Medea vs. Greek Prejudices and Gender Roles In the story of Medea, the author, Euripides, addresses the topics of foreignism and female roles in the ancient Greek society. In the play, Medea, a foreign born woman, marries Jason, a Greek man, and moves to Greece to be with him after leaving her homeland with death and devastation. Then, when their marriage fails, Medea lashes out against Jason, causing her own exile and murdering her children, to which she has no love connection, and Jason’s new wife in the process. The main character, Medea, confirms many of the alleged Greek prejudices against foreigners and creates some prejudices of her own in return. Medea’s foreign roots and misconceptions, as well as her familial and societal atrocities, …show more content…
Because she does not hold the same beliefs and ideals of the women in her new society, this escalates the Greek’s skepticism of her and leads to further rejection. Jason explains to Medea that Greek women accept traditional societal roles and the duties placed on them by men when he says, “It is only natural for your sex to show resentment when their husbands contract another marriage. But your heart has now changed for the better. It took time, to be sure, but you have now seen the light of reason. That’s the action of a wise woman” (Page 209-210), but Medea strongly refutes these beliefs. *Although Medea is arguably the most intelligent character in Euripides’s piece, shown in her dialogue with Creon, she has become ridiculed, and viewed as barbarous and less desirable following her separation from Jason. She is no longer a wife to a Greek man. She is simply an outsider, and a burden on a prosperous …show more content…
In ancient Greece, women lacked many of the fundamental rights held by men. Medea feels that this is unjust. These feelings are shown on page 195 when Medea states “...we must pay a great dowry to a husband who will be the tyrant of our bodies; and there is another fearful hazard: whether we shall get a good man or a bad. For separations bring disgrace on the woman and it is not possible to renounce one’s husband…” After being rejected by the one she loved, she beings to question the morals of those around her. She assumes that Greek women are weak and naive for allowing men to treat them this way; allowing men to cast them away at their heart’s content. Her hatred toward Greek women continues as she discusses the fact that she should not have to bear children or have a strong maternal instinct in order to be considered a woman of societal worth. Women should be as important in battle as men are, as she states on page 195 when she says “They say that we have a safe life at home, whereas men must go to war. Nonsense! I had rather fight three battles than bear one child. But be that as it may, you and I are not in the same case.” The gender imbalance in the ancient Greek civilization is greatly upsetting to Medea, creating her mindset that Greek women are weak and simple minded while Greek men are oppressive and inequitable. Medea shares
In Euripides Medea, Medea is the morally ambiguous character. In part, Medea can be seen as good because she wanted to live with Jason and her two children in Corinth as a family and enjoy a happy life. So it is understandable that Medea becomes devastated and an emotional wreck after Jason leaves her for the princess. He claimed by marrying the princess, he could bring the children up in a well-being and make more royal children. Medea became a distressed. Hateful, and a bitter woman at Jason. Medea mentioned, “we women are the most unfortunate creatures.” Medea acknowledges that the women don’t have much choice in the marriage and if they want a good life, they need a man to control them. And that woman would be much better off if they had
In Medea, the society is similar when it comes to men versus women. Barlow states that the “[h]usband have complete physical control of their wives,” which is similar to the society in Bacchae (Barlow 159). Medea is mistreated by almost all the men that she encounters within the play. Jason betrays her and leaves her to marry Creon’s daughter. Creon wants to banish Medea and her two sons from his land (Medea 272-273). When Creon is banishing Medea from his land he has no h...
Throughout the whole story, you are torn with emotions between the characters. At first, you feel sorry for Medea. Her husband, who she has saved from death, has left her for another woman. She has been "all/obediant" their entire marriage, transforming herself into the sort of wife required by society. You can't help but sympathize with her.
