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Post war womens roles in american society
Mary maloney lamb to the slaughter analysis
Gender roles post war
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In the socially stagnant post-war United States of the early 1950's, Mary Maloney is content with the routine she has established for herself as a homemaker. She spends each day anticipating the return of her husband, police officer Patrick Maloney. In this waiting period, she tidies up his house, prepares his food, and periodically glances at the clock until he arrives. For Mary Maloney, her husband's return is "always the most blissful time of day" (Dahl 24). Patrick's presence completes Mary, in that she is dependant on him both economically and emotionally.
In Roald Dahl's 1951 short story, "Lamb to the Slaughter," Mary Maloney comes to embody a feminist heroine by escaping her husband's oppression. Her behaviour in the beginning of the story is docile and therefore socially acceptable; she is the willing and conscientious housewife that all women should be. She has no choice in the matter, for "the Western family structure helps to subordinate women, causing them to be economically dependent" (Bressler 186). As soon as her husband Patrick reveals that he is leaving her, Mary's whole character changes. She murders her husband, who has provided her with the security she has come to take for granted. The cultural, linguistic, and bodily elements that differentiate the female from the male are apparent in "Lamb to the Slaughter," thereby marking it as a highly subversive feminist text.
It is obvious that Mary's feminist awakening has cultural implications. It is difficult to presume, however, that Mary is a subversive figure without knowing precisely what type of society this story is set in. In particular, one must understand the elements of the status quo that exist in order to explain how they can be und...
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...thout the family structure that is necessary for all women.
The uncertainty over this issue is interesting. Dahl and myself, a writer and a reader, are males. We belong in the oppressor category due to the confines of our culture. As such, even the normal women like Mary Maloney will always seem somewhat mysterious. Until this changes, it may become habitual for me to keep my eyes open and senses alert before dinnertime from this point on.
Works Cited
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. Upper Saddle River, NJ: Prentice Hall, 1999.
Dahl, Roald. "Lamb to the Slaughter." The Roald Dahl Omnibus. New York: Barnes & Noble, 1993.
Showalter, Elaine. "Feminist Criticism in the Wilderness." Modern Criticism and Theory. Ed. David Lodge with Nigel Wood. New York: Pearson Education, 2000. 307-330.
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 5th ed. New York: Longman, 2011. Print.
Mary played the role of a very caring wife at the beginning of the story, since she was always there for her husband and tried to do anything to serve and satisfy him. Firstly, as soon as her husband came home “She took his coat and hung it in the closet. Then she walked over and made the drinks”(Dahl 2). Later on when she notices that her husband seemed depressed, she asked him, “Would you like me to get you some cheese” (Dahl 2). When he says no, she replies “But you must eat! I’ll fix it anyway” (Dahl 2). This shows the care she had toward her husband at the beginning of the stroy and how her life used to revolve him. Furthermore, it shows how she used to do anything to please him. Therefore this proves how she knew her duties and responsibilities toward her husband really well. Although, in this story, Mary Maloney was not only a very a dutiful and caring wife, but during the story she transitioned into becoming an even more dutiful mother who was well aware of her responsibilities. After she killed her husband she thought of her child and wondered, “What were the laws about murderers with unborn children? Did they kill the both- mother and child? Or did they wait until the tenth month? What did they do? Mary Maloney didn’t know. And she certainly wasn’t prepared to take a chance” (Dahl 3). This shows how Mary Maloney had created this entire plan just to save her child and didn’t care what harm came to her. Therefore this definitely makes her a very caring mom, because it takes a lot of love to do such a thing. So this definitely makes her the perfect mother. In conclusion, Mary Maloney is strongly aware of her duties and responsibilities. Therefore, she was able to carry out the entire plan because people knew how much she loved her husband and so people trusted her. Also, she created this plan because
Striking, the boy conveyed an unparalleled impression. Deeper into this utopia however, his once charming disposition, slowly cracked to reveal his true monstrous nature. Out of the dream, emerged a nightmare. Malevolent, malicious, masks fell off to reveal a mentality concealed before. First impressions are not always accurate, sometimes underneath the perfection lies a different character waiting to be awakened. Take Mary Maloney in Roald Dahl’s “Lamb to the Slaughter” for example. Mary’s character development, along with her interactions with her husband, Patrick Maloney, and the detectives from his department reveal the theme of, “Seemingly “perfect” people have a dark side.”
