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The Most Dangerous Game’ by Richard Connell analyses
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In the short story, “The Most Dangerous Game,” by Richard Connell, many different kinds of figurative language is used to develop the setting and mood. In the beginning, the author begins to describe the setting while the main character is on a boat. “The sea was as flat as a plate-glass window.” He used a simile to describe the location. It tells you the sea was flat, which makes it calm, but it is also odd, because the ocean is usually rough and has a lot of waves. When the main character, Rainsford, fell off the boat, the author used figurative language to describe the water. “The cry was pinched off short as the blood-warm waters of the Caribbean Sea closed over his head.” Richard Connell compared the warmth of blood to the
The title of the short story, “Four Directions” is symbolic for Waverly’s inner misconceptions. As she goes about her life, she is pulled in different ways by her past and her present. She is torn between her Chinese heritage and her American life. She never thought that instead of being pulled in four directions, she could take all of her differences and combine them. In the end she realizes this with the help of her mother. “The three of us, leaving our differences behind...moving West to reach East” (184), thought Waverly. Her whole life she misconceived her mother’s intentions. Lindo never wanted Waverly to solely focus on her Chinese heritage, but rather combine it with her new American ways. The idea of being pulled in four
In the short story “Touching Bottom”, the author Kari Strutt uses a variety of examples of symbolism as a way to emphasize important traits about the narrator to the reader. First of all, Strutt uses the yellow towel as a symbol for the narrator’s feeling of comfort and security. For example, when the narrator opens her eyes for the first time underwater as a young girl “[she] [is] afraid”(124), but when her father greets her with a yellow towel after she surfaces “the fear, what [is] left of it, [evaporates]”(124). This shows the reader how the narrator finds safety in her yellow towel since all of the fear that she has trapped in her body is released when she is wrapped in the yellow towel. Furthermore, Strutt uses the contrast between murky
The author used of figurative languages such as metaphor, "Already old men playing ball in a field between a row of shotgun houses and the magazine lumber company."
AJ Niedermeyer Niedermeyer Pg. Ltd. 1 Mrs. Viola English 1 Honors Reuben's Use of Figurative Language 3/2/14. Reuben's use of figurative language in the novel Peace Like a River reveals fundamental elements of both his character and his manner of speaking. It both allows the reader to better follow the action and creates a vivid picture of the scene at hand, and simultaneously gives some insight as to his personality and the way he observes things. This use of figurative language serves to make the story an even more enjoyable read, as it makes each scene worth reading in and of itself, not to mention the story as a whole.
A common person’s knowledge about sea disasters comes from what they have read in books and articles, and what they see on TV and in movies. The average person does not get to experience the fury of a hurricane while on a boat. In order to capture the audience’s attention, consideration to details and vivid descriptions are needed to paint a realistic picture in their minds. For this reason, the stories have to provide all of the intricate details. In The Perfect Storm, the story starts out with a radio call, not a dramatic scene that immediately foreshadows the possibility of danger. Rather than describing the storm and its fury, the only mention of the setting is of the visibility and the height of waves. However, in “The Wreck of the Hesperus”, the poem begins by stating there is a hurricane possible right away. The current weather conditions are pointed out to the reader as shown in the following quote.
Metaphors and Similes are often used in this story, so the reader has a better image of the setting, this is something, and I find Connell did incredibly well, for instance when he refers to the darkness of the night like moist black velvet, the sea was as flat as a plate-glass and it was like trying to see through a blanket.
This wouldn’t have the same seriousness if it took place at any other location but a thick dark jungle. The first good piece of imagery is when the sea is described as “blood warm”. It puts a picture in your mind of a sea of blood which is an unhappy dark thought but is a link to what is to come and how gruesome it will be. The jungle is so well described in this story because it represents so many parts of the story. Its thickness is described in detail to give you a understanding of what the odds were going against Rainsford. The darkness and light described in the story are key elements to showing what Rainsford feels inside. The darkness is described and gives a sense of enveloping terror and a dis advantage to him. The light on the other hand is talked about in glimpses and is a hopeful
At the beginning of the passage, Matheson uses a simile in order to illustrate the man's throat. In lines 1-2, the man's throat is described as "clammy turkey skin." The author then uses this comparison to make the reader feel disgust. Similarly, the same man is portrayed as having a grip "like skeleton fingers" in order to create a repulsive effect on the reader. Matheson provides personification in line 8 when he says "the sea [is] imprisoned under canvas," and uses a metaphor to characterize the sea as "roaring to escape." Both of these descriptions give the sea human qualities
Truman Capote uses a simile in order for the readers to visualize what the scenery looks like. He compares the country to a lake using the word “as.”
