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In the novel of Frankenstein the creature is considerably looking toward finding something that he feels is missing. Over the course of the creatures journey, it tends to find itself going through the woods in search for something that it feels is needed to be human. As he stumbles upon humans in the forest, he tries to talk to them or communicate with them but fails, and as a result he is hit and bruised do to its different appearance. While it escapes it studies and analysis the way in which humans treat each other, on how they are kind and loving toward one another. The creature is than getting the sense of emotion, feeling the need for someone or attention. This tends to give the creature sense of human characteristic, as it begins to …show more content…
He reasons with himself and explains that he would not make another creature as foul and retched as the other one. That is when he destroys the creation and that is when he is accompanied by the monster. By this time the monster begins to explain that all that it had to endure to understand that it needed a companion to share feelings with, it begins to get angry and complains that Victor has broken the promise of the creation. The creature explains that it went through misery and hunger as well as fatigue to achieve what he wants, and so it explains that all those hopes of being happy are crushed. The creature then vows to hurt Victor as it begins to explain that it is far more superior than Victor, “Slave I Before reasoned with you, but you have proved yourself unworthy of my condescension. Remember that i have power; you believe yourself miserable, but i can make you so wretched that the light of day will be hateful to you. You are my creator, but i am your master; obey!” (Chp 20 Shelley) Over all the monster is considerably feeling more superior than humans, and so it found this out once it began to understand how humans were living. It understood that the difference that it had was a burden and that it had nothing more than loneliness and despair for
Beginning in the Romantic Period and shifting in popularity across many years until finally finding a place in current times, the supernatural has been a recurring interest among people throughout the ages. As a result, many stories of old have surpassed their contemporary time and reside within the eyes of the people as classics. Such is the case of the story Frankenstein written by Mary Wollstonecraft Shelley. In spite of its longevity, it appears many still do not understand the true nature of Frankenstein’s monster—as he is referred throughout the novel. Among those who do comprehend the character of the beast is a man named Martin Tropp who wrote a criticism simply titled “The Monster.” Simply put, Frankenstein’s monster is a villainous
The creature was created with the intention of goodness and purity but because of this, he wasn’t equipped to deal with the rejection of his creator. After Victor Frankenstein’s death, Robert Walton walks in to see the creature standing over his friend’s lifeless body.
Mary Shelley's Frankenstein is filled with death and sorrow. They occur in almost every aspect of the book. The four "squares" of the book, Walter, Victor, the monster, and the cottagers, all suffer from them at one time or another. Some perceive Frankenstein as a horror story; however, in actuality it is a book of tragedy and despair. Every page reveals more misery than the page before. Thus, death and sorrow are inevitable in Mary Shelley's Frankenstein.
Examine the Concept of Monsters and the Monstrous in Mary Shelley’s Frankenstein Miss Hutton “Frankenstein” has a variety of monsters and monstrous things/incidents within it, however I am jus going to focus on some main aspects of the monsters and monstrous. Shelley got the idea for “Frankenstein” whilst she was on holiday. AS well as being challenged by Lord Byron to produce a horror novel, she was also influenced death many times; she was abandoned and had a literacy upbringing. Shelley relates her story to fears which were carried by many humans at that time.
...ime, such as reading, speaking, and how to find shelter. More importantly however, he learns something that affects his entirety of his short life: how humans truly are. Frankenstein learns that humans can be kind and moral, but more often are cruel, brutish, unfair, and unsympathetic. He learns that he will never be accepted, and learning this drives him to do rather evil human-ish acts. Even as he does these bad things though, he still experiences regret, longing for companionship, and the drive to do good things and be a good person. This inner conflict is present in all humans, as we struggle to do the right thing and avoid temptations and violence. This struggle is what causes the creature to truly be human, encompassing all of humanity’s aspects, including both the good and bad.
The monster's character evolves in many ways throughout the novel, depending on the point of view it's coming from. When the monster himself speaks (first person) the reader tends to feel sympathy as well as pity, towards him. He is loving and gentle at the beginning of his life, childlike in his curiosity and experiences, but after several harsh encounters with humans, he becomes bitter. Thus seeking revenge on his creator for making him so hideous and rendering him permanently lonely because of his ugliness. He doesn't come across nearly as horrific as he is believed to be in the eyes of Frankenstein. All the monster wanted was to love and to be loved in return and instead he was the true outcast of society. The monster shows a unique ability to analyze humanity because, though he's not a human himself, he has the intelligence of one. He explains, "I heard about the slothful Asiatics; of the stupendous genius and mental activity of the Grecians; of the wars and wonderful virtue of the early Romans--of their subsequent degenerating--of the decline of that mighty empire; of chivalry, Christianity, and kings." This synopsis of culture in a nutshell shows the monster's ability to put humanity in perspective. Yet this education only furthers the monster's realization that he is disconnected from the humans he admires.
