Female Characters in Bram Stoker's Dracula
Having studied Bram Stoker's Dracula as part of my GCSE English
Course, I am going to consider the representation of women in the
novel. The three main characters I will study are Mina, Lucy, and the
three female vampires (belonging to Dracula). I am going to consider
the similarities and differences of each character, and how well they
compare to traditional Victorian women. I will support my answers with
quotes and evidence.
During the early twentieth century, the traditional Victorian ideal
would be a lady of leisure. A Victorian woman effectively had only two
options: she was either a virgin- a model of purity and innocence, or
she was to be a wife and produce an heir. If she was neither these,
not only would men not take any interest in her, but also she had no
consequence in society. Women had to run the household and obey their
husbands, not only them, but to treat all men with respect. Moral
behaviour, and a feminine appearance were also aspects of a
traditional Victorian ideal. As well as this, Victorian women were
expected to be obedient and virtuous.
However, in the late 1800?s the Victorian ideal was being challenged,
which better became known as the ?New Woman?. These new women were to
be considered the feminists of the time, they rejected clothing that
restricted their movement, like corsets and petticoats, and others
even took to riding bicycles. All of these matters evolved into being
a threat for the traditional way of Victorian life.
In Bram Stoker?s ?Dracula?, Mina measures up fairly well as a
traditional Victorian woman. She has a good extent of tradition, and
she matches the acquirements well. Mina is beneath veneer of
modernity; ...
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...acters fulfil their role well, but sometimes everyone betrays the
tradition.
Stoker created an image at a first glance that the characters appear
to be cast in typical gender roles, the purpose of this being not to
upset or threaten the reader?s sense of how things should be. He then
creates suspense into the actions of the characters, for example, Mina
turning into some one like Lucy; will she be lost?
Bram Stoker shows us with Mina, that she was able to achieve her own
goals, as well as the typical goals of Victorian women. Mina still
carries on with the tradition as well as maternal instincts, and we
know this from the important information given to us after the novel;
her having a baby. This is therefore showing us that Victorian Women
could do more than that was traditionally common or expected, without
the rebellious, threatening ?New Woman?.
had no money, and what the town would think of her. She was one of
Mina is also vastly unlike the contemporary female Gothic tropes due to her financial independence. Although Mina could be described as the ideal Victorian lady, Stoker also managed to include qualities associated with the much feared and controversial New Woman in her. She and Lucy mock the independence of the New Woman and joke that the New Woman will try to introduce the inversion of gender roles that contemporary society feared;
Bram Stoker’s “Dracula,” came to print in 1897, at the height of Nineteenth century Victorian life in Europe, a progressively modern era that saw much medical and technological advancement. This era brought with it the contentious idea of an empowered woman, the “New Woman,” a woman who aspires to be educated as well as sexually and economically independent. Stoker gives a contrasting view of this notion in “Dracula.” While the main characters, Lucy and Mina, are clearly opposite in personality, they are both portrayed as unequal, defenseless objects that are to be protected and desired. However, one woman’s fate is determined by her weakness, while the other is determined by her strength.
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
This essay explores the blurring of gender roles within Bram Stoker’s Dracula and Angela Carter’s The Lady of the House of Love, focusing on the presentation of a sexually assertive female and its threat to the patriarchal society, and the duality of the female characters as they are presented as enticing and thrilling, but also dangerous and somewhat repulsive.
... a richer man and save her dying mother and siblings from living a life of poverty and hunger. As a last example is the nanny, Anne, when she said that she too had to abandon her children, because she did not have the money to raise them and she found the job as a nursemaid.
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
Bram Stoker’s novel Dracula, is a highly controversial work of fiction that is still being read for the first time today. Dracula touches many different categories including; sci-fi horror to 1800’s English romance literature. This is the main reason why the novel Dracula can be analyzed in many different ways using many different literary theories. The theory which stuck out most to me while reading this novel was the Feminist Theory. The Feminist Theory cannot be used to analyze Dracula as a whole novel, but it can be used in order to analyze the different female characters throughout the book. Therefore, Bram Stoker’s Dracula can be analyzed through the feminist theory by focusing on the characters Mina Harker, Lucy Westenra, and the three brides of Dracula.
understand what she felt about her life and her family, since her views differed from the
In reading Bram Stoker's Dracula, I find the treatment of the two main female characters-- Lucy Westenra and Mina Harker-- especially intriguing. These two women are two opposite archetypes created by a society of threatened men trying to protect themselves.
In novels it is not uncommon for characters to be identified as morally ambiguous. It can be extremely difficult to identify a character as purely evil or purely good. In the novel Dracula, Bram Stoker presents a morally ambiguous title character, Dracula. Dracula can be seen as evil by the obvious: he is a vampire that bites people to get their blood. But on the other hand, Dracula can also be seen as good. Dracula is not purposely trying to kill people, he is just trying to protect himself. Lots of people believe that they can understand and analyse other people and try to come up with conclusions on how that person is but Stoker shows how in some cases, analyzing a person cannot easily be done. Most people are not black and white. Their
A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study.
Despite popular culture today with shows like The Vampire Diaries where vampires are often continuing their daily lives as if they are human and being the heroes to their friends and/or family, Dracula is a depiction of how vampires have, for centuries, been exposed as bloodthirsty, supernatural beings with sexual appeal. The way women are portrayed in Bram Stoker’s, Dracula, is a result of the Victorian ideals. Once Dracula begins to feed on the women, they become bloodthirsty temptresses which are exactly what society fears and try to prevent. In Dracula, Stoker makes sexuality directly linked to the vampirism in the novel. This is seen through the change of Lucy’s somewhat modest behavior into a temptress, the blood-sharing between characters in the novel, and the description of the way Lucy was killed.
firm in her belief that she did not need to dedicate her life to another man just because it was the social