Farenheit 451: Some Kind of Zombies

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The pages of Fahrenheit 451 by Ray Bradbury were to show a plausible disaster in America, even though the events never happened; it could still come true to an extent. We can see why Mr. Bradbury made such a novel as to bring the idea of what could happen to our minds. If we stray from the knowledge seeking ways we contain in our society, we would and still might find the tides of conformity flush away our humanity. We do strive to keep this disastrous dystopia only created in our dreaded thoughts and ideas. If such a change occurred here, we would address the situation as a hazard of a great form, a situation that makes us into a type of zombie. Yes, some kind of zombie, they might be as the undead community as to always keep a fake smile. Yet, we cannot help but wonder; what makes a zombie? Is it the need for basic brain activity involvement every minute of their shallow lives? Possibly, the hidden depression that weighs their legs down gives them the sight of zombie drags? We could speculate that maybe these zombies of Fahrenheit 451 just look hungrily for love! Always to be dissatisfied by the quick and sudden luxuries. Zombies are the end to the survival of the majority population in humanity; this is why seeing Millie, firemen, and the city as zombies is okay, they prove the former statement through their actions of conformity. To understand and solve these questions and statements we will dive into the meanings of conformity and individuality, how Montag the protagonist of this novel sees the world, and we will chose in our own minds through this information the evils and goods between conformed life and independent persons.
People in Fahrenheit 451 choose to become alike. They hated, as Beatty recalls and describes the h...

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...she was truly unhappy and was “starved” of something important that all humanity needs in order to be human like; not zombie. The people who read had a purpose to bring the history to the world and they loved this purpose, which made them happy, much unlike the sad emptiness of Millie and the majority of people. Without purpose to live, to love, and recall the past, people lean more to being dead than alive. This, in turn, made them seem to act as some kind of zombies.

Works Cited
Bradbury, Ray. Fahrenheit 451. New York: Simon & schuster, Inc., 1978.
Moore, Everett T. "Intellectual Freedoms." 55.5 (1961): 403-404.
Patai, Daphne. Ray Bradbury and the Assault on Free Thought. New York, 21 December 2012.
Seed, David. "The Flight from the Good Life: "Farenheit 451" in the context of Postwar American Dystopias." Journal of American Studies 28.2 (1994): 225-240.

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