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Fate in homer's odyssey
The role of fate in the aeneid
Aeneas as an epic hero
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It is consistently difficult to understand in old world literature, from Homeric epics to Virgil's work, The Aeneid, what the relation of fate is to the Pantheon of gods. There seems to be an ongoing debate within the texts discussing whether "fate" is the supreme ruling force in the universe and the controlling element of the lives of men, or whether fate is the will of the king of gods, Jupiter. In, The Aeneid, several situations and instances of the use of fate are presented to the reader. The direction and destination of Aeneas's course are preordained, and his various sufferings and glories in battle and at sea over the course of the epic merely postpone his unchangeable destiny.
The power of fate looms over and above the power the gods possess in the natural world. Often, fate is connected with Jupiter, the most powerful god. Jupiter's will overpowers the will of all other gods. The interference in Aeneas's life by the lesser gods (mainly Juno) who strive to advance their personal interests becomes the conflict within the story for Aeneas.
The story opens with a defeated Aeneas on his way home from the Trojan battlefields of the Trojan War. Juno, a goddess, has held a grudge against Aeneas for a long time, and is particularly vindictive in recent times, because of prophecies that her beloved Carthage will be destroyed. The goddess Juno demands that Aeolus, god of wind, conjure a great storm in order to deter Aeneas from getting home. The fierce, fiery storm is unleashed, and Aeneas and his crew must simply watch, and wait. In the middle of the storm, Neptune arrives, and, taking pity upon fated Aeneas, tells Aeolus (and the winds) that he must stop the storms and the winds, because he is overstepping his bounds of fat...
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...no's bowing to fate, shows that she finally, though reluctantly, will let Aeneas follow his fate, whatever it may be.
The development of characters in The Aeneid is shown in the readiness and trouble with which they confront fate. Juno fights destiny every step of the way, making the ending of the story a resignation to fate, rather than a conclusion of the fated actions. Dido also has trouble with the fates. She lusts after Aeneas, whom she can't have. She ultimately kills herself over the grief from the fate of Aeneas. Aeneas serves his fate by following it. He preserves his own life in an effort to fulfill the fate to which he has been predestined. By working towards his fated goals, Aeneas helps to bring closure to a story that has been told over many years. The formation of a new country is the ultimate resolution of fate, and that is exactly what Aeneas does.
At the orders of Jupiter, Mercury is sent down in Book Four of the Aeneid to remind Aeneas of his true fate for Aeneas had fallen in love with Dido and was content to stay in the fertile lands of Carthage, The messenger god mocks and scolds Aeneas for forgetting his duties, especially to his son, Ascanius. As a result of this, Aeneas finally decides to leave Dido and depart Carthage, although he fears losing the queen’s love and her wrath. This demonstrates that he is incredibly pious (as to choose the wishes of the gods over his own love) and that he is noble for attempting to leave Dido as gently as he can. In addition, he displays his admirable hero qualities and commitment to paternal duty in this section.
The idea that one’s destiny is already determined is both comforting yet brings dismay because it leaves a feeling of powerlessness which is fine for the lazy but painful for the proactive. This idea is surely a failure among principles but even so the role of fate is not completely limited to these terms and ideas. Fate in the book was seen more as a mission that Aeneas had in life, and it would only happen on his obedience to his tasks. This type of belief that “actions determine fate” is actually quite healthy for a society to follow. During Aeneas’ journey there were several times that he faced difficult temptations that tested his obedience
We also see in the story what someone must sacrifice in order to fulfill their goals. Though Aeneas's destiny was much more grand than many of our own, we still must make choices that can sometimes hurt others. I really thought that Vergil captured our inner emotions with the affair between Dido and Aeneas.