The exchange that takes place between Medea and the Chorus serves several purposes in Euripides' tragedy, The Medea. It allows us to sympathize with Medea in spite of her tragic flaws. It also foreshadows the tragic events that will come to pass. Finally, it contrasts rationality against vengeance and excess. The Chorus offers the sane view of the world to the somewhat insane characters of Medea, Jason, and Creon. As the passage begins on page 176, the leader of the Chorus reveals that she has high regards for Medea despite the fact that she is "savage still." She acknowledges Medea as a foreigner and an outsider and yet is sympathetic towards her. This alliance is apparently based on female bonds rather than on any kind of national loyalty. Medea wastes no time before she begins lamenting and cursing those who "dared wrong me without cause." The Chorus tries to comfort Medea, hoping that this might "lessen her fierce rage / And her frenzy of spirit." They show real concern for her well-being, as well as for the well-being of her loved ones. This unselfish attitude is in stark contrast to the attitudes of the main characters in the tragedy, who all seem to be extremely self-serving. So in just a few short lines, it's already become apparent that while the chorus doesn't necessarily agree with the way that Medea is handling her situation, they are sticking by her and supporting her. This idea supports one of the important themes of the play: the battle of the sexes. Medea now has a chance to get a few things off her chest. She addresses the "Women of Corinth," reminding them that of "all things that live upon the earth and have intelligence we women are certainly the most wretched." She discusses the sad lot that women must deal with in marriage and again stresses the fact that she is an outsider, "alone, without / a city. Her speech is clever and compelling.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Medea is a play from Classical Greek Mythology that was written as a play by Euripides in 4th century BC. The story has been derived from a collection of many of the takes that were being passed on through oral tradition. The audience that was coming to see the play were already familiar with the story and its characters. The play begins with Jason having already abandoned Medea, his wife, as well as their two children. Jason has left Medea with the intention of marrying Glauce, the daughter of Creon, the king of Corinth, which would ultimately advance Jason's social and political position. We learn from a nurse some of the events that have
It won't be easy for any man who picks a fight with her to think she's beaten and he's triumphed,” (Euripides 56-58). Medea has many traits that would be admirable, if only she were a man. She is ruthless, brilliant, cunning, and powerful. But her position is one of weakness: she is not a ruler or a warrior on the battlefield, she is a woman scorned. She says, “I treat my friends with kindness, and come down hard on the heads of my enemies.
In ancient Greece women were viewed as many things. They were not viewed as equivalent to males by any means. Women were portrayed usually as submissive domestic, and controlled. They played supporting or secondary roles in life to men, who tended to be demanding of their wives, but expected them to adhere to their wishes. In the tragedy Medea, written by Euripides, Medea plays the major role in this story, unlike most Greek stories with women playing only minor roles, but she also demonstrates many behavioral and psychological patterns unlike any other Greek women. In Euripides’ Medea the main character, Medea, Displays many traits that breakdown traditional Athenian misogyny by displaying her as proactive in taking her revenge, having cruel and savage passions, and being a very manipulative women.
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
... know, and does not cause commotion outside of her home. On the other hand, it is quite clear that Medea is far from the depiction of the “ideal” woman because of her vengeful spirit, her uproar causing ways, and the fact that she actually ended up hurting her children, regardless of the amount of pain or sorrow she went through beforehand, not to mention that she also killed her brother, according to many of the stories about her.
Ironically, Medea’s actions are similar to a man when she takes charge of her marriage, living situation, and family life when she devices a plan to engulf her husband with grief. With this in mind, Medea had accepts her place in a man’s world unti...
Charlotte Bronte once said, “Women are supposed to be very calm generally, but women feel just as men feel. They need exercise for their faculties, and a field for their efforts as much as their brothers do. They suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow minded in their more privileged fellow creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags” (Bronte). In the play Medea, Euripides diverged from the traditional role of Greek women through Medea’s characteristics and response to her plight. In delineating the role of women, Medea was unlike any other Greek character. Medea was portrayed as capable and resilient woman who would refuse to back down no matter the obstacles. Nevertheless, women in the Greek culture had very few rights. Housework and bearing children were their main obligations. They were basically no better than slaves. In the ancient Greek society, Medea would not fit well among fellow Greek women. Her role as a woman in the play was downtrodden. However, her determination and courage caused people to fear her. She was a woman who turned her back on her family and killed her own brother in order to help her husband.
Women have always been disempowered due to their gender in modern and ancient times alike. In Corinth they are expected to run the household and conform to social expectations of a dutiful wife. Medea, being an immortal and descendant from the gods has a certain power in intelligence and sly cleverness. Being a foreigner, Medea’s wayward irrational behavior was expected in this play as she was not born in Greece and was seen as an exotic creature. She comes across to the audience as a powerful female character in terms of violence. Some of Medea’s reactions and choices appear to be blown out of proportion as authors generally make characters seem larger than life; this creates a better understanding of the text and the issues which are developed through the characters.
This mutual suffering between Medea and the Chorus raises issues such as the treatment of women at the time when this play was written. When Medea married Jason, she married herself to him for life. She was expected to be totally obedient and to accept whatever her husband willed. For her to look upon another man other than her husband would have been totally unacceptable. Whereas Jason marries another woman while he...
Internal conflicts within Medea shed light on her true character and her difficulties to make decisions. Throughout the play, there are many cases of Medea contemplating her decisions and this is done so the readers can see that Medea thinks for herself, and doesn’t let any male control her life. In the play, Medea states, “I had rather stand three times in the front line than bear one child” (1. 249-50). This shows that her internal conflict with not wanting to go through childbirth again is proof that her character is a little bit of a “masculine” woman. In the quote she is saying she’d rather battle than give birth. In a way, it is an example of Medea’ rejection of the foundation of the typical role of woman. Another example of Medea having an