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Boyz n the hood sociological analysis
Ways to destroy racism
Boyz in the hood cultural essay
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Set in South Central Los Angeles, Boyz N The Hood (John Singleton, 1991) portrays the struggles, fears, and choices of three young friends growing up in the midst of the Crenshaw neighborhood known as ‘the hood.’ Through a seven–year time gap from 1984 to 1991, the film suggests and addresses two prominent social problems associated with Crenshaw’s environment – fatherless children and gang culture. Ultimately, Boyz N The Hood is about the utter significance and salvation of fatherhood among the lives of young, vulnerable, and violence susceptible children of Crenshaw and how the presence of a true father figure can influence their decision to either succumb to the cycle of violence, alcohol and crime or to strive for something greater than their roots. …show more content…
Upon the immediate arrival of his son, Furious instructs Tre to rake all of the leaves from the front yard and later that night reminds him of the house rules which consist of more chores. Tre questions his father’s methods, but Furious emphasizes how Tre will learn responsibility through chores: something his friends will never acquire in the absence of a father. While father/son bonding, Furious begins to instill lifelong lessons in his son: he makes Tre recite the rules of being a leader and later concludes his advice by stating that a black man has no place in the Army. Upon their return to Crenshaw, Tre’s friend Darren, “Doughboy” (Baha Jackson), is seen in handcuffs, arrested for
1-The story tells, Real facts occurred in the 1940s, where it was a racist society. Gangs were scattered throughout the cities, and regions, and the streets. To live, you have full get away, or belonging to one of them. You should help the gang members that they were right or on falsehood. Also, it is a kind of bigotry, not much different from intolerance, national, ethnic, and sectarian That were prevalent in American society. in fact, it is the inevitable result of this society. When the corruption becomes prevails, injustice and lawless prevails too, and justice will disappear.
Upon reading your responses, I can see how individuals are labeled based on race and on stereotypes. In the film, “Boyz n the Hood”, I agree to what Sabrina said about the two scenes expressing discriminatory treatment by the criminal justice system. It was sad to see how when you are in need of help and the only source is turning their backs. It is not fair to be judged by your ethnicity, class, or where you live. This is related to labeling theorist, Howard Becker; whereas he states that certain individuals can even be labeled by being falsely accused. An individual can be labeled as a deviant, because of their race and yet never committed a crime (Adler, Mueller, & Laufer 2013, p. 189). We saw this in the one scene you pointed out, whereas Tre and his dad called the cops because of the break in at their home. Then
Boyz N the Hood is a classic film for African American culture and depicts juvenile delinquency in the tough streets of L.A. They can relate all too well to the situations these three best friends went through. To apply this movie to the life-course perspective and strain theories we have to analyze these three boy’s realities from a structural, social and cultural level to determine why they ended up deviant and they way they started off. Sampson and Laub’s theory was, criminal activity as well as elements preventative of crime, change throughout the life-course. While all of the criminals have some form of a shared beginning. While Merton’s strain theories revolve around five different types, that puts people into certain categories; conformity,
8-Ball Chicks: A Year in the Violent World of Girl Gangsters is a compelling glimpse into the lives of females in gangs. The book highlights two things: these women do exist, and they are screaming for help. The book's author, Gini Sikes, is a New York-based journalist who spent two years chronicling the worlds of these girls and women in three cities--Los Angeles, San Antonio and Milwaukee. Through her travels she became immersed in the lifestyles of each gang. What she found on her journey through backyards, living rooms and housing-projects was startling. There are perhaps thousands of girl gang members across the nation, and yes, many of them are violent. Sikes' portrait of female gangs in America will both shock and move you. She delves far beyond the usual clichés and shows a depth to her subjects that are rarely seen. These girls carry razor blades in their mouths and get into fights just like their male counterparts, but many of them overcome tremendous adversity to get out of their gangs and change their lives. Sikes reports on these girl gangsters with compassion and honesty, compellingly raising the issue of our troubled urban youth without posturing or preaching. Sikes details the girl's reactions to her as well as to their own environment. 8-Ball Chicks describes everything from gang members' stories of dangerous initiation rites (girls knowingly having sex with an AIDS infected boy; gang rape initiations; gang wannabes allowing a dozen girls to beat them up at once) to the conditions that drive these young women to join gangs in the first place. Most of these girls she discovered entered the gangs for power and belonging. They did not care if they were hurt because survival became their most significant recourse. If they survived the abuse and the poverty, then they felt powerful. In 8 Ball Chicks, we discover the fear and desperate desire for respect and status that drive girls into gangs in the first place--and the dreams and ambitions that occasionally help them to escape the catch-22 of their existence.
