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1. Faust is a play written by Johann Wolfgang von Goethe . He published part I of the tradgedy in 1808, and Part II was published in 1832. The play was originally written in the German language. In summary, an old scholar, Faust is dissatisfied and yearns to comprehend not just all knowledge, but all experience. In such a quest, Faust makes a bargain with a spirit named Mephistopheles. The pact provides for the loss of Faust's soul in the event that Mephistopheles should provide him with any sensuous experience to his liking. Among the temptations offered by Mephistopheles is a young girl by the name of Margaret (Gretchen), whom Faust seduces and abandons, indirectly causing her death and that of the child they conceived together. In Part II, Faust continues his association with Mephistopheles and, among other adventures, has a love affair with Helen of Troy and fathers a son with her. Later, still with the aid of Mephistopheles, Faust reclaims lands from the sea which he intends to turn into a paradise on earth -- his legacy to humankind. Happy with his efforts and a vision of the future, Faust is caught in a moment of satisfaction which Mephistopheles claims as his victory. At the last moment, however, God's angels save Faust and bear his soul to heaven where he is reunited with Gretchen and appointed as teacher of the blessed.
This piece reflects the some superstisions of the people. For instance, St Andrews Eve was the traditional time for the young girls to consult the fortune-tellers about their future lovers or husbands. The people also practice Christianity.
The night was tempestuous and my emotions were subtle, like the flame upon a torch. They blew out at the same time that my sense of tranquility dispersed, as if the winds had simply come and gone. The shrill scream of a young girl ricocheted off the walls and for a few brief seconds, it was the only sound that I could hear. It was then that the waves of turmoil commenced to crash upon me. It seemed as though every last one of my senses were succumbed to disperse from my reach completely. As everything blurred, I could just barely make out the slam of a door from somewhere alongside me and soon, the only thing that was left in its place was an ominous silence.
Faust, Drew Gilpin. The epublic of Suffering: Death and the American Civil War. New York: Random House Inc., 2008
SQUEEEKK! The police car skidded across the side of the road, leaving a swiveling trail of black marks in its tracks. “Stop right where you are!” A deep officer’s voice shouted out the car window. Melanie and Henry’s faces turned red as a tomato.
The first thing that was displayed on the screen that read Bryan's thoughts was a strange place. It seemed blurry at first, but the image cleared up as he thought more profoundly of the memory. It showed a strange place that seemed a bit too violent for humans to inhabit it, which meant it had to be an abstract memory or a different dimension. Wendy knew about alternate dimensions because she had studied about them in college. She knew right away that it looked a bit too... fiery for human life to flourish on here.
The man’s eyes grudgingly opened to a blinding and distorted light staring back at him. A soft intangible whisper could be heard that slowly increased in volume as his eyes start to focus on his surroundings. He came to realize he was lying down, and saw two people talking in the hallway, as his focus became clearer, he was able to distinguish their features. With her back toward him, he saw a short lady in a white uniform, talking in an unpleasant tone to the man facing him. “I don’t care, we’re wasting precious time, and it is of the most important that we speak to him NOW.”
The rain cried as if the heavens had torn apart and came down to Earth to show its sorrow, beating a gentle yet violent tattoo on the roof. The cool breeze blew fiercely through the shelter sending a shiver down Liesel’s spine, awakening her from her slumber. She peered through the rotten sheet of linen that barely covered her shrivelled, thin body as the sound of little feet and nibbling rustled through her ears. Not of the children, but of mice, eating their way through her pillow; an empty potato bag. She heaved herself up, and staggered off the cement floor, wondering if it was wet or stone cold. Her head spun as she stood for a minute leaning against the mouldy walls to get her orientation back.
