2. “Under the Same Moon” point by point
a. Feminism is a reasons for women to abandon a young child.
On the other hand, in the movie “Under the Same Moon” Rosario is a determined woman, responsible, and hard worker. She is a single mother who had to live her 5 year old son, Carlitos, in the care of her mother while she looked for employment opportunities in a different country.
Rosario was falling in love with her coworker, Paco, who worked as a security mam at the house where she worked as a house keeper. But she did not let herself to have those feelings while she was away from her son. She refused to get into a relationship with anyone because she first wanted to fix her immigration status by herself. She was determinated to reach her goals without the help of a man.
• In-text citations
There is a scene where
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Both movies suggest that self-improvement is not worth it, if it implies mothers to be separated from children.
Rosario was very sad because she knew that Carlitos was suffering very much. There is a scene where Carlitos is talking to his mom and Rosario ask: “what do you need Carlitos?” and he answer “I need you.” This scene clearly shows up the child’s pain of being separated from his mother. But also the pain of the mother because she is not with his child. (Riggen)
In another scene, Rosario tell her friend Alicia. “I know carlitos is suffering more with me being far away.” (Riggen)
At the end, Rosario realized that been separated from his son is not worth it. She worked very hurt to give carlitos what she considered was good for him but the situation made Carlitos to decide to cross the border to look for her. She knows that Carlitos was very intelligent but he did not have a phisical address to look for her, she did not knew anything about him so she decided to go back to Mexico to look for him. But in the process to do it, she found Carlitos in the same place she used to call him every Sunday.
TRANSITION AND ONE CONCESSION/COUNTERPOINT
...also accurately. “Salvador’s confession lasted three hours and twenty-two minutes and wrung Salvador out as if he’d been taken to the stream like a bunch of dirty clothes and his heart and soul were pounded with stones and scrubbed hard with soap” (537). Doña Margarita is pious woman along with having a great influence over Juan, which is shown above. Juan realizes that his mother is right, if he truly wants to be happy in his marriage he cannot start off with being unholy in his mind, so he must cleanse himself by going to Reconciliation. The children of the matriarch, mainly Juan because of his radical changes during his life, are greatly influenced by their mothers. They have become living embodiments of each of their mothers stand for, which was the real goal of the mothers after all.
Forbidden Planet (1956), directed by Fred Wilcox, is the first science fiction film to take place on an exoplanet. The film is about a military class vessel and crew dispatched to investigate the status of a scientific exploration team on a planet in the Altair system. The captain and crew of the investigating team is surprised to find only one original crew member remaining on the planet; furthermore, the investigators find out that all the other crewmembers of the science team were viciously attacked and killed by a mysterious, unseen entity. Many elements present in the film inspired later films and shows that were of a space exploration, science fiction type. The inspiration is strongly visible in Roddenberry’s Star Trek series. One of the most interesting facets
Tears were running down her rigid, expressionless face. ‘Cabron!’ she said. ‘Vendido sanavabiche!’” (Paredes 294)
Carlitos: Jimmy and Isabelle's son came into the world at a disadvantage and in some ways his heartache basically consisted of anger from both parents.
