The texts Antigone and Wicked challenge conventional ideas about gender. Both Elphaba and Antigone demonstrate strong will and are figures of rebellion as they challenge the status quo in their patriarchal societies. The main characters in these books reject feminine constructs of leadership, challenge democracy, and deconstruct ideologies of maternity and male dependency through embracing the label as “the other” courageously. In relation to leadership and women, historically women who wanted to seek leadership roles were often seen projecting the traditional masculine model of leadership. This model means to be rational, unemotional and analytic. It also, means in order to succeed traditionally women needed to look and act like a man to be taken seriously in leadership positions. Women in the past often dressed up in suits and ties and anything feminine was seen as an internal “weakness”. To be a leader in power meant to exude confidence in masculinity and shy away from anything remotely girly. As opposed, to the feminine model which casts power as focused on connection and harmony instead of power over something, someone. This power can be skilled through collective gain or physical attractiveness (Kruse 22). Glinda from Wicked fits this traditional model. In Maguire book, Glinda is depicted as blonde and pretty following the ideological model of beauty and although she is enrolled in university, she invests more time in climbing the social ladder. Glinda too often accommodates to the needs and interests of the men of Oz and becomes a leader at Shiz because of her feminine beauty and the ability to connect with others. Lastly, Glinda’s compliance over the loss of Elphaba friendship, the corruption of Wizards rules further... ... middle of paper ... ... do, for all your crown and your trappings, and your guards—all that you can do is to have me killed”( Sophocles190 ).This kind of bravery ultimately proves that Antigone is courageous and willing to stand up to man and do so openly in pride. This kind of courageousness was rare for women of that time. Antigone dies bravely and in loyalty of her brother and because of this she is a model of a strong female protagonist as she clearly did not abide do gender expectations. Captivatingly, both women act daringly, regardless of the culturally constructed labels as women, products of incest and wickedness. They use their “otherness” as a power mechanism, rather than an excuse to passivity. In conclusion, Elphaba and Antigone challenge conventional roles of gender, as they are strong, courageous figures of rebellion and exemplify a lack of traditional gender normativity.
Over the course of time, the roles of men and women have changed dramatically. As women have increasingly gained more social recognition, they have also earned more significant roles in society. This change is clearly reflected in many works of literature, one of the most representative of which is Plautus's 191 B.C. drama Pseudolus, in which we meet the prostitute Phoenicium. Although the motivation behind nearly every action in the play, she is glimpsed only briefly, never speaks directly, and earns little respect from the male characters surrounding her, a situation that roughly parallels a woman's role in Roman society of that period. Women of the time, in other words, were to be seen and not heard. Their sole purpose was to please or to benefit men. As time passed, though, women earned more responsibility, allowing them to become stronger and hold more influence. The women who inspired Lope de Vega's early seventeenth-century drama Fuente Ovejuna, for instance, rose up against not only the male officials of their tiny village, but the cruel (male) dictator busy oppressing so much of Spain as a whole. The roles women play in literature have evolved correspondingly, and, by comparing The Epic of Gilgamesh, Sir Gawain and the Green Knight, and The Wife of Bath's Prologue, we can see that fictional women have just as increasingly as their real-word counterparts used gender differences as weapons against men.
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
In the story of Antigone, the way the author describes characters is very success, especially Creon and Antigone. Antigone is definitely a feminist hero in the story, who persist in morality, and fearless to the power of the king. Moreover, on the way to grotto, there were several internal monologues that she never showed to others. "You see me, you people of my country/as I set out on my last road of all,/looking for the last time on this light of this sun.../though I have known nothing of marriage songs/nor chant that brings the bride to bed./My husband is to be the Lord of Death."(Sophocles 1243) Though the foreshadowing, we can see that the desire of living insides of her that she is not just a hero, but a
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
In Antigone, Sophocles illustrates Antigone to rise above her gender stereotype and do what is forbidden. Antigone is expected to sit in her room and wait for a man to tell her what move to make next throughout her life. After her brothers battle to the death, one is buried and one is not. Antigone does not stand for this at all and expects both of her brothers to be buried. When she is forbidden to leave her room and bury her brother, she does not agree. Antigone sneaks out of her room during the night to bury her brother. The next morning, Creon, who is the King of Thebes,
At the law firm of Theban Associates, one of the lead partners is Antigone, she is a hard worker whose intentions usually consist of reaching a compromise between the government and her client. As a defense attorney, her line of work is quite demanding and difficult since she is a female working in a male dominated world. While being placed in this position, Antigone is able to appreciate how difficult things are for a woman in society, even in today's world. She realizes that regardless of the anti-gender bias laws that have been passed, society still views women as baby-machines and they are constantly degraded and viewed as inferior to man.
The heroine of this story is the fearless and honorable girl, Antigone. She acted more motherly than sisterly, always seeking honor and caring for her fallen family. The villain would be the king, Creon, who was increasingly more concerned about his own personal authority and welfare. He thought of himself as the supreme ruler over the city and felt that all people should obey him in all things, great and small, just and unjust. Only God, Himself, should have this honor!
Sophocles’ Antigone also comments on the social standing of women. Antigone stands up for what she believes in and refuses to fit into the submissive gender role to which Creon expects her conform. He wants her to run along and be a ‘good girl’ and marry his son. He resents that she defies him so boldly and also defies her ‘place’ as a
Though not the focus of epic poetry, the female characters of this ancient genre play a central role, as they have a great influence on the male heroes they encounter. In a genre which idealizes manliness and heroism—that is, acts of courage, strength, and cunning— women are set in opposition to these ideals and therefore less respected. At the same time, women who attempt to take on more “masculine” roles are vilified. Here, antagonist is defined as anyone in opposition to the hero’s goals. Female agency—their free will and ability to wield power—is directly related to their role in epic poetry; that is, the more agency a female character has, the more antagonistic of a role she plays. This agency is often enacted through sexuality or supernatural
These two examples alone give us the impression, which degrades women and the power they had. On the contrary, Antigone goes against society view and a norm to do what she considers is morally proper. Ismene, Antigone’s sister and foil of the story, is compared with her throughout the story since Ismene believes that adhering to the law is more important over family loyalty. Ismene says: “I shall obey those who are in authority, for deeds that are excessive make no sense at all” (Antigone, Page 22, Line 67-68).
Antigone, a resolute and heroic female protagonist, pits her individual free will against the intractable forces of fate and against the irrational and unjust laws of tyrannical man like Creon.
Antigone points out many things , however one of the main things that it points out is how bad gender inequality is back in the old day. It shows many examples of how many societies were run back then. It proves to me how women and men were portrayed in the Greece society, are the equal or different, what gender expectations do they follow or fight against?
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
Throughout studies of ancient civilizations Woman's place seems to be similar, but through a large spectrum of roles; as in the tales of Medea and Gilgamesh. Both tales tell their own views on Women, but also show each woman in their best and worst: The common, the priestess, the harlot, the wise, or just an evil witch. By analyzing and contrasting each woman one can see the view of women in ancient societies through the way stories detail them and their defining actions.
The play Antigone describes the clash between old traditions and new rulings, difference between civil law and divine / moral law. During the course of this play, we see how the stubbornness of a man can provoke people to evaluate their stand on issues like; justice, faith, equality, authority, free will, etc. Different issues emerge from this play that may seem ahead of its time. We see how stating up to what you believe can help change the course of society, but at what cause will the fight for justice and equality be