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Science and religion in Dracula
1910s medical advancements
1910s medical advancements
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Recommended: Science and religion in Dracula
Dracula’s Downfall: Science and Superstition In a time period where science was developing new and controversial ideas, and superstition was slowly being replaced with a more reasoning thought process, a story that combines the two topics was written: Dracula. With movement to the new west, science was slowly gaining more foreground, inventing new technologies such as the telegram and phonograph as well as making advancements like blood transfusions and hypnosis. Additionally a new thought process began to form, one that took away the ability to believe in the seemingly impossible. “In the Blood” author quotes: “Throughout the novel, these self-assured people have to be convinced, with enormous difficulty, that there is something beyond their …show more content…
While Seward represents Victorian science, Van Helsing represents an open-minded science. “‘My thesis is this, I want you to believe.’…‘To believe in things that you cannot’” (Stoker 206). Van Helsing believes that, while science is wonderful, you must not let it hinder you from seeing things for what they truly are. His thought process quickly shows to be the dominant one throughout the book. For instance: while Seward struggles to figure out what Lucy’s ailment is, Van Helsing creates a solution after some observation. He discovers what is happening to Lucy and tries to protect her by giving her garlic flowers from his home in the Netherlands. “By rubbing the flowers around the windows and doors of Lucy’s room, he is blocking Dracula’s entrance as effectively as the heavy door blocked Jonathan’s exit in Transylvania” (Johnson 83). Van Helsing helps keep Dracula at bay, and this in turn helps to stop Lucy’s blood-loss and aid her recovery. Another instance where Van Helsing’s thought is clearly superior, is when he discovers that Lucy is now part of the undead. He claims that she is the one leaving the marks on the kids throats and that she is now one of the undead. “They were made by Miss Lucy!” (207). Seward’s logical thought never would have allowed him to come to such a conclusion because it did not seem to be realistic. Without Van Helsing the characters would have no connection to the supernatural world, as well as no one to teach them about it or help them perceive the world
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
Life is a cruel. It, will attempt to take one down; it will humble one; it will attempt to break many down. In moments one may not know what to do, instead he/she must a find a way to use what they have around them as an advantage to defeat the problems that stands their way. Throughout dark fiction, authors utilise different elements as a tool to defeating the antagonist. the story Dracula uses completely different approaches in taking down the mighty Dracula. In the novel Dracula, Bram Stoker effectively employs the different elements that are used to defeat Dracula. Stoker effectively demonstrates the elements that are used to destroy Dracula through act of Religion, the aspect of Science and the setting.
In the novel Dracula, by Bram Stoker, there is much evidence of foreshadowing and parallels to other myths. Dracula was not the first story featuring a vampire myth, nor was it the last. Some would even argue that it was not the best. However, it was the most original, using foreshadowing and mood to create horrific imagery, mythical parallels to draw upon a source of superstition, and original narrative elements that make this story unique.
Throughout many types of literature, violence exists to enhance the reader’s interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it were lacking violence. So to holds true to that of the movie. The movie bares different characteristics then that of the book. First off, the whole ordeal with the wolf escaping and jumping into Lucy’s, room and Lucy’s mom having a heart attacked is never even mention in the movie. Second, The night when the four men go to Lucy’s grave and find it empty is stated both in the book and in the movie however what unfolds after this is different. Finally, the end of the book differs severely from what Francis Ford Copolas rendition and that of the Bram Stoker see it to be. The differences are as follows…
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
In Bram Stoker's "Dracula", Dracula is portrayed as a monster made evident by his gruesome actions. An analysis of Dracula shows that: shows his evil nature in his planning, brutally killing Lucy Westrenstra causing a violent response from Dr. Seward and others, and how his evil ways lead to his downfall. To characterize Dracula in one way, he is a ruthless, cunning monster who uses tricks, torture, and wits to manipulate people to his will. However when he trifled with some courageous people, he had no knowledge that it would be his undoing.
In the universe, no one being has complete control over another. In Bram Stoker's novel Dracula, God, Dracula, Nature, and Humanity have some form of influence over each other, whether it be direct control or as the instrument through which another must exert its power. In this paper I will examine the ways that power and control are presented in Dracula.
Since the 19th Century, Bram Stoker’s Dracula has entertained its readers taking them to heights of excitement in the climax
Bram Stoker wrote his infamous novel, Dracula, during the turn of the century in 1897, and the Victorian era novel is heavily influenced by the time in which it was written. Francis Ford Coppola’s Dracula is influenced by the period in which it was produced, and it diverges from the novel in the sexualisation of women, the humanization of Dracula, the representation of friendship, and the depiction of science. Dracula is a classic story that can represent the current era’s fears and desires. Although the story changes in Coppola’s Dracula, in comparison to the original, it is not the first time Dracula has been adapted according to the era, and it will not be the last.
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
it horrifies us and reinforces our sense of boundaries and normalcy” (Halberstam 13). Assuming that Bram Stoker’s Dracula sets the archetype of the vampire, it is clear that modern vampires have demonstrated a decrease in the Gothic horror despite similarities in the Gothic imagery and themes, and such a shift is attributed to a changing value of the limit within society and postmodernism. The Count is the benchmark of the vampire archetype as the monstrous Other that “announces itself as the place of corruption” (Anolik and Howard 1). Dracula is associated with disruption and transgression of accepted limits—a monstrosity of great evil that serves to guarantee the existence of good (Punter and Byron 231).
In the novel Dracula, Bram Stoker shows that society alienates people that are different. The character Count Dracula reveals society assumptions by representing the idea of alienation and considered as an outsider when society won’t accept him because of his behavior.
Firstly, good and evil was seen throughout the aspect of intuition versus logic of the book. Dr. Seward writes in his diary that, “Yesterday [he] was almost willing to accept Van Helsing’s monstrous ideas; but now they seem to start out lurid before me as outrages on common sense. I have no doubt that he believes it all. I wonder if his mind can have become in any way unhinged. Surely there must be some rational explanation of all these mysterious things.” (174). In the Victorian Era, logic was perceived as good, while intuition was evil and immoral. Dr. Seward writes how he was at first convinced that Lucy was, in fact, a vampire, but later thinks these ideas are outlandish. He is unwilling to accept Van Helsing’s intuition because his thoughts could not be justified by logic, but could be proven merely by beliefs. Similarly, Jonathan has initial feelings about Dracula that he was convinced were wrong as they were not rational thoughts. He writes that, “there is something so strange about this place and all in it that [he] cannot but feel uneasy.” (2...
From the whispers of townsfolk spreading legends and tales of what goes bump in the night to the successful novels, plays and film adaptations, the story of the vampire has remained timeless and admired. One of the main writers responsible for this fame and glory is Bram Stoker with his rendition Dracula, written in 1897. Dracula follows the accounts of Jonathan Harker, Mina Murray, Dr. John Seward, Lucy Westenra, and Dr. Van Helsing, through their journal entries and letters, newspaper articles, and memos. Bram’s vision for Dracula is both terrifying and captivating as the reader follows a small group of men and women led by Dr. Van Helsing through their attempt to retaliate against Count Dracula’s efforts to spread his undead chaos and blood