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Fahrenheit 9/11 summary
Fahrenheit 9/11 summary
Fahrenheit 9/11 and searching for the roots of 911 essay
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Fahrenheit 9/11
Michael Moore’s latest film, “Fahrenheit 9/11,” presents a critical look at the administration of George W. Bush and the War on Terrorism. In this film Moore investigates the rapid growth of the United States government and its trend of trampling the rights of individuals, and the corporatism that is spawned out of the close ties between big government and big business during wartime. Michael Moore may not convince all audiences, but is successful for its factual accuracy in which the evidence spoke for itself, and at the same time proclaimed Moore's artistry in transposing and splicing scenes to create impressions that supported his allegations and opinions. Michael Moore has employed two main techniques in an attempt to successfully influence his audience; psychological means of strategy, and cinematic techniques of persuasion. These methods, coupled with how they are presented to the audience, and how the audience react, are what Moore uses to create a scheming effect.
Humor and emotional appeals is what Moore has used in Fahrenheit 9/11 to aid the effect of persuasion. For humor, Moore reaches for an ‘ad populum’ with his audience, looking to exert his opinion as a justification for his claim. An example can be with the Florida election, where Moore has used a fast tempo background piece of music. This sounds much like a stereotypical ‘hillbilly/country’ song; which can be related to Bush’s southern US state background. This music has several functions, including helping Moore’s rapid delivery of facts, but in this case it illustrates Moore’s opinion of the nature of the election – that it can be seen as some sort of ‘joke’. By providing a taunt at Bush’s background, Moore has given the audience humor. Comedy makes these messages more effective as it increases the liking for the source [Moore], and the choice of humor might illustrate a shared sense of hilarity that hints at a similar set of underlying ideas that the audience hold.
In “Fahrenheit 9/11” Moore specifically uses anger as his primary emotion in order to persuade the audience, the anger of Lila Lipscomb, whose son died whilst in combat duty in Iraq. Moore’s interview with Lila Lipscomb provides an insight into the pain felt by families whose children had died during the war in Iraq. Moore presents the audience with the nature of Lipscomb’s anger directed at th...
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...ainst its own subjects and its object is not the victory over either Eurasia or East Asia but to keep the very structure of society intact."
The aim of this is to strengthen Moore’s view of the drive of the ruling class of modern hierarchical society imposing essentially permanent warfare. Moore reads the quote before the end of the movie. This tactic is used by Moore to give a more memorable and powerful statement, leaving the audience his solidarity attempt to question their leader’s action.
Michael Moore brilliantly manipulates the conventions of film to make the audience see and feel these political and moral issues the way he does. Moore, an outspoken loather of the President has shaped his film like a cinematic bullet, with character assassination as his priority. “Fahrenheit 9/11” shows a series of solemn images and sound bites, arranged as a critical history of the President’s actions since he took office, including the abuse of power and use of fear tactics that have been employed for his monetary and narcissistic gains. Regardless of personal political leanings, “Fahrenheit 9/11” is an amazing accomplishment of individual expression and anti-government aggression.
Having a very effective way to get his point across both to the audience and the interviewees. Does this by dressing like any average everyday citizen you’d see on the streets. Another way Moore goes about having an effective way of using rhetoric is by appealing to logos. Going about this in such a way that he can back up his logic with true facts about shootings and gun sales. Finally, to tie it all together he went about a way of getting to peoples feeling within the interview and audience in ways to touch the person. One way he showed this was by attacking interviewees with question that it took them out of there comfort zone or to where he was able to get more information. Michael Moore having a very effective way of getting his point across to both the audience and the people in which he interviewed throughout the
Aristotle, a Greek philosopher, who initially came up with the three different sections of rhetorical appeals and the act of persuasion. The three appeals include ethos, logos and pathos, all three different means of persuasion. Michael Moore’s, Capitalism: A Love Story will be used and examples will be taken from throughout the movie to analyze his rhetorical techniques when reaching out to the audience. Examples from “The Qualities of the Prince” by Niccoló Machiavelli will also be analyzed for the three appeals. Moore’s movie relates exactly to the rhetorical appeals because he is persuading the readers to realize all the corrupt and unjust happenings that are going on all around us without even knowing it. He is trying to explain to the readers that it is going on everywhere and steps to educate their selves to gain awareness in the corruption of America. His video shows many examples of the “behind the scenes” into the political world and cites all the events back to how and why it is ruining our country and what we can do to prevent and/or help the cause. Machiavelli’s piece also was a form of persuasion and rhetoric’s, using all three appeals as well. “The Qualities of the Prince” is a piece by Machiavelli in which he is trying to explain how a prince should act and what traits they should possess to be a successful leader. Machiavelli is using the rhetoric appeals and explaining his experiences through which he has learned what it takes to be a great prince.
[1] Within the last few decades, we have generated a great number of “historical” films reaching the American public. With these “historical” films come the question of whether or not the film portrayed history in an accurate manner; if not, why were the facts manipulated the way that they were. Unfortunately, this question is usually answered in the negative, and the audience is left with a fictional account of a factual happening, thereby giving the viewing public mixed messages concerning the issues raised within the film. Film used in this manner can be a dangerous tool in the hands of powerful people with agendas and ulterior motives.
