Analysing Mothers in “Mother Ireland”:the Butcher Boy & ‘Happiness’
The societal pressures put upon Irish women to be the ‘perfect mother’ caused them to aspire for an idealized version of the family that is ultimately unhealthy. In both Patrick McCabe’s novel the Butcher Boy and Mary Lavin’s short story ‘Happiness’ mothers are faced with dealing with the idealized notions of family that leave them feeling alienated. The pressure put upon Irish mothers specifically comes in large part from the concept of Mother Ireland, which Bernadette Devlin McAliskey views as “In its own unconscious way..[Mother Ireland] is an acceptance of the oppression of the country and of the oppression of women”(as cited in Lyons, 1996). The mothers in the Butcher Boy and ‘Happiness’ deal with being oppressed and feeling as if they don’t live up to the ideal version of what constitutes a family in different ways, but they both encounter anxiety when faced with the immense pressure. Both stories offer a glimpse into the life of mothers who are given seemingly insurmountable familial circumstances and deal with them in contrasting ways.
Patrick McCabe’s novel, The Butcher Boy deals with the ramifications that the societal pressure to be a “good mother” creates by featuring the story of a mother who succumbed to these pressures and the boy who was left behind. The boy, Francie, exhibits delusional behavior becomes increasingly more violent after the suicide of his mother. At the apex of his deranged behavior, he murders a mother who exemplified the traditional Irish housewife. By telling the story of a troubled boy who uses his mother's suicide as a catalyst for his psychotic behavior, McCabe subtly critiques the notion that families must conform to the ide...
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...of the Irish family. Once a mother was labeled as “bad”, families were often marginalized morally or economically, as was the case with the Brady family. In an era in which women had the options of becoming either a housewife or a nun, the inability to perform up to what society deems “good” could be extremely distressing. The pressure that was placed upon Irish women to conform to the standards of a “perfect housewife” led the already emotionally fragile Mrs. Brady to suicide. The realm of the family has traditionally been a woman's domain and when her domesticity is judged harshly and categorically as either “good” or “bad” it greatly influences the health of her and her family. The close association between ‘motherhood’ and Ireland itself further complicates matters because it helps to keep women repressed and only able to function in the realm of domesticity.
Are all mothers fit for motherhood? The concept of motherhood is scrutinized in the stories “The Rocking Horse Winner” and “Tears Idle Tears”. In “The Rocking Horse Winner” by D.H Lawrence the mother, Hester, unpremeditatedly provokes her son into providing for her through gambling. In the story “Tears Idle Tears” by Elizabeth Bowen, Mrs. Dickinson disregards her son’s emotions and puts more emphasis in her appearance than her son’s wellbeing. Hester and Mrs. Dickinson both were inadequate mothers. Both the mothers were materialistic, pretended to love their offspring, and their dominance hindered their children’s progress in life.
Adams Johnson’s Pulitzer Prize-winning book, The Orphan Master’s Son, amazingly depicts the disturbing lives of North Koreans and government horrors through its simplistic language with relatable characters. The Orphan Master’s Son takes place in North Korea and revolves around Jun Do, who is the son of an orphan master, but who receives the shame that Koreans place on orphans. Then he enters the military where he learns different fighting tactics and becomes a professional kidnapper for the North Koreans. For his reward, the government assigns Jun Do to a listening position on a fishing boat where he becomes a hero for fighting the Americans with a story that the fishing crew and he invented to keep from getting placed in a prison camp after to one of their crewmates defects. Jun Do then goes to Texas as a translator, where he learns about freedom and other cultures. When the mission fails the government sends him to a camp where Jun Do’s name and identity die.
The childhood of Frances Piper consists of inadequate love, loss of innocence and lack of concern, ultimately leading to her disastrous life. As a six year old child, she encounters several traumatic events, explicitly the death of her loved ones and the loss of her innocence. Over the course of one week, there have been three deaths, two funerals and two burials in the Piper family. “Frances was crying so hard now that Mercedes got worried. ‘I want my Mumma to come ba-a-a-a-ack.’”( McDonald 174). As a young child, there is nothing more upsetting than losing a mother. A family is meant to comfort each other to fulfill the loss of a loved one; however, this is not the case in the Piper family. Mercedes, only a year older than Frances, tries to console her even though she herself is worried. The loss of motherly love and affection has a tremendous impact on her future since now her sole guardian, James, expresses no responsibility towards her. Instead, he molests Frances on the night of Kathleen’s funeral to lessen the grief of his lost daughter. As a result “These disturbing experiences plague Frances with overwhelming feelings of low self worth and guilt that haunt h...
Munro, C. Lynn. "The Revolt Of “Mother”." Masterplots II: Short Story Series, Revised Edition (2004): 1-2. Literary Reference Center. Web. 2 Jan. 2014.
...ues women’s work becomes wrong. Yes, in today’s society one could argue further that a woman who stays at home and does not work is only reinforcing the stereotype and prolonging the inequality. However, this essay was not written to change the world. It simply strove to identify and prove the reasons behind a ruined sense of self worth that many women in the early 1900’s felt as a result of their work being demeaned. By reaching out to people’s emotional sides, McBride relayed her grandmother’s tale so that people could clearly feel the hurt and demotion that women of that time lived with in order to have them persuaded that the oppression of women in any manner and capacity is wrong.