and in this essay I will explore who the monster is in the novel. The
Mary Shelley’s Frankenstein depicts a powerful concept of humans following their desires versus humans’ stoicism. The Creature in the novel is initially portrayed as an innocent being only to devolve into a monster reminiscent of his creator. This fact demonstrates that men in this story are voracious and controlled by emotion, while women showed restraint in emotion and carried out duties. Despite taking on a lesser role, women are the real backbone of the novel. Mary Shelley deliberately misplaces sympathy for the Creature in Frankenstein to advocate the recognition of women’s struggles through the portrayal of their stoicism; the deprivation of logic and reason within men as the Creature
Imagine an eight-foot-tall, misshapen human child. You might complain that this is contradictory - but do it anyway. Imagine some sort of humanoid being with the mind of a human child in an eight-foot body, green with a nail in its head if you want. This is what Frankenstein's creature is. Frankenstein's creature is mentally a child, and we see its evolution through traditional child development in the course of its narrative. But the creature is the only member of its species, and therefore its narrative can be taken to represent the history of an entire species - the creature's first experiences can be viewed as an amalgam of creation myths.
There are 7 billion people in this world. That is a copious amount, which means there is a wide variety of personalities and types of people. With all of these people, there are lots of differences between them, there are even slight differences between some of the commonalities. In the book Frankenstein by Mary Shelley, two of the main characters are examples of two very different and unique people who have differences even between their similarities. Victor Frankenstein and the Creature have a few similarities that include they are both curious, determined, and guilty; but even within those similarities they are slightly different.
“Frankenstein” by Mary Shelly explores the concept of the body, life, ‘the self’ and most of importantly humanity, which is repeatedly questioned throughout the novel. The definition of humanity is the quality of being humane or in other words someone that can feel or possess compassion. Despite all the facts against the “monster” in “Frankenstein” he is indeed what one would consider being human. Humanity isn’t just about ones physical appearance but also includes intellect and emotion. Some people argue that the “monster” is not a human for he was not a creature that was born from “God” or from a human body. That being said, the “monster” is not only able to speak different languages, he can also show empathy - one of many distinct traits that set humans apart from the animals. Both the “monster” and his creator, Victor, hold anger and feel a sense of suffering throughout the novel. Victor is a good person with good intentions just like most individuals, but makes the mistake of getting swept up into his passion of science and without thinking of the consequences he creates a “monster”. After completing his science project, he attempts to move forward with his life, however his past – i.e., the “monster” continues to follow and someone haunt him. While one shouldn’t fault or place blame on Frankenstein for his mistakes, you also can’t help but feel somewhat sympathetic for the creature. Frankenstein just wants to feel accepted and loved, he can’t help the way he treats people for he’s only mimicking how people have treated him, which in most cases solely based on his appearance. Unlike most of the monsters we are exposed to in films past and present, the character of the “monster” ...
The creature from Mary Shelley's novel "Frankenstein" displays many different human qualities. Some of these qualities include: the creature's ability to learn, his capability to feel pain, his desire to be accepted, and his need for affection and sympathy. The need for affection and sympathy is something which the creature is unable to attain. This unrequited desire to be accepted causes the creature to be the victim of the novel. The creature is never given affection by human society because of his physical deformities, Dr. Frankenstein's denial to create him a mate, and the creature's violent behaviour.
“.he declares 'everlasting war against the species, and, more than all, against him who had formed me, and sent me forth to this insupportable misery” (Bond). The monster is angry with Victor. He wants Victor to build him a companion, or he will kill everyone that Victor loves. After Victor rejects the idea, the monster wants Victor to feel the loneliness and isolation that the monster has felt all his life. “.if I cannot inspire love, I will cause fear; and chiefly towards you, my arch-enemy, because my creator, do I swear inextinguishable hatred” (Shelley, 204).
Mary Shelley discusses many important themes in her famous novel Frankenstein. She presents these themes through the characters and their actions, and many of them represent occurrences from her own life. Many of the themes present debateable issues, and Shelley's thoughts on them. Three of the most important themes in the novel are birth and creation; alienation; and the family and the domestic affections.
However repugnant he was on the outside, when Frankenstein’s creature begins to tell his tale of sorrow and rejection the creature does not seem to be monstrous. Although rejected multiple times by the humans around him when he finds a family in poverty and “suffering the pangs ...