In the book The Heart of Darkness Joseph Conrad demonstrates that humans are Dark and hollow on the inside and that if left to their own devices the dark and hollow side will reveal itself and take over.
It can be said that a certain degree of darkness lies within every person, but this darkness will not surface unless given the correct environment. The darkness, however, can emerge and ultimately destroy the person if not checked by reason. If one's inner darkness does surface, the victim then is given the opportunity to reach a point in personal growth, and to gain a sense of self- knowledge from it.
Conrad makes many references to darkness, just in the first pages, giving a sort of foreshadowing of what is to come later in the book. When the book starts out, it is sundown, and very dark, the narrator creates a feeling of quiet, and Marlow suddenly breaks the mood by saying, “and this also has been one of the dark places of the earth.”
This in turn leads him to his story about another of the dark places of the earth that he had traveled to. Marlow tells of how he got a job as a steamboat captain in the Congo River. This is a reference to the title, because in the time that Conrad wrote the book Africa was often called the land of darkness, with Congo in its very center, or heart.
Marlow’s first job is to retrieve the bones of the former steam boat captain, Fresleven. Fresleven is the first example of a good man giving into the heart of darkness. He was said to be a ‘mild-mannered’ man, but was stabbed by the chief’s sin after he struck the chief in anger.
Most of the men had come to Africa in hopes if giving it civilization and prosperity, but they gave in to their own wants and needs, and cared about the Africans ...
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...rkness. He had come to Africa to create civilization, and wanted to make ivory towers as beacon lights to the natives of the Congo. He was an artist, an orator, a poet, writer, musician, and a politician, but he had no integrity, and was tainted by the heart of darkness:
The brown current ran swiftly out of the heat of darkness, bearing us down towards the se with twice the speed of out upward progress, and Kurtz life was running swiftly, too, ebbing, ebbing out of his heart into the sea of inexorable time. (Conrad, 81)
In this quote Marlow is suggesting that the river separates him from the heart of darkness, and that it brings him back to civilization. It also hints that Marlow and Kurtz can leave the heart of darkness behind, but Kurtz seems to be leavening more of himself behind every time, and that he too, has been permanently scarred by it.
His first stop upon leaving Europe was the territorial capital of the Congo: Boma. On June 13, 1890, Conrad’s party landed at “the terminating point of navigation on the Lower Congo”: Matadi. In Matadi, Conrad began a vague diary that would help plot his ventures and thoughts through August 1, 1890. Also in Matadi, Joseph met with the chief of his company’s station, a Mr. Grosse. During his two week stay here, he met frequently with Mr. Grosse and another Mr. Roger Casement. The impressions that Marlow finds so vital in Heart of Darkness can be traced back to Conrad’s outstanding first impression of Mr. Casement who he describes as
Mental and physical health can be so easily affected by an environment. In the Heart of Darkness, Conrad really emphasizes just how easily one can be affected mentally and physically by darkness. Through the characters in his book, he shows that darkness can abandon one of their physical health and provide them with an open mind that can so simply be filled with the darkness they are surrounded by. The health of the entire body is easily sabotaged in the affects of darkness and illness.
As Marlow tells his story we see and understand the situations Marlow faced. In his first encounter with the tribes men, Marlow steps into a "gloomy circle of some inferno", where dark figures surrounded him. He compares this incident with that of a massacre, the starving and wasting bodies lying in "confusion". Marlow then encounters a young black boy with a piece of white cotton string tied around his neck. This simple piece of string symbolizes the young boy's innocence. Shortly after Marlow offers the boy a biscuit, another one of the shapes approaches the river , crawling, and drinks of the water. Marlow could not stand the sight of the suffering any longer. It was as though he felt what they were feeling and just when he was willing to help, he stands up and walks away. The path where Marlow meets those that had traveled to an unknown land, and walked uncertain of where they where but sure of what they wanted, started here.