The godless man of old was a scholar, a relentless pursuer of knowledge and science at a time that this pursuit was still not considered entirely trustworthy. Moving towards the Enlightenment, European society was backing slowly away from the conservative church and towards intellectual curiosities, however being that the church still was powerful and people highly superstitious, such advancements were often met with suspicion. A scholar or scientist at this time, especially if not tied closely enough with the church, straddled the line between cautious acceptance and persecution. Simply put, in a time of great religious change, scholars were a sign of the changing times and were in a precarious position because of it. So for the Faust of Mephisto to be a stage actor is most fitting, because in the early years of the Third Reich, they occupied a rather similar position. Consider: rather than the religious upheaval occurring from the Renaissance to the Enlightenment, pre-war and Nazi Germany was experiencing a political one. The democracy of the Weimarer Republic gave way to the politics of the National Socialist party, which affected the theater greatly. Nazism had an agenda to change the country’s physical and ideal aesthetic, and popular theater was a very useful propaganda tool, considered by Hanns Johst, president of the German writer’s union and creator of the famous
Streaming like rivers down my face were tears that day, my heart torn to shreds in a matter of only minutes. Starting with a decision, impossible for some, and yet I had already decided on my answer beforehand. No, I wouldn't trade places, I wouldn't let you save me at such vast of a cost. In the end, it didn't matter, what I said didn't make a difference, the same thing happened. Murdered in cold blood right in front of me, electricity jolted through his body, without a hint of hesitation from the executioner and Liam was gone.
At First the article Touches on the questioning of what Faust is. In summery, Faust is the protagonist of an old German story about a guy who is actually really successful, but at the same time is somewhat dissatisfied with his life life. He had a serious lust for earthly happiness, alo...
I stand at the base of the tower, shivering in its shadow as I contemplate the task ahead of me. I look at my watch, it reads 3:00pm. All I have to do is climb up and jump. Then it should all be over. Easy enough, right? Damn it's cold. I remember my jacket, folded neatly on the passenger seat of my new car. I shouldn't have taken it off.
As I was walking the classroom for father and son day. Ms. Buta turned on the T.V. for entertainment for the students. I could see a big ruckus of people on the news. Screaming with terror. Then the news lady had said something about an earthquake. Next, I knew i was in this place i've been before.
The old legend of Faust is, in short, about a young scholar who made a deal with Mephistopheles, the devil. Faust was seeking ultimate knowledge and in the deal the devil said he would grant Faust ultimate knowledge in return for his soul. Faust agrees to the deal and after a certain time period of possessing ultimate knowledge Faust suddenly dies. There are many different versions of the story as to exactly how he died, and some versions of the story go into more detail than others. As time passed, Faustian legends were being told in many different stories, many different ways. To have a Faust story, four basic elements should be present: a Faust figure, a devil figure, some sort of temptation, and a price.
Johann Wolfgang von Goethe, the brilliant mind behind the 17th century’s epic poem “Faust”, illustrates a combining structure of desire and self-indulgence. His idea was to capture the ideal image of good vs. evil and how easily it can be misconstrued. “Of all the great dualities of hum an experience 'good and evil' have been the most instrumental in shaping the beliefs, rituals, and laws, of Homo Sapiens.”(Argano)
This play is about how Faustus puts on a performance for the Emperor and the Duke of Vanholt. The main thesis or climax of this play is when Faustus two friends Valdes and Cornelius who are magicians, teaches him the ways of magic. Faustus uses this magic to summon up a devil named Mephistophilis. Faustus signs over his soul to Lucifer (Satan), in return to keep Mephistophilis for 24 years. We also see what happens when magic power gets in the wrong hands when Mephistophilis punishes Robin, who is a clown and his friend Ralph for trying to make magic with a book they have stolen from Faustus. In the beginning angels visit Faustus, and each time he wonders whether or not to repent, but the devil appears and warns him not too by tempting him of magic to posses. In the end of the play the two good and evil angels have been replaced by an old man, who urges Faustus to repent? But it is to late for and the play ends with the devil carrying him off the hell.
The Scarlet Letter is a blend of realism, symbolism, and allegory. Nathaniel Hawthorne uses historical settings for this fictional novel and even gives historical background information for the inspiration of the story of Hester Prynne in the introduction of The Scarlet Letter, ‘The Custom-House’. The psychological exploration of the characters and the author’s use of realistic dialogue only add to the realism of the novel. The most obvious symbol of the novel is the actual scarlet letter ‘A’ that Hester wears on her chest every day, but Hawthorne also uses Hester’s daughter Pearl and their surroundings as symbols as well. Allegory is present as well in The Scarlet Letter and is created through the character types of several characters in the novel.