Essay On Symbolism In A Doll's House

In 1879, Henrik Ibsen wrote A Doll’s House (The). Symbolism, the use of symbols to represent ideas or qualities, was developed within this time period (Google).Throughout the play, Ibsen reveals each character with an internal personality totally different from their external personality. This allows the readers to really open up and understand each character and the relationships that they hold with their self and the other characters as well. Ibsen tends to use several symbols in his play including the main character herself, the dance she performs, the Christmas tree, and the macaroons her husband doesn’t allow her to have. Nora is unhappy with her life, as though her expressions and actions show otherwise. She grows to realize her problem and settles with the idea that she never will be. Several symbols are made to stand out but four more particularly than others.

Nora herself is an obvious symbol. She represents the “doll” of the house as if she is the wife that her husband wants her to be but not so much that on the inside. Her husband, Torvald, treats her as if she is a toy instead of a human. He calls Nora with pet names as if she is an animal. “Come, come, my little skylark must not droop her wings. What is this! Is my little squirrel out of temper? It’s a sweet little bird, but it gets through a terrible amount of money. You wouldn’t believe how much it costs a man when he’s got a little song-bird like you!” Torvald announces in Act I (What). She hides things from her husband which shows how broken she is. When Torvald finds out about Nora's fraud, he feels betrayed and scandalized. Nora Helmer represents how most women were treated as a possession of their husbands and/or fathers and also represents immaturity. Although...

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... Doll’s House is the second play out of the ten that Ibsen has written with a hint of symbolism. With each play he wrote, the amount of symbolism increased and his skill of this use did so also. Each play also became more complex and more comprehensive. The play is written like any other but adds more symbols than most. They seem to be extremely detailed and noticeable therefore; it is fairly simple to assume the actions later in the play. It is visibly clear to Ibsen’s readers what will be guaranteed in each of his plays. With each case, each symbol is an item, experience, or a person. Symbolism is first brought forward early in the play and it stays throughout the whole time becoming more and more shaped into the play scene by scene. The last appearance of symbolism is in the climax. From the beginning of the play till the end, it repeats like the domino effect.