Heart of Darkness is Joseph Conrad's tale of one man's journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman, Marlow, tells his crew a startling tale of a man named Kurtz and his expedition that culminates in his encounter with the "voice" of Kurtz and ultimately, Kurtz's demise. The passage from Part I of the novel consists of Marlow's initial encounter with the natives of this place of immense darkness, directly relating to Conrad's use of imagery and metaphor to illustrate to the reader the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlow's two opposing points of view: one of naïveté, which comes before Marlow's eventual epiphany after having met Kurtz, and the matured perspective he takes on after all of the events leading up to his and Kurtz's encounter.
Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.
Towards the end of the story, right before Kurtz dies, Marlow looks at Kurtz, and says “I saw on that ivory face the expression of somber pride, of ruthless power, of craven terror-of an intense and hopeless despair.” (P.118), and then Kurtz screams, “The horror, the horror.” (P.118) and he dies. He is referring to what he sees inside himself. This is just what Marlow was afraid he was becoming, he looked deep inside himself, and saw Kurtz.
Throughout its entirety, Joseph Conrad’s Heart of Darkness utilizes many contrasts and paradoxes in an attempt to teach readers about the complexities of both human nature and the world. Some are more easily distinguishable, such as the comparison between civilized and uncivilized people, and some are more difficult to identify, like the usage of vagueness and clarity to contrast each other. One of the most prominent inversions contradicts the typical views of light and dark. While typically light is imagined to expose the truth and darkness to conceal it, Conrad creates a paradox in which darkness displays the truth and light blinds us from it.
Heart of Darkness is a kind of little world unto itself. The reader of Conrad’s Heart of Darkness should take the time to consider this work from a psychological point of view. There are, after all, an awful lot of heads and skulls in the book, and Conrad goes out of his way to suggest that in some sense Marlow's journey is like a dream or a return to our primitive past--an exploration of the dark recesses of the human mind.
This Universal Human Condition is a very broad topic which can be analyzed from many perspectives. The human condition composes the essentials of human existence, such as birth, growth, emotionality, aspiration, conflict, and mortality. In the Heart of Darkness, “darkness” displays the inability to see any description of the human condition and its has profound implications. The racism in the Heart of Darkness is the result of the failure to see others. Failing to see another human being, failing to understand different religions, philosophy, history, art, literature, sociology, psychology, and biology, means failing to understand that individual and failing to establish any sort of sympathetic communion with him or her. Joseph Conrad illustrates
Every story has a plot, but not every story has a deeper meaning. When viewed superficially, Joseph Conrad's Heart of Darkness is a tragic tale of the white man's journey into the African jungle. When we peel away the layers, however, a different journey is revealed - we venture into the soul of man, complete with the warts as well as the wonderful. Conrad uses this theme of light and darkness to contrast the civilized European world with the savage African world in Heart of Darkness.
Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul. It is in the midst of this savagery and unrelenting danger that mankind confronts the brooding nature of his inner self. Joseph Conrad’s novel, Heart of Darkness, is the story of one man's insight into life as he embarks on a voyage to the edges of the world. Here, he meets the bitter, yet enlightening forces that eventually shape his outlook on life and his own individuality. Conrad’s portrayal of the characters, setting, and symbols, allow the reader to reflect on the true nature of man.
In Joseph Conrad's novel, The Heart of Darkness, Charlie Marlow narrates the story of his journey into the dark continent, Africa. Through his experiences he learns a lot about himself and about the nature of mankind. He discovers that all humans have the capability within themselves to do good or evil. Outside circumstances substantially influence which path a human will take. Marlow travels not only through the darkness of Africa, but also through the darkness of the human soul.
...ch open up the readers mind. Joseph Conrad's "Heart of Darkness", raises many questions about society and the human potential for evil.
The "Heart of Darkness," written by Joseph Conrad in 1899 as a short story, is about two men who face their own identities as what they consider to be civilized Europeans and the struggle to not to abandon their themselves and their morality once they venture into the "darkness." The use of "darkness" is in the book's title and in throughout the story and takes on a number of meanings that are not easily understood until the story progresses. As you read the story you realize that the meaning of "darkness" is not something that is constant but changes depending on the context it used.
This sight angers Marlow, and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.