The play I have chosen was Fiddler on the Roof, being so because it holds a lot of value to me and it is also enjoyable. I believe that Fiddler on the roof holds a multitude of genres with in the three hour plays; it is a romantic, comedic musical. Not only that but it holds a deep meaning, so I guess you could say it’s a musical drama. Throughout the play/film the musical style of the film represented not only the music of Eastern Europe but styles of artwork as well. The humor, musical style and pathos represented how they lived; based off of different European cultures such as Hungarian, Romanian and Russian folk music, the film was also mixed with the romantic style of the Jewish culture and folk music of this time. The theme of this play can be seen as a doina which is the Romanian aspect as well as a plaintive instrumental solo which later on becomes a larger work.
The aspect this play would fall under with in the theater book/chapter four would be suspense being that the play is a musical drama; it keeps you at the end of your toes throughout this work. During the bottle scene of the play we witness two worlds interact with each other in a celebration of marriage, the music used within the scene demonstrated the levels of suspense. At first the music started out as a sentimental strand and then led into an immediate pragmatical dark tune. You would assume they did this for certain purposes but it was shown as a climatic thing in order to incorporate the different sounds of Eastern Europe coming together. It was somewhat of an organized response. The director of this play showed this particular scene and emphasized it so much to exemplify the value and meaning behind not only the Jewish culture but it coming together with...
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...l be married under a canopy. Because some traditions are important, you may rewrite them, bend them; make them work for you, but some you’ll carry with you. We’re all writing and re-writing tradition every day, whether we do it in a reflective, self-conscious voiceover like Tevye or instinctively such as Golde shaking her head when Tevye tells her that Chava is dead to them. There are so many factors and different parts of this three hour play that I could genuinely go on about, different rising actions, internal conflicts and concepts. The moral of this play and the relation it has to me is the binding aspect in order to stay together and the bondage of family, love and tradition; give them a sense of community. You shouldn’t be blind to your own selfish ways to keep others happy but what matters to the ones you love and true happiness is involved is what matters.
“Theory of Marriage” is one of the poems in which Mark Doty read while visiting the students here at Ramapo College. After reading the title of the poem one expects that the content of this written work will focus on, well the theory of marriage; however, after reading the poem it is to some confusion to find out that the face value of the poem is actually about Doty and his friend at a massage parlor. It was only through Doty’s emphasis on certain words such as “oh” that I later realized his poem is not about the pain that the masseuse was giving to him but rather the pain that marriage caused. The way he read the lines, from the pauses to his facial expression really opened up my eyes to see that nothing is as it seems, especially when it comes to
In Tartuffe, Moliere creates a play that is interesting in so many ways. His comedy reflects a lot on the role of men and women within a family. During this time, it was common for the man to be the head of the household and women to be submissive to the men. Men held the power in the family and made all the decisions. In this play, a man's point of view is the only view that matters. All else do not serve an importance. His lack of trust and awareness for other people's feelings and needs has caused great conflict in his family. The actions taken by Orgon and his family members express how this play views marriage and relations between men and women. It is a extremely different view (in some cases) of marriage today in average American family.
In conclusion I think that the stage directions and dramatic irony are significant to the play, and without them there would be no need for a lot of the events that happen in the play.
play and the two I have chosen are the BBCs version and a modern play
The fact that the fictional mothers and daughters of the story have unhappy marriages creates a common ground on which they can relate. However, marriage has different meanings for each generation in this book. In the mothers’ perspective, marriage is permanent and not always based on love. Especially with their marriages in China, which was a social necessity that they must secretly endure in order to be happ...
...show us that the choices for women in marriage were both limited and limiting in their scope and consequences. As can be seen, it came down to a choice between honoring the private will of the self, versus, honoring the traditions and requirements of society as a whole. Women were subject to the conditions set down by the man of the house and because of the social inequality of women as a gender class; few fought the rope that tied them down to house, hearth, and husband, despite these dysfunctions. They simply resigned themselves to not having a choice.
As the story begins, the narrator's compliance with her role as a submissive woman is easily seen. She states, "John laughs at me, but one expects that in marriage" (Gilman 577). These words clearly illustrate the male's position of power in a marriage t...
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that of Elizabethan England, in doing this he is trying to plant new ideas in the people who read or view the play.
Marriage can be seen as a subtle form of oppression, like many things which are dictated by social expectations. In Kate Chopin’s The Story of An Hour, Louise Mallard finds herself in distress due to the event of her husband’s death that makes her question who she is as a person. The author cleverly uses this event to create the right atmosphere for Mrs. Mallard to fight against her own mind. As the short story progresses, we see that Mrs. Mallard moves forward with her new life and finds peace in her decision to live for herself. This shows that marriage too is another chain that holds oneself back. Not wanting to admit this to herself, Louise
It is well known that Shakespeare’s comedies contain many marriages, some arranged, some spontaneous. During Queen Elizabeth's time, it was considered foolish to marry for love. However, in Shakespeare’s plays, people often marry for love. With a closer look into two of his most famous plays As You Like It and Twelfth Night or What You Will, I found that while marriages are defined and approached differently in these two plays, Shakespeare’s attitudes toward love in both plays share similarities. The marriages in As You Like It’s conform to social expectation, while the marriages are more rebellious in Twelfth Night. Love, in both plays, was defined as
The short stories “Souls Belated” and “The Yellow Wallpaper” have in common ‘Marriage’ as main theme. However, the marriage is treated quite differently in both short stories. In "Souls Belated", Lydia chooses to take control of her destiny, to deviate from conventions and to choose what is good for her. She is the strongest character of the couple. Whereas, in "The Yellow Wallpaper", the name of the main character who is also the narrator of the story is not known. She is identified as being John’s wife. This woman, contrary to Lydia in "Souls Belated" is completely locked up in her marriage. This essay will first describe and compare the characters of Lydia and John's wife in the context of marriage, and then it will look at how marriage is described, treated and experienced by couples in these two short stories.
The first marriage that we encounter in the book is that of Mr. and Mrs. Bennet. The Bennets are not well matched at all in character or social background. Mr. Bennet is intelligent, and a “gentleman”, while Mrs. Bennet had little money and much “lower social connections” before their marriage. Their union was based on an initial physical attraction-Mr. Bennet found Mrs. Bennet to be beautiful, and Mrs. Bennet wanted the economic and social status that this marriage would provide her with. However, a marriage that is based on this kind of superficial attachment is doomed to failure, because as the years go on and the beauty fades Mr. Bennet is left living with a woman whom he absolutely does not respect at all.
All readers will read and interpret this story in their own way based on their life and their knowledge of marriage. One thing that is indisputable is the emotions which carry through all people and the empowerment in which marriage has on these inspirations. In life love can renew one spirit as well as kill the passion of a person.
To give a little background on the play, the pursuit of marriage is the driving force behind the play. “I now pronounce you, man and wife.” This traditional saying, commonly used to announce a newlywed couple during a wedding ceremony, marks the happily ever after that many dream of today. In today’s society, marriage is an expression of love between two individuals. Marriage has not, however, always been an act of love.