In the story of how “A Rouge Sociologist Takes to the Streets”, Sudhir Venkatesh finds himself in the projects of Chicago documenting his first hand experiences of his journey on how he is introduced to the black culture. Sudhir, a first year college student in the University of Chicago, decides to participate in a research project regarding “how young blacks were affected by specific neighborhood factors”, when he realizes how ineffective these questionnaires are, he decides to proceed in unconventional ways to retrieve his answers. Sudhir’s accumulated a growing fascination with the housing projects in Chicago the longer he spent in the community. Before long Sudhir had befriended a gang leader, by the name of J.T., who had given him a powerful
Boyz N the Hood was a film created to convey an anti-gang message as well as to provide societal members an in-depth look at life in “the hood” so he or she can expand their culturally awareness of identifying societal issues (Stevenson, 1991). Upon the debut of “Boyz N the Hood” violence erupted at theaters across the nation, resulting in multiple shows pulling the film from scheduled showings to alleviate future violent behaviors (Stevenson, 1991). The film profoundly illustrates the realty of the events revealed within the storyline that frequently occur on a daily basis within every impoverish community; however, is overlooked by the individuals who are not directly involved and or affected (Leon-Guerrero, 2016) Children of lower socioeconomic status often are raised in ghetto neighborhoods where they often witness, crime, violence, gang activity, abuse, and drugs (Leon-Guerrero, 2016). Ghetto communities envelop tumultuous cycles of violence and substance abuse creating a pervasive occurrence within the residents of the community. This is prevalent in lower developed communities that unfortunately many children and the youth populace indirectly inherit and sadly conform to, as there are no other means to an end for them (Leon-Guerrero,
For centuries now, gangs have been all over America, causing violence and ruining the youths opportunities. Children's lives can be ruined joining a gang leading into violence and substance abuse. From the earlier 20th Century, to now, gangs have been an issue in low income cities and neighborhoods. In Jacob Saenz’s poem, “Evolution of My Block”, written in 1982, Saenz describes to the readers how the gang life was in his neighborhood and on his block. Throughout the poem, he talks about the pressure of gangs and how they functioned. His poem speaks more than what is actually said and hides many of his thoughts through the words and rhymes. The poem conveys many messages and specific aspects which have to deal with culture and race. The narrator
Gallman, J. Matthew. "Gangs Of New York (Film)." Journal Of American History 90.3 (2003): 1124-1126. America: History and Life with Full Text. Web. 2 May 2014.
Victor Rios is a previous gang member, whom “was given the opportunity” to get out of the youth control complex. In his book “Punished”, he analyzes the experiences of young black and Latino boys in Oakland, California. Rios gives us an intimate description of some of the everyday forms of “hyper discrimination” these minority boys experience. This book review will focus on the main concepts explained in chapters one through three from the book Punished: Policing the Lives of Black and Latino Boys.
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
New Jack City, noted as ‘the crime film of the 90’s’,serves as an important episode for African-American people in America. Set in New York city, the film depicts the story of a success-driven antagonist Nino Brown (Wesley Snipes) who builds an empire powered by organized crime, drug trafficking, and Black delinquent young adults trapped in the cycle of crime. Ronald Reagan’s economic policy coupled with the popularity of crack-cocaine in the inner city creates inconsistencies and untapped markets in the poor community which Nino Brown brilliantly capitalizes on and exploits. His empire is able to successfully cut out the middle men in the drug trafficking market and centralize their operation in a single low-income housing complex inhabited
Chapter 3 and chapter 16 “da joint and beyond” really caught my eye. Chapter 3 “gangsters-real and unreal” summarized the image of the “hood” and crime filled areas where people are regularly being robbed, shot, and killed. It also told how drugs came about and became a new indusry. It also became popular among musicians and soon became a way to employ young poor teens who lived in these “hoods”. As many ...
There is a deep seated hatred between rival gangs, which makes it difficult for the gang’s members to let go. Gangs became a source of income for some people, which made it difficult for many young African Americans to escape the gangs. Significance: This film shows how the police saw activist groups such as the Black Panthers and the U.S. Organization as a threat, which led to repression despite the Civil Rights Movement. This repression leads to anger and hatred and the need for a sense of belonging amongst the African American community.
John Singleton’s view of social problems in South Central Los Angeles happens in a tale of three friends growing up together. Doughboy and Ricky Baker are half-brothers and have opposite personalities. Ricky is a football player who hopes to win a scholarship and spends most of his time playing football. On the other hand, Doughboy is a young man who looks upon his environment for guidance. He is involved in violence, abusing drugs, and participates in violence. In between is their friend Tre, who actually has a father to teach him what is right from wrong. Furious Styles, who is Tre’s father in the film does everything in his strength to keep his son from becoming another startling statistic. As you can see, it is always important for parents to be a part of their child’s life because it can make a big difference not only in their life but also their child’s future.
CNN presents the documentary, Homicide in Hollenbeck, spotlighting gang activity in the Los Angeles neighborhood of Hollenbeck. This documentary explores the subculture of gangs existing within Hollenbeck from a several perspectives. The people documented include a mother who lost both of her sons to gang violence, a priest that has tried to help rehabilitate gang members, a police officer that has worked in Hollenbeck for five years in the gang unit, and a current gang member. For a conclusion, Homicide in Hollenbeck focuses on a juvenile exposed to gang life on the cusp of decided where they want their life to lead; gangs or freedom. Problems attributed to the high rate of gang activity and number of gangs in Hollenbeck are the high poverty rate, low employment rate, and broken families that make up the majority of Hollenbeck. The crime most discussed, as per the title of the documentary, is homicide The number of gang related homicides has risen even though the criminal behavior of gangs has ultimately decreased in the neighborhood. In order to fight the overwhelming gang presence, the police believe in increasing the amount of gun power on the streets and number of jailed gang members. The priest who runs Homeboy Industries stated that he feels most gang members are just young men who can’t get out of the gang life. With more funds and opportunities, he thinks the problem could be decreased. In the end, the documentary mentions that the FBI has formed a gang center where local law enforcement agencies can share information to gain more knowledge and to better fight the presence of gangs.