Currently, families face a multitude of stressors in their lives. The dynamics of the family has never been as complicated as they are in the world today. Napier’s “The Family Crucible” provides a critical look at the subtle struggles that shape the structure of the family for better or worse. The Brice family is viewed through the lens of Napier and Whitaker as they work together to help the family to reconcile their relationships and the structure of the family.
Catharine Sedgwick’s novel, A New-England Tale, tells the story of an orphan, Jane Elton, who “fights to preserve her honesty and her dignity in a household where religion is much talked about but little practiced” (Back Cover). The story take place in the 1820s, a time when many children were suffering in silence due to the fact that there was really no way to get people to understand exactly how bad things were for them. The only way anyone could ever really get a true understanding of the lives of the children in these households would be by knowing what took place in their homes. Outside of the home these women seemed perfectly normal and there was not reason to suspect any crookedness. The author herself was raised by a woman of Calvinist religion and realized how unjust things were for her and how her upbringing had ultimately play at role on her outcome. Sedgwick uses her novel, A New-England Tale to express to her readers how dreadful life was being raised by women of Calvinist religion and it’s affect by depicting their customary domestic life. She takes her readers on an in deep journey through what a typical household in the 1820s would be like providing them with vivid descriptions and reenactments of the domestic life during this period.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
The responsibilities held by a housewife had immense importance in her role in society. Women were responsible for preserving the boundaries of social and cultural life. When this process was disrupted, the authority and identity of the housewife were put into question, she could no longer control the processes needed to fulfill her role. Instead of admitting this loss of control, it may have been easier for the housewife to blame a witch, usually someone who had wronged her. (Starkey 24)
The mother is a selfish and stubborn woman. Raised a certain way and never falters from it. She neglects help, oppresses education and persuades people to be what she wants or she will cut them out of her life completely. Her own morals out-weight every other family member’s wants and choices. Her influence and discipline brought every member of the family’s future to serious-danger to care to her wants. She is everything a good mother isn’t and is blind with her own morals. Her stubbornness towards change and education caused the families state of desperation. The realization shown through the story is the family would be better off without a mother to anchor them down.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
As a girl, she had an extremely difficult childhood as an orphan and was passed around from orphanage to orphanage. The author has absolute admiration for how his mother overcame her upbringing. He opens the third chapter by saying, “She was whatever the opposite of a juvenile delinquent is, and this was not due to her upbringing in a Catholic orphanage, since whatever it was in her that was the opposite of a juvenile delinquent was too strong to have been due to the effect of any environment…the life where life had thrown her was deep and dirty” (40). By saying that she was ‘the opposite of a juvenile delinquent’, he makes her appear as almost a saintly figure, as he looks up to her with profound admiration. He defends his views on his mother’s saintly status as not being an effect of being in a Catholic orphanage, rather, due to her own strong will. O’Connor acknowledges to the extent that her childhood was difficult through his diction of life ‘throwing’ her rather than her being in control of it. As a result, she ended up in unsanitary and uncomfortable orphanages, a ‘deep and dirty’ circumstance that was out of her control. Because of this, the author recognizes that although his childhood was troublesome, his mother’s was much worse. She was still able to overcome it, and because of it, he can overcome
...could relate to the daily struggles of completing chores to please their husbands and children and understood how Minnie Wright could develop feelings of desolation due to the lack of variety in daily activities. When the men found the unwashed towels by the sink and the burst jars of fruit in the cupboard, they quickly took a tone of disgust and disappointment that Mrs. Wright fell short of her “womanly duty” of picking up daily messes. Women in the early 20th century often were not rewarded for completing difficult tasks amongst the homestead on a daily basis, but could be punished and mistreated for not completing the tasks in a timely manner. Glaspell’s work “offers a sympathetic portrait of an abused wife, a woman who is mistreated economically, psychologically, emotionally, and perhaps physically… [her actions] supporting battered woman syndrome” (Keetley).
... of stories Dubliners, James Joyce leads the reader to the conclusion that the Catholic Church took the role of a governing body, and that modernist movement was inhibited by the outdated ideas of the Catholic Church. The story “The Boarding House” provides the reader with excellent examples of a priest who overextended his role in society, and it has been shown that such an occurrence has negative effects of the society as a whole. The Catholic church as a burdensome entity is very well shown in Joyce’s’ the “The sisters”. The story also provides us with a good explanation of the social connotations of religion within the modernist movement. In the stories of Dubliners the legal system is replaced by the institute of religion, and it is the presence and social context of the Catholic Church which prevents the Irish community from advancement.
Motherhood is a traditional role for women. From the time they are young, girls are taught to grow up, marry and become mothers. Of course they can do other things with their lives like play sports, have careers, and travel, but an overwhelming amount of women want to be mothers no matter what else they accomplish with their lives. It is common knowledge that being a good mother is one of the hardest jobs in the world. It is to forever have a special link with another person or people and have a tremendous influence, maybe the most tremendous influence over their lives. Motherhood is a roller coaster ride for women, full of ups and downs, fears and accomplishments. But what happens when motherhood defines who a woman is? All children grow up, and while a woman is always a mother, children need their mothers less and less until eventually their dependence is very minimal. What happens to the woman whose singular role and purpose is no longer needed? In The Summer Before The Dark, and The Fifth Child, the maternal roles of Kate Brown, and Harriet Lovatt are analyzed and traditional motherhood behavior is deconstructed due to these characters’ experiences and relationships with their children.