Heberle, Mark. "Contemporary Literary Criticism." O'Brien, Tim. The Things They Carried. Vol. 74. New York, 2001. 312.
Unknown. 2012. The Bloody Chamber: AS & A2 Critical Debates: Feminism. [ONLINE] Available at: http://www.yorknotes.com/alevel/the-bloody-chamber/study/contexts-critical-debates/04020300_critical-debates. [Accessed 03 January 14].
In Mary Shelley's Frankenstein and Oscar Wilde's The Picture of Dorian Gray women are often portrayed as passive and weak characters. During the 19th century when these books were written, the proper domestic ideology was that women were naturally squeamish, defenseless, innocent beings, who needed protection from the male worlds of business and politics (Stepenoff). This theme is demonstrated throughout both of these novels through major and minor characters. In the case of Frankenstein, Shelley, who is a feminist herself, covers her book with submissive women who suffer calmly and eventually die. Similarly in Wilde's story, there are a few female characters that do not show much immediate importance, but they ultimately have a major impact on the story. Both authors portray their female characters as weak and passive, yet, despite their minor roles, these women strongly influence the men and greatly alter the course of events in each novel.
Literary Criticism. Ed. Roger Matuz and Cathy Falk. Vol. 62. Detroit: Gale Research, 1991. Literature Resource Center. Web. 27 Feb. 2014.
...d. Jeffrey W. Hunter. Vol. 254. Detroit: Gale, Cengage Learning, 2008. 287-89. Literature Criticism Online. Web. 9 Apr. 2014.
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 5th ed. New York: Longman, 2011. Print.
In the story “Lamb to the Slaughter” by Roald Dahl, Mary Maloney is shown to have a very sinister and manipulative character. In the beginning of the story, Mary Maloney was a normal, loving and caring pregnant housewife that loved and cared for her husband, Patrick Maloney, very much. Earlier at the start of the story we see Mary was waiting for her husband to come home from work. She had set up the house with two table lights lit and plates on the dining table so they can have a very romantic dinner when Patrick comes home. When Patrick came home, Mary was very excited to see him. She would try to offer him some drinks and insisted she would get things in the house he needed so he didn’t have to get up himself. The countless times that Patrick said no to her offers and helpful doings, she still tried to serve and tried to make him feel comfortable and relax after work.
Bayley, John. Contemporary Literary Criticism. Vol. 76. N.p.: Gale, 1992. 322-31. Web. 17 Dec. 2013.
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. Upper Saddle River, NJ: Prentice, 2003.
When the police arrived they try to understand and figure out how Patrick has been killed. But unluckily the officers can not notice Mrs. Maloney was the killer. At the end of the book Mary Maloney giggles when the officers said, “Probably right under our very noses. What you think, Jack?” (Dahl 18). Throughout the beginning, Mary Maloney seemed like a nice caring wife but what Patrick said caused her to do a crime. At that point, Mary knew she got away she eliminated the evidence and managed to escape. Mary laughing shows readers that the killing of her husband was not important to her at all. Therefore the theme of this story is to not trust everybody.
The discourse on the status of women and their struggle for liberation in the society and in literature, however, is not new. Women’s liberation movement, popularly known as ‘feminist’ movement, started with an aim of establishing and defending equal rights and opportunities for women. Until late eighteenth century, women, whether of Europe or non-Europe, did not raise any voice to claim their rights in the society. With the publication of the British feminist writer and advocate of women’s rights, Mary Wollstonecraft’s revolutionary work A Vindication of the Rights of Woman (1792), there emerged a women’s...