In the story “The Most Dangerous Game” by Richard Connell Rainsford the main character was enjoying a ride on a yacht, then suddenly he had fallen off he had to literally fight for his survival. This had caused Rainsford to swim to land as he hears a very loud bursting noise. This island was deserted, dark and Rainsford didn’t know what these shots were, but he had to fight for survival. This is how the setting of the story “The Most Dangerous Game" creates an eerie mood for the reader.
Longfellow appeals to the sense of touch and sound to make the winds easier to imagine in one’s mind. When the wind blew “colder and louder” (Longfellow 6), the reader can infer that the storm was getting worse, and eventually it was going to get deadly. The captain’s arrogance led him to overlook the obvious danger to him and his daughter, therefore he set sail to the open sea. The old sailor, with his experience and knowledge, knew when a dangerous storm is about to occur, giving emphasis to the strong winds and extremely cold temperatures. The reader imagines themselves riding the boat, vulnerable to the elements, getting pushed around by the cold, deafening winds, wondering why the captain was determined to keep sailing. Moreover, the author uses sight to depict the aftermath of the wreck and what had become of the maiden after the incident. The salt from the sea was “frozen on her breast” and “in her eyes” (Longfellow 21), indicating her death. Longfellow uses sight to describe the horrible death the daughter had died, proving to the readers once again that being arrogant like the captain had been only brings tragedy. The salt symbolizes guilt and negativity, and being frozen on the daughter represents that the maiden had been stripped of her innocence. The captain, who had been attempting to protect his daughter from such outcomes, had failed to
To begin, the presence of similes shows a great comparison made by characters, providing insight on the characters circumstances. The narrator explains, “I go out into the polished hallway, which has a runner down the center, dusty pink. Like a path through the forest, like a carpet for royalty, it shows me the way”(Atwood). A simile is present comparing the carpet in the hallway to a carpet of royalty. The character believes that her daily, low circumstance routine, which starts by crossing the carpet, is the way to royalty. Do to the way power is manipulated, the characters are blocked from a regular living and are left to live in low circumstances. Moreover, the great use of imagery give the reader a visual understanding of the novel. The author state, “Audience much amused by shots of a great huge fat man trying to swim away with a helicopter after him, first you saw him wallowing along in the water like a porpoise, then you saw him through the helicopters gunsights, then he was full of holes and the sea round him turned pink and he sank […]”(Atwood). Imagery is created through the words of the narrator showing the presence of a warfare setting including an average
Imagery of all kinds is abundant in this passage as Meursault, the main character, pays great attention to and describes in detail the beach environment that surrounds him. Visual imagery is present as he conveys the intense heat by telling how it seemed as though the sky had cracked open and was raining flame, and by personifying the ocean, recounting how it breathed blistering hot air onto the beach.
Each narrator encounters an actual physical trial. The new captain in The Shadow Line finds, when at sea and with a crew afflicted by tropical fevers, that the "mad" fo...
The story’s theme is related to the reader by the use of color imagery, cynicism, human brotherhood, and the terrible beauty and savagery of nature. The symbols used to impart this theme to the reader and range from the obvious to the subtle. The obvious symbols include the time from the sinking to arrival on shore as a voyage of self-discovery, the four survivors in the dinghy as a microcosm of society, the shark as nature’s random destroyer of life, the sky personified as mysterious and unfathomable and the sea as mundane and easily comprehended by humans. The more subtle symbols include the cigars as representative of the crew and survivors, the oiler as the required sacrifice to nature’s indifference, and the dying legionnaire as an example of how to face death for the correspondent.