Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis of Eroticism in 'The Awakening' • Characterization of Edna Pontellier • Influence of Sexual Attraction on characters
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Edna's relationship with Robert and Arobin can not only be viewed as an expression of her sexual drive but also as an expression of her Thanatos. As mentioned before in chapter 3.1. her outer-marital relationship have a destructive character to them. It