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Shakespeare's views on love
Character analysis of shakespeare's othello
Character analysis of shakespeare's othello
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Recommended: Shakespeare's views on love
As Laura Numeroff’s popular children’s book says, “If you give a mouse a cookie, he’s going to ask for a glass of milk.” Throughout William Shakespeare’s tragedy, Othello, the topics of love and hate are expressed throughout the drama. Through murderous doings and villainous manipulations of the soul, Shakespeare’s play accentuates the wrongdoings of human nature and their role within daily lives of couples of all statuses. Additionally explored is the idea that, as directly stated within Shakespeare’s play Midsummer Night’s Dream, “the course of true love never did run smooth” (I.i.5) In other words, love never works out, no matter how hard a pairing works at it, due to the corruption of humanity and their nefarious wants and desires. This …show more content…
Within Iago and Emilia’s relationship, the main discrepancy is the gender roles set by Iago about women and their role in society. After Iago’s wife arrives at shore on Cyprus, Iago immediately begins downgrading her and attacking her actions. Even the act of kissing another man as greeting, a common gesture during Shakespeare’s time, is criticized and twisted to make Emilia appear as a lowly talkative whore. Eventually, Iago begins to describe the perfect wife to Emilia and Desdemona, in which he states, “[the perfect wife] would suckle fools and chronicle small beer” (II.i. 25). In other words, Iago states that a women should stay home with the children and tend to housework. However, women, according to Iago, are instead “pictures out of doors,/ Bells in your parlours, wild-cats in your kitchens,/ Saints in your injuries, devils being offended,/ Player’s in your housewifery, and housewives in your beds” (II. i. 24). Instead of being good housewives, Iago alternatively believes women are ineffective, noisy, a distraction, and slutty. Because of this social barrier against his wife and his ideal women, Iago would never be able to efficaciously love Emilia to the extent she loves him. This demonstrates that no matter what people have in in front of them, people are naturally greedy and want more than what’s given to them to work …show more content…
Within the play, Iago’s master plan is to kill Desdemona and Cassio in order to get his job back. However, in order to do this, Iago convinces Othello that his lovely wife Desdemona is cuckolding him with his lieutenant Cassio. After manipulating and working in his unscrupulous ways, Iago properly convinces Othello that Desdemona has been cheating on him, despite the fact that Desdemona is, in fact, innocent. In a fit of raging mania, Othello bursts into fury and cries, “I am abused, and my relief must be to loathe her” (III.iii.48). With the belief that he is a horned man, Othello reverts into despising his loving wife as he sees no other way to accept what has been- wrongfully and inaccurately- revealed to him. Without wrath blinding Othello to conclude something wildly inaccurate, the seemingly unusual but almost perfect couple could have lasted for eternity. However, Othello decides that the only rational way to deal with his, unbeknown to him, made up problem is it permanently get rid of Desdemona by terminating her life. Yet, it’s mortal weakness to let passion conceal logic in fits of rage. Additionally, jealousy, another characteristic damnation, topples relationships. Within act III, Othello implores Desdemona to immediately fetch his handkerchief, as
While any of these interpretations no doubt helps to inform fuller discussion of the play, I would like to focus the question of the cause of this tragedy in another area: the realm of gender. I will argue that the tragedy occurs as a result of the protagonists’ overwhelming adherence to their society’s stereotyped gender roles and that Iago further encourages and manipulates these gender roles to his own ends. In this essay, I use the word “gender” to describe those physical, biological, behavioral, verbal, textual, mythic, and power dynamic cues that signal to others in the society, specifically the society of this play, that one is perceived as belonging or not belonging to a specific category of masculine or feminine (Bornstein 26-30). I will also use Kate Bornstein’s definition of “gender roles”: the “positions and actions specific to a given gender as defined by a culture” (26). Iago is a gender trickster, subtly and subver...
Othello has many positive traits, including being a great leader and loyal. He also has one negative trait that ultimately leads to his death; jealousy. Iago provokes deep, strong emotions in Othello, jealousy being the strongest. Jealousy is a nasty little emotion. It causes people to do terrible things because once it is on a person’s conscience, it stays for quite some time. Because of these effects, jealousy can impact some of the strongest people such as Othello. The love between Desdemona and Othello was portrayed so elevated and pure and was filled with religious words and phrases that just added to the strength and sanctity of their love. Othello has such a strong mind, but jealousy caused by the manipulation of Iago, negatively impacts him. Iago convinces Othello that Desdemona is cheating on him with his friend Cassio. When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love
Iago shows a little of his lack of care for women when he quotes, “You are pictures out of doors, bells in your parlors, wildcats in your kitchens, saints in your injuries, devils being offended, players in your housewifery, and huswives in your beds” (2.1.111-14). Iago clearly does not have a high opinion of women, and it is because of his low opinion of women that Iago does not feel any guilt in using Desdemona for his gain. Had Iago have had a better opinion of women, he may have not have used Desdemona as a means to an end, which is an action frowned upon in philosophy (Johnson, “Kant’s Moral Philosophy”). Castiglione would put Iago at fault due to him using Desdemona’s own duties as a noble woman against
Othello, by Shakespeare, involves two women; Desdemona and Emilia. These two women have a lot of things in common. Both have husbands who are full of adventure and physically powerful. Desdemona is the wife of Othello, the Moor of Venice. Emilia’s husband is Iago, is youngest of the two men, employed as a confidante to Othello. Iago is filled with so much guilt towards Othello; he wants total revenge and makes Othello’s life a living hell for him and anyone he loves. Othello doesn’t know any of this revenge and confides in Iago and trusts him with everything, because he is “the most honest” (2.3.6). While all this deceit is going on around them, both women are oblivious to it, and Emilia doesn’t
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
...nse, really showing Iago’ shallow character as well as proving the theme of ignorance behind a man’s view of women. Through the act two Iago continues to go on about what he believes a perfect woman is; one who’s every good quality is balanced by another good quality.