They both admire her mother’s beauty. Her grandmother begins to reveal certain aspects from her mother’s past and the nagging feelings gets stronger. La Inca explains to her that she is very similar to her mother. She tells her about why she had to send her mother to New York; she also had fallen in love with the wrong man. At the end of this story, we see Lola go through this internal change. I think the author did this to show that maybe Lola couldn’t understand her mother because there were many things about her she didn’t know and that their story was so very similar. We don’t get to see anymore of the conversation; therefore, we don’t see if this revelation serves a purpose, but I would like to believe it
it is unmistakable that life situations inspired Juan Rulfo to write this story. He like no other person had a greater understanding of how to portray the theme of family especially missing a father as a role model, death, survival and revenge. Moreover, through the use of local Mexican language it furthermore developed the society in which peasants had to live during the post-revolution. Additionally Juan Rulfo tries to add all five senses in the story forming magical realism and a vivid picture that the readers can understand. Overall, the readers learn a lot about peasant’s approach to life after revolution that the main drive was
She described marrying a white man was vital. The lighter the skin, the better the person’s life would be. She wanted her kids to have a better life than she did. That is why Reyita, and other Cubans, wanted to marry white men. They would marry and have kids with a white man even though they were not in love with them because it was essential for a better life for them and their off-spring. A white man could find a better job and provide more for the family. It seemed like discrimination was everywhere. It wasn’t just a community issue it was also demonstrated through the government and throughout the
The biological differences that set apart the male and female gender throughout any culture remain eminent. Men are perceived as the stronger and dominant gender; women play the role of the weaker. In each culture the expectation of the manner in which men and women behave are influenced by the ideals and customs of that culture. In most predominant cultures, the man undertakes the role as a leader, and the woman devotes her life to the husband. Throughout history, traditions and literature provide a template to the identities of various cultures. Sleeping Beauty’s classic tale of a beautiful princess takes a central precept that previous patriarchal archetypes dominated during the 17th Century. The archetypal perceptions of women resulted from conscious and unconscious literature influenced by male-dominated perspectives and social standards.
In both of these stories there are certain characteristics of females that are the same, they are inner strength, obedience, honor and respect, the good of the family is better than the good of the individual.
...parents were much more successful in the working world encouraged him to complete many daily activities such as choir and piano lessons. His parents engaged him in conversations that promoted reasoning and negotiation and they showed interest in his daily life. Harold’s mother joked around with the children, simply asking them questions about television, but never engaged them in conversations that drew them out. She wasn’t aware of Harold’s education habits and was oblivious to his dropping grades because of his missing assignments. Instead of telling one of the children to seek help for a bullying problem she told them to simply beat up the child that was bothering them until they stopped. Alex’s parents on the other hand were very involved in his schooling and in turn he scored very well in his classes. Like Lareau suspected, growing up
goes to her mother to tell her of Pedro’s intention to meet with her and ask for her
Women were represented in different ways throughout the movie Metropolis, but the underlying theme was women were seen as purely sexual. Maria was seen as the nurturer in the film, but also as a sexual object. She was the one who preached for peace and harmony down in the catacombs to the workers. Maria was also the nurturing maternal figure that was seen walking into the garden with all of the poor children. The vamp, on the other hand, was portrayed blatantly as a sexual object. This whole movie was seen through the eyes of the male perspective, which usually portrays women as sexual objects, and robs them of any identity. Lang shows Frederson as having fear of femininity which involves women's emotion and nurturing.
Rosario Ferre, a Puerto Rican writer whose mother came from the landowning elite and whose father, an industrialist, was a pro-statehood governor of the Commonwealth, is herself a supporter of independence for the island. Set in Puerto Rico in the era in which the old sugar cane aristocracy was giving way to the new industrial wealth, each class patriarchal in its own way, "The Youngest Doll" contains a shocking doctor-patient scene showing how social classes use their power and, in particular, how they use women as objects.
In today’s world, men and women are perceived equally by the society. In the past, authority and control define men while women are given the characteristic of helplessness. Men are able to get hold of high positions while women usually are subservient to them. In movies, we would usually see women portray roles that are degrading due to the stereotypical notions they associate with this gender group. Moulin Rouge, a movie set during the 1900s narrates the story of a courtesan woman, Satine, as she undergoes hardships to earn money, experiences love but unfortunately, due to her irrational choices, faces tragic consequences at the end. Satine is a symbol of how women are being treated by the society during the era before post-feminism, where men have superiority over women. As the plot develops, Satine transforms from a worthless prostitute to someone who is courageous and willing to face her fears in order to attain her aspirations. Psychoanalyst theory and feminist analysis are apparent throughout the film. The male gaze, fantasy and feminism are three topics that will be covered in depth in this essay through relating it to the movie.
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...