spotlight on his face, Borden whispers to the guard, “Are you watching closely?” Repeating the first enigmatic line of the film. At the beginning of the film, this statement was to inform the audience to watch closely to uncover its mysteries, the lighting on his face also contributing to the importance of his words. However, at this stage in the film, the secrets are about to be revealed, alerting the audience that something spectacular is to come, the prestige of the trick. This phrase also reinforces the fact Borden will die; the character will have no escape. Once again, creating an emotional response from the …show more content…

Angier firstly says, “No one cares about the man in the box.” Then later calls numerous times, “Cutter?” This close up shot allows the audience to see a doubtful expression on Angier’s face, connoting the wavering of power, the turning of tables. The line “No one cares about the man in the box” is also repeated in this scene. This has connotations of death as “box” could allude to a coffin. Although the audience does not know it at this point, these tanks hold the bodies of all the dead clones of Angier. Therefore, he is almost saying that he doesn’t care what lengths he had to go to as he achieved his “prestige”. The multiple calls for Cutter can be interpreted as denial that Borden is

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