Fate In Kate Chopin's The Awakening

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The Awakening by Kate Chopin is is a great warning about what happens when a woman oversteps her rights. The story of Mrs. Pontellier’s life is not a happy one, it is one of rebellion and isolation. It shows the consequences of wanting things or people society deems are inappropriate. Through Mrs. Pontellier’s pursual of her passions she stops behaving as she is expected to, she soon understands that she can not be responsible and live a fulfilling life. It is because of the pressure she feels that she realizes she will never be happy and kills herself. Chopin’s use of characterization for Mrs. Pontellier takes this story from a retelling of an age old trope - older housewife falls for young man- and makes it a relatable and heartbreaking …show more content…

Pontellier’s life shines through. In the beginning of The Awakening the tone is very detached. The readers are following Mrs. Pontellier’s life, but it is almost like she is not living it. She is just watching things happen around her. She does not take responsibility for her actions and instead personifies fate, almost as an excuse for her being in a bad marriage, “marriages which masquerade as the decrees of Fate”(24). Her detachment goes far beyond her marriage and even affects her relationships with her children “Their absence was a sort of relief… It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her.”(25). It is interesting how fate is used to explain her children and her marriage. It may not be fate that is responsible but society. As a woman Mrs. Pontellier is expected to marry and reproduce. Due to her gender she was fated through social expectations and not some vague higher power that fate is normally associated with. As Mrs. Pontellier’s relationship with Robert grows from platonic and innocent to secretive and lustful, the tone shifts to one of passion. Mrs. Pontellier becomes impassioned and excited. She starts making decisions and taking control. She moves out of Mr. Pontellier’s mansion; she starts making art. The ironic part is that she herself becomes impassioned in her life by physically detaching from her life. She has thrown all her responsibilities out

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