...ng Desdemona has been unfaithful, ‘Trifles light as air Are to the jealous confirmations strong As proofs of holy writ’. However, his manipulation can also be seen with Emilia, in particular her finding of the handkerchief, ‘my wayward husband hath a hundred times Woo’d me to steal it’. The fact that Emilia gives Iago the handkerchief, despite her initial intention which is to have it copied and to return the original to Desdemona and despite his crude and derogatory remark, ‘it is a common thing’, reveals her desperation to please Iago and to satisfy his need for instant gratification. This contrasts with her outspoken, headstrong nature when Iago is not present and shows that women of this time period were dominated by men in all ways, including the suppression of their natural personalities.
Iago, as deceitful of a character his is, always remains truthful when it comes to his opinions of his wife, Emilia. Iago claims throughout the play that his wife has cheated on him multiple times through out their marriage, these claims are even made in public among high ranking officers when Iago and Emilia meet on Cyprus, with Iago saying, “You rise to play and go to bed to work.” Iago’s mentioning of his spouse’s supposed cheating shows how much she truly hates everyone around him, even going to the point of combining his hate for Othello, “I hate the Moor, and 'tis thought abroad that 'twixt my sheets he has done my office." The use of the term ‘my office’ seems to dehumanize the idea of sex with a spouse and instead makes it seem like just another job. As the story progresses it becomes apparent that Iago harbors hate not only f...
Iago controls Emilia and treats her as less when she does not act as a submissive wife. Therefore, Emilia follows to keep Iago satisfy. Further, Iago tells Emilia to steal the handkerchief; which she follows without knowing his intentions, to then be insulted by Iago calling her a “foolish wife” (3.3.313), and demanding her, “Go, leave me” (3.3.330). Apparently, Iago makes Emilia lesser, and she accepts her role as a submissive wife. Moreover, although Othello proclaims loving Desdemona, he perceives her as inferior as a result of jealousy. As in Act 5, Scene 2 where Othello says to Desdemona, “Down, strumpet!” (89), suggesting that he puts her in an inferior position to kill her reflecting his true perception of Desdemona. And likewise Emilia, Desdemona accepts the role of an obedient wife by using her last breath to take the fault off Othello
By making this generalization, the author contributes to the stereotype of women as unfaithful, which can still be seen today through the typical gender role and mistrust of women despite proving themselves reliable. The character Iago, who acts as Othello’s ancient and trusted friend, makes a similar assumption. When asked for his thoughts on women who specifically
Iago uses the implications of gender roles throughout the play. He creates doubt about Othello’s masculinity, and feeds off of the anxiety these observations create. Iago is not immune to the negative impact of gender standards that cannot be fulfilled. Mark Breitenberg describes these feelings as “…male, heterosexual jealousy – the anxiety and violence engendered in men by a patriarchal economy that constructs masculine identity” and explains these anxieties are “…dependent on the coercive and symbolic regulation of women’s sexuality” (377). Iago’s hatred of Othello is due to the insecurity he feels about his own masculinity and it causes him to feel jealousy towards Othello. As Karen Newman opines, “Othello both figures monstrosity and at the same time represents the white male norms the play encodes through Iago” (153). He is as a brutish, savage monster, but these negative traits can be warped into desirable ones by means of masculine stereotypes. Othello is large, strong, and a warrior. ...
For examples, Iago States “You evil whore!” (295) and Iago claiming women talk too much(71). This shows Iago views and beliefs on women. It is clear to the reader that the women in the story do not have any choice. Iago states he wished that “he would have evened with his, wife for wife.
Desdemona demonstrates weakness in her love for Othello and by taking his abuse. At the beginning of the play, Desdemona feels she must accompany Othello to Cyprus in war. This can be looked at as her being a strong woman, but she truly is not since the real reason she wants to go is because she can not be seperated from Othello. "If I be left behind A moth of peace and he go to the war, The rites for which I love him are bereft me,And I a heavy interim shall support by his dear absence. Let me go with him." (Act 1, scene 3, line 250) She feels that she loves him so much, she can not be alone or without him. This is a trait of the stereotypical damsel. When Othello hits her in public, she does not get angry with him but begins to cry. " 'Tis very much.Make her amends, she
Emilia is a wanton women, and Desdemona is the quiet women. Both women were treated as property and died of betrayal by their husbands. All women in this play share the common role of being treated as if they are nothing except a man’s property. This was very common in this time period and it is shown several times throughout the play. Iago often refers to his wife Emilia as a whore.