“Am I to admit defeat/ Unable to keep these Trojans and their kings/ From Italy? Forbidden by the Fates, am I?” (1.50-52). Knowing the outcome doesn’t sway the decisions of Juno at all is overcome with rage. It is keen to note that rage is one of the most important themes of The Aeneid and is showed from the poem starts till it ends. Juno and Dido are the two major characters that are affected by this rage. It is Juno who allows Dido to believe that she and Aeneas are married; with hopes that Aeneas would not leave to the build the city of Rome. The intervention of the gods shows how they can easily sway the lives of their mortal men for their own personal desires. For example, when Juno incites rage on the Trojan women allowing them to burn their ships. Virgil clearly shows that aren’t no women of rationality all women are controlled by their emotions. It is clear from the start that Juno is on a man hunt to put an end to the Trojans reign; as result Aeneas becomes a subject of Juno’s rage. Virgil depicts Juno as vengeful Antagonist who tortures a pietious man,
He feels “all the blows” of losing his family and being stranded at “sea”, attacked by Juno’s “storm[s]”, exacerbates his pain. Aeneas, however, uses his past experiences as motivation to establish a future, inspired in a different manner compared to Grendel (Virgil 126). The sea serves as a metaphor of Aeneas’ own life, since at sea he lacks a stable base and is always wavering. Virgil utilizes disastrous diction like “storms” both literally and figuratively to exemplify the obstacles Aeneas faces that prevent him from reaching his destiny, just like a storm delays and sometimes prevents a ship from reaching its destination. His struggle symbolizes humanity’s attempts at finding peace and prosperity and establishing a life without major insecurities involving family and work. The obstacles Juno creates in Aeneas’ life, preventing him from finding “Italy’s shores and destined fields,” develop the central of theme Aeneas’ instability (Virgil 156). Although Aeneas is “destined” to ultimately find his new home, yet Juno’s impediments keep him at sea and therefore threaten his security. The walls of Rome Aeneas hopes to build figuratively represent the foundation he hopes to build in his life compared to the dangerou, volatile sea that Juno keeps him stranded at. Ultimately, Aeneas knows the joys of having a family and consequently strives to restore his life on land, yet Juno’s constructed hindrances develop the instability he faces up until the end of his
The Odyssey portrays the victor, the mighty Odysseus. His story is about a man who has everything, a loving and loyal wife, an ambitious son, a devoted kingdom, and most of all a victory. By the end of Odysseus’ story he has an ideal life. On the other hand, The Aeneid is told through the eyes of a defeated soldier. Early on in the epic Aeneas has a comfortable life. It seems as though he is happy and complancent with his life in Carthage with Dido. Aeneas chooses to leave this life behind in order to fulfill his destiny. The Trojans were defeated in the war, however, Aeneas perceivers and fights for the future of his people. Through Aeneas’ story, Virgil demonstrates the resilience of the Roman culture; he shows just how much they value a sense of
On the Mediterranean Sea, Aeneas and his fellow Trojans flee from their home city of Troy, which has been destroyed by the Greeks. They sail for Italy, where Aeneas is destined to found Rome. As they near their destination, a fierce storm throws them off course and lands them in Carthage. Dido, Carthage’s founder and queen, welcomes them. Aeneas relates to Dido the long and painfuAeneas tells of the sack of Troy that ended the Trojan War after ten years of Greek siege. In the final campaign, the Trojans were tricked when they accepted into their city walls a wooden horse that, unbeknownst to them, harbored several Greek soldiers in its hollow belly. He tells how he escaped the burning city with his father, Anchises, his son, Ascanius, and the hearth gods that represent their fallen city. Assured by the gods that a glorious future awaited him in Italy, he set sail with a fleet containing the surviving citizens of Troy. Aeneas relates the ordeals they faced on their journey. Twice they attempted to build a new city, only to be driven away by bad omens and plagues. Harpies, creatures that are part woman and part bird, cursed them, but they also encountered friendly countrymen unexpectedly. Finally, after the loss of Anchises and a bout of terrible weather, they made their way to Carthage.
The image of a powerful spinning wind also indicates the great grief Aeneas is feeling from the death of Pallas. He has translated his grief into vengeful feelings, and is ,thus, an intimidating enemy on the battlefront. The comparison of Aeneas’ actions to something of nature is also an important item to note. Only the gods, not mortal men such as Aeneas, can create natural phenomenons such as a torrent or black whirlwind. Yet Aeneas is compared to this immortal creation, which, in turn, creates fear in a certain immortal: Juno. In fact, upon seeing Aeneas’ great rage, Juno fears for the death of her beloved Turnus to the point that she requests permission from Jupiter to intervene and protect her favorite warrior. Overall, this simile, although short in length, is able to produce an effect that causes the war to take a turn of
Many argue that throughout Aenied, Virgil develops Aeneas to be a boring and unheroic character; always acting as he should with apparently no power to act in any other way. Occasionally sidetracked, Aeneas is prodded and redirected by the gods toward his destiny. Aeneas’ mother, Venus, constantly interjects to lead Aeneas toward his fate. It is she who leads him away from the fallen city of Troy “ I had twice-ten ships, and my goddess-mother showed me the way.”(I, 541-542) Mercury also sets Aeneas straight from his deviating course by telling him to leave his love Dido “What are you pondering or hoping for while squandering your ease in Libyan lands.” (IV, 362-363) Mercury criticizes Aeneas for ignoring the importance of his empire, and again Aeneas obeys. It is further argued that Aeneas’ makes no significant effort to advance his empire’s fate. He is “handed” all that is needed such as immortal vessels as well as weapons and armor provided by Vulcan and other gods. At first glance this would seemingly prove that Aeneas is in fact a boring character.
The first thing that comes up in The Odyssey that pertains to fate is when Zeus exclaims “My word, how mortals take the gods to task! All their afflictions come from us, we hear. And what of their own failings? Greed and folly double the suffering in the lot of man.” Zeus is saying that we all as humans cause our own misery and blame the gods for it. His attitude towards the struggles of humans is that since we cause our own problems, we should fix them by ourselves too. He is admitting that the gods do not have full control over events in human life. They have a
Destiny was of incredible worry to the Greeks, and its workings reverberate through a considerable lot of their myths and writings. We see endless characters who make a huge effort in endeavors to modify destiny, regardless of whether they know such a mean to be worthless. The powerlessness of any mortal or everlasting to change endorsed results comes from the three Fates: sisters Clotho, who turns the string of life; Lachesis, who relegates every individual's predetermination; and Atropos, who conveys the scissors to clip the string of life at its end. These three divinities invade every one of the stories of Greek myth, whether they be stories of divine beings, goddesses, demigods, legends, or mortals and paying little heed to the endeavors related. There is no hope to adjust or drag out the fate of one's life, paying little respect to the quantity of arrangements or safety measures taken. This firmness applies the same amount of to Zeus with regards to the lowliest mortal, as we find in Zeus' dogging of Prometheus to reveal the name of the lady who will bear the posterity that one day will kill him.
In Virgil’s poem, The Aeneid, the ideal Roman hero is depicted in the form of Aeneas. Not only does Aeneas represent the Roman hero, but he also represents what every Roman citizen is called to be. Each Roman citizen must posses two major virtues, he must remain pious, and he must remain loyal to the Roman race. In the poem, Aeneas encompasses both of these virtues, and must deal with both the rewards and costs of them.
The term Fate has a place in the world of ancient Greece but it is very different from other parts of the world. I have learned it is important to understand the context before discussing the situation. Most people think fate happens for reasons unknown and no one has any control over what happens. However, the ancient Greeks did not believe that fate is a random occurrence. They believed that the gods created fate and would constantly intervene to force things to happen that would not have happened. Since the characters tend to not know of the gods’ interfering, occurrences seem to be fate but are really planned by the gods.
When discussing the fate of Aeneas, a thought provoking question is posed that is commonly debated. If Aeneas is commanded by fate, does he have free will? It is important to approach this question with a solid understand of fate. There are two common sides to the debate of whether Aeneas had free will or not. One view believes Aeneas had no choice but to follow his destiny because he was commanded by fate, and prophesied to found the race that will one day build Rome. The other side states Aeneas did indeed have free will, and even though his fate was set, room is available within his fate for events to change. One can argue Aeneas makes some of his own choices, but no particular detail of his life is untouched. Destiny determines that the Trojans will found a city in Italy, but it does not stipulate how that will happen. This is where room is left for free will. After much research and considering the views of many commentators and the proof they showed, the answer can simply be found by going back to the text of The Aeneid.
“The Dido-Aeneas Relationship: A Re-Examination” is a written by T. R. Bryce. Bryce’s argument is that Dido would not have loved Aeneas at all had she not been shot by Cupid’s arrow. Her actions toward Aeneas before being influenced by Cupid, he says, were characteristic of any powerful ruler. The queen saw a potential ally in Aeneas, and treated him as such. Dido would not have been completely mad about how much she loved Aeneas, and would not have been throwing herself at him as many times as she had before. After her husband was murdered, she vowed that she would never marry or lay with another man, and she stood firm in that promise up until her fateful encounter with our epic hero. When Venus became aware of how Juno was sabotaging Aeneas,