In ‘’The Story of an Hour’’ written by Kate Chopin and “The Chrysanthemums written by John Steinbeck they both illustrate how both these married women desired to be more, have equal rights as men, and have a passionate relationship with their husbands. Women in the 19th century were prisoners of their marriage. Life back then males dominated and were the breadwinners of their family. Women back then were required to stay home to clean, cook and raise the children. Many women did not have jobs and the ones that did received lesser salaries then men. Men worked so that they can make money to buy all the necessities for their household to survive. Marriage was seen mainly in to bringing up people’s status, people did not marry for love they married for money. The passage “The Story of an Hour “was written in the early 1900s during that time period women did not have …show more content…
Elisa Allen was a married woman that was pushed down by her husband’s and society’s views of what a women’s role was. She tries to represents herself as a strong woman that shouldn’t be treated differently than men. This is seen in the scene when she replies to the man in the van when he says “It ain’t the kind of life for a woman’ ’her upper lip raised a little showing her teeth. “How do you know? How can you tell? (Steinbeck 212). Elisa becomes irrigated because she was told something was not for her because of her gender. Her only outlet for her frustration was her garden where she grows out her chrysanthemums. Her flowers were like her children she cares for them and are very protective over them. She had a wire fence put around them so that were no aphids, no sow bugs, or snails, or cutworms (207). Because Elisa felt isolated and weak as a woman from her husband and the society she ends up describing herself as a weakly old woman at the end of the
Kate Chopin’s “The Story of the Hour” and Charlotte Perkins Gillman’s “The Yellow Wallpaper” are viewed from a woman’s perspective in the nineteenth century. They show the issues on how they are confined to the house. That they are to be stay at home wives and let the husband earn the household income. These stories are both written by American women and how their marriage was brought about. Their husbands were very controlling and treated them more like children instead of their wives. In the nineteenth century their behavior was considered normal at the time. In “The Story of the Hour” and “The Yellow Wallpaper,” both women explore their issues on wanting to be free from the control of their husband’s.
The author describes the chrysanthemums as “too small and easy for her energy” and Elisa herself boasts of her strength when Henry tries to compliment her before their outing. In fact, Steinbeck’s use of language is very important in “The Chrysanthemums”, and the constrained, repetitive diction parallels the constricted nature of Elisa’s life on the isolated ranch. Ironically, Elisa loses her new-found confidence after realizing that the tinker had taken advantage of her, and cries “weakly like an old woman”, in stark contrast to her oft-mentioned strength and vigour, which are traits rarely attributed to women. Throughout the story, Elisa veils her traditional femininity under masculine qualities and
From the beginning of the short story, Steinbeck emphasizes that Elisa is a strong, competent woman who finds her considerable energy channeled into things, such as her garden, which never give her the sort of recognition or satisfaction that she craves. For a brief moment, she senses that she is capable of much more and feels her own strength only to, once again, have a man bring down her efforts, and her self-esteem. The story opens with Elisa working in her garden. Steinbeck makes a point of telling the reader that she is thirty-five. Her age at once implies a woman almost at her middle-age who may be reexamining the dreams of her youth as she contemplates the second half of her life. Steinbeck emphasizes Elisa’s strength as he writes, “Her face was eager and mature and handsome” (Steinbeck 279). Her husband, Henry, comes back to the house having just completed the sell of some cattle. He is complimentary towards her gardening and comments on her talent. He suggests that she put her talent to work in the orchard growing apples, and Elisa considers his offhand comment seriously,...
In John Steinbeck’s The Chrysanthemums, the reader is introduced to the seemingly timid and shy Elisa Allen. Elisa is routinely planting her yearly sets of Chrysanthemums, which appear to be the sole receptor of her caring and gentle touch, but all the while it is evident that “the chrysanthemum stems seemed too small and easy for her energy.” Her hidden eagerness seems not only out of place, but out of touch with her dry and wilted surroundings, of which her husband, Henry, abruptly interrupts her steady pace. Inquiring of dinner plans, he is quickly shuttered out, so that Elisa can continue her work in the fenced in flower bed. This seems to be the only place on the ranch that belongs to her, and thus devoting the entirety of her time, and consideration, towards this lonely sandy square.
Steinbeck's strong and somewhat manly description of Elisa while working in the garden, gives the distinct impression that she is not as weak as a stereotypical housewife would be. He writes that "Her face was lean and strong and her eyes were as clear as water. Her figure looked blocked and heavy in her gardening costume, a man's black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron with four big pockets to hold the snips, the trowel and scratcher, the seeds and the knife she worked with." As evidenced by this excerpt you can see that she has covered up her hair with a "man's hat" and has thrown an apron over her dress in attempts to cover up her femininity. This apron also takes on a similar role as a man's tool belt as he works the land. This initial description lends to the notion that Elisa wants to be stronger as a woman, to stand beyond the stereotype of a housewife. Other phrases used by Steinbeck further the above points. The author mentions that her face was "handsome," her work with the scissors was "over-powerful," and her fingers "destroyed such pests." This description shows an inner strength that Elisa possesses; yet she is unable to bring this out. She also hints to the reader that she would like to take on more masculine responsibilities after her husband Henry comments on the size and beauty of her chrysanthemums. He says that he wishes she'd work out in the orchard and "raise some apples that big." She reacts to this by saying "Maybe I could do it too. I've got a gift with things, all right. My mother had it. She could stick anything in the ground and make it grow.” All of these de...
This frustration is evident when Elisa is first introduced. Her figure is described as "blocked and heavy" because she is wearing heavy gloves, heavy shoes, a "man's black hat," and a big apron that hides her printed dress (Steinbeck 330). Her home has the masculine qualities of being "hard-swept" and hard-polished" (Steinbeck 330). Elisa is bored with her husband and with her life (McMahan 455). Obviously, Elisa is unhappy with the traditional female role and is attempti...
During a rather bleak period of her life, Elisa was visited by a strange wanderer. Galore o...
Initially, John Steinbeck’s short story, “The Chrysanthemums” illustrates the internal conflict a sorrowful housewife faces. The day-to-day life of character, Elisa, seems like a boring one and Steinbeck attempts to remind the reader to not give into temptation and cherish loved ones. During the dialogue, Elisa’s husband, Henry, offers an idea to go out to dinner and the less than enthusiastic response of, “I’ll have plenty of time to transplant some of these sets” (Steinbeck 435) proves that Elisa cares more about her garden than spending time with her husband. Rather than make an effort to bond with her spouse, she appears to be reluctant when asked to go out and enjoy a simple night on the town. Additionally, the failure of a connection between the couple gives the Tinker an opening to make an impact on Elisa’s mental state. Once the Tinker gives her the least bit of attention, Elisa’s entire demeanor starts to change. When Elisa is first described to us, she is unwomanly: “her figure looked blocked and heavy, and she wore a “man’s black hat pulled low down over her eyes” (Steinbeck 438). Although, she is not portrayed as a strong symbol of femininity, the Tinker has spiked an interest in her taboo ways. In the web article “Symbolism in ‘The Chrysanthemums’,” Elizabeth Kassim classifies the tinker as the “catalyst in Elisa’s life”(http://www.lonestar.edu). The admiration of the flowers leads the tinker to admire Elisa. Her sexuality is defined by the chrysanthemums and she “tears off the battered hat and shakes out her dark pretty hair” (Steinbeck 441). With a few kind and well-placed remarks by the Tinker, Elisa thinks there could be a new beginning all aspects of her life. Elisa’s marriage and the way she feels about herself ...
This is carried over into her relationship with her husband. Elisa feels that Henry does not
For women, the 19th century was a time of inequality, oppression, and inferiority to their male counterparts. A woman's social standing depended solely on her marital status. For these reasons many women were forced to lead a life of solitude and emotional inadequacy, often causing depression. In Kate Chopin's short story "The Story of an Hour," setting plays a significant role in illustrating the bittersweet triumph of Mrs. Mallard's escape from oppression at the ironic cost of her life.
Through the conversation between Elisa and her husband, I can also find the gender inequality. Her husband gives a compliment about Elisa’s ability that makes anything in the ground grow bigger. He suggests that Elisa should work out in the orchard, and make apples bigger. I feel that Elisa’s husband definitely does not care why she works so hard in raising chrysanthemums. In the plot, the chrysanthemum is described as Elisa’s beauty.
The story written by John Steinbeck called “The Chrysanthemums” could be named “The Story of an Afternoon” because of the time range it took the tragedy to occur is around the time of a few hours. John Steinbeck’s “The Chrysanthemums” is similar to Kate Chopin’s “The Story of an Hour” in the sense of tragic, irony, happening to women in a small amount of time. In both stories women are bamboozled by men, they become misguided and gain a desire. Aiming to achieve the desire causes them to see a false reality and in ruination.
Elisa Allen embodies the image of a simple woman eager to escape the confines of a gender defined role in society. Readers are introduced to Elisa as a 35 year old, strong woman living with her husband, Henry, on a ranch in Salinas Valley (Steinbeck 460). Elisa’s masculinity is highlighted from the attire she is wearing to the strength in her hands. Henry affirms that Elisa is capable in her endeavors when he states, “you’ve got a gift with things,” in regards to her garden (Steinbeck 460). Even though Elisa is delighted at Henry’s suggestion that she work in the orchard, the idea does not seem to get a second thought (Steinbeck 460). The idea of a woman working in the orchard is dismissed on the premise that the orchard is not a woman’s place. In Elisa’s account with the man in the wagon, her sexuality exudes in her graphic explanation of picking off the flower buds and being under the stars, to the point that she almost physically touches the man (Steinbeck 463). Her desire would go unsatisfied, as it would not be appropriate for her to act on her impulse. Elisa is searching for fulfillment in life but finds her role to be trivial. Intrigued by the idea of traveling, as the gentleman in the wagon does, she states, “It must be very nice. I wish women could do such things.” She is shot down as the man replies, “It ain’t the right kind of a life for a woman” (Steinbeck 464). This conversation clearly depicts the prevalent inequality of the sexes. Furthermore, once the man leaves in the caravan Elisa cements her urge for something more, looking out at the horizon whispering, “That’s a bright direction. There’s a glowing there” (Steinbeck 464-465).
Elisa is at her strongest and most proud in the garden and becomes weak when placed in feminine positions such as going out to dinner with her husband. Steinbeck carefully narrates this woman’s frequent shifts between femininity and masculinity over a short period of time. In the opening of the story, Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figure print dress almost completely covered by a big corduroy apron." (paragraph 5).
“There is no perfect relationship. The idea that there is gets us into so much trouble.”-Maggie Reyes. Kate Chopin reacts to this certain idea that relationships in a marriage during the late 1800’s were a prison for women. Through the main protagonist of her story, Mrs. Mallard, the audience clearly exemplifies with what feelings she had during the process of her husbands assumed death. Chopin demonstrates in “The Story of an Hour” the oppression that women faced in marriage through the understandings of: forbidden joy of independence, the inherent burdens of marriage between men and women and how these two points help the audience to further understand the norms of this time.