Fame: Murderesses On Death Row In The 1920's

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Chicago: Fame is the Game A comedic fictional story of two murderesses on death row in the 1920’s, Chicago follows Roxie Hart, the main character, through the journey of her case. Roxie has always wanted to be on the stage, but after being tricked by a local furniture salesman, she had been having an affair with, she finds herself in prison with a hanging case. When she arrives on “Murderess Row” she finds not only is her Jazz idol, Velma Kelly, there, but five other woman accused of killing their boyfriends or husbands(Chicago). Roxie soon learns about a lawyer, Billy Flynn, that has never lost a case, and at the time was also Velma’s lawyer. Roxie and Velma fight to be the star of the Chicago newspapers not just for the fate of their verdict, but for the chance to perform on the stage once they get out. Chicago is a great comedic musical with a solid message. Chicago portrays how thin fame is by using symbolic color schemes and themes in the musical numbers. The musical numbers in this film are seen mainly from Roxie’s point of view. In her everyday life there are not many different colors, they are mainly muted and simple. Meanwhile in the musical numbers, you see the bright colors and shine the twenties are known for. Within these musical numbers there are colors that are important in a symbolic way. For …show more content…

The new hair style is a short, blonde bob just like Roxie’s. The press and people love her and Velma Kelly has been kicked to the curb and her court date was even set back, and Roxie took her court date. Velma then tries to sell Roxie on the idea of preforming with her, meaning that Roxie would fill in the sister’s part. This completely fails because Roxie has always planned to be a star on her own. Both of them, Roxie and Velma, are fighting for the spot light on death row and the possibility of preforming on stage after getting off on the murder

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