Among many theorists such as Brain L. Ott, the V for Vendetta movie is seen as an “allegory for life in George W. Bush’s America” (Ott 2). Because of this, Alan Moore “had his name removed from the credits” (Xenakis 135). But just because
Families have changed greatly over the past 60 years, and they continue to become more diverse.
The events that took place on September 11, 2001 resulted in many lives lost and the “War on Terror” continues to claim lives daily. Both President Obama and President Obama presented informative and persuasive claims in their efforts to justify their actions and the ongoing need for U.S. troops in the Middle East. By examining and identifying the methods of persuasion that many leaders use, people are better equipped to make informative decisions on the election of future leaders.
...society as she guides them away from the fascist regime and its debris and into a land of social and political freedom. Through this process, revolution brings transcendental transformation. Moore suggests that revolution is a two-step open spiral. From the starting point, society has to go back and destroy the corruption. Once the injustice has disappeared, society can start rebuilding its values and move forward. If the clearing has been done well, there will be no more need of destruction, and society can solely focus on creation. However, to reach such a stage of reconstruction, it is not only necessary to destroy the past but also to understand the value of power, freedom and one's inevitable social and political responsibility. This understanding is crucial as a defensive mechanism since oppressive regimes can only take power from those willing to give it up.
One strategy Moore uses in his excerpt is exemplification. He clarifies his points by providing examples, which help build the credibility of his arguments. For instance, to demonstrate how ignorant American officials are, Moore provides numerous examples, such as describing William Clark, “President Ronald Reagan’s nominee for deputy secretary of state,” who “ had no idea how our allies in Western Europ...
The media plays a key role in The American President. Throughout the movie the president struggles to keep high approval ratings during primary season. The media has tremendous control of this because they are a major source of information for voters, and they can choose what kind of light to shine on a situation. Although, in this situation it was not exactly the media that attacked the president, it actually was the person running against the president, Donald Rumsfeld. Donald Rumsfeld denounced the president, and Sydney ...
To understand the theory of gender inequality better, it is necessary to confront the obstacles that have limited prior attempts. Amongst these, one the most important ones is the strong urge to minimize all explanations of gender inequality to some fundamental contrast between the sexes.
It was a typical Saturday at Florida State University. The Noles has defeated, pretty decisively, UNC and the people were conducting normal activities. However, this Saturday was different in the fact that Academy Award winner Michael Moore was to speak to students at the Ruby Diamond auditorium about the upcoming 2004 presidential election. I had received my ticket from the College Democrats, who had arranged for their group to have block seating. During the event itself, which included an introduction by Andrew Gillium, a local Tallahassee politician, Michael Moore talked about his various complaints about President Bush’s policies and told young voters to vote for the Kerry/Edwards ticket. He also showed some extra clips from his movie Fahrenheit 9/11. This movie, which is a “documentary”, grossed over 110 million dollars in the U.S (Kopel 2). The budget for the film itself was only 6 million dollars. Michael Moore had won the Oscar for Bowling for Columbine the year before for Best Documentary, and so this film was very much anticipated by both sides of the political aisle. To add to this expectation, Moore was an outspoken opponent of the Bush administration and had used his 2003 acceptance speech at the Oscars to blast Bush’s war on Iraq. This film, at least from my perspective, was the result of great passion and zeal.
In Michael Moore 's Stupid White Men, he discusses many world and governmental issues facing America. He focuses on the corruption that has befallen the nation due to the Bush Administration. He forcefully gets his point across without worriment of opposing opinions. Moore focuses greatly upon political, environmental, economic and social issues due the Bush administration, which he believes to be the cause of many of today 's national issues. Moore’s Stupid White Men focuses on the damages done by the Bush Administration and its impact on national dilemmas. Although Moore 's premises on the topic is tipped in a negative favor, he provides reasonable points to aid in his argument to encourage an agreeable response.
.... Moore suggests that revolution is a two-step open spiral. From the starting point, society has to go back and destroy the corruption. Once the injustice disappears, society can start rebuilding its values and move forward. If the staging is efficient, then there will be no more need of destruction, and society can solely focus on creation. However, to reach such a stage of reconstruction, it is not only necessary to destroy the past but also to understand the value of power, freedom and one's inevitable social and political responsibility. This understanding is a crucial defensive mechanism since oppressive regimes can only take power from those willing to give it up.
A real world example of retributive justice would be capital punishment. The National Research Council found that in 2012, 88% of people said the death penalty does not deter them from committing a crime that is punishable by execution. The criminal justice system is flawed in the way that for some crimes, such as Victoria’s, officials will treat offenders exactly how the offender treated their victim. When dealing with other crimes, officials will just lock up the criminals, they will receive no media attention and will not be used to entertain citizens with their own boring
The words ‘sex’ and ‘gender’ are commonly confused with each other in regular, everyday conversations when the two have very different meanings. The term ‘sex’ refers to the biological and physiological characteristics of a person, such as male or female; ‘gender’ is a social construction that refers to masculine or feminine roles in society ( Nordqvist). For example, women are seen in commercials doing all of the cooking and cleaning and men are seen working and playing sports. The term ‘gender inequality’ in this case is confusing as it means the inequality of both biological differences and social role differences.