Christian Influences In Beowulf

1118 Words3 Pages

Christianity theme is portrayed throughout the epic of Beowulf. Beowulf was written during the late 700 AD to 1000 AD, during this time the Anglo Saxons had become Christianized. Christian themes and symbolisms are seen throughout the epic of Beowulf, having both Christian and Pagan influence. Beowulf is described as a strong hero, he is strong, courageous, and brave. Beowulf does not back down from a battle, he is signified as a hero because he is willing to risk his life to defeat any monster. In this epic, Beowulf can be described as a “Christian Knight,” as Jesus was in the Bible. In the account of Matthew 20:28, “Just as the Son of man came, not to be ministered to, but to minister and to give his life as a ransom in exchange for many.” …show more content…

John Niles writes, “attempts to show a specific correlation between Beowulf and parts of Scripture tend to break down in the face of the failure of the text to match its supposed source in other than commonplace ways” (Cain). When Hrothgar praises Beowulf by saying that whoever the woman was who bore him, "the everlasting Lord was gracious to her in her childbearing" (945-946), in accordance to Luke 11:27, "Now as he was saying these things, a woman from the crowd called out to him: “Happy is the womb that carried you and the breasts that nursed you!” Cain claims that the poet makes a direct reference to the accounts found in the bible, due to the Christian elements found in the poem. “I want to suggest that the Christian poet of Beowulf treats, presents, and interprets the pagan personages in the poem according to the tradition of Biblical exegesis of the Old Testament; the poet deliberately parallels the pagan Germanic past with the pre-Christian world of the Old Testament with the aim of demonstrating the prefiguration of the Christian world in his native heritage just as it was demonstrated in the world of the old dispensation of the Hebrews” …show more content…

Harris makes five claims are in comparison to the Germanic death song. “A long rule and an effective defense of his realm,” Harris claims as traditional in themselves, being innovative within contexts of the death-song. “That the hero may utter his own epitaph in the sense of a defense of his reputation or a self-justification.” “That he did not aggressively seek conflict in other lands,” remains unexplained by heroic tradition “That the hero swore no false oaths and refrained from killing his kinsmen.” According to these accounts Harris makes attempts to make reference to Germanic Tradition, turning to the accounts in the book of Proverbs (Deskis). Beowulf last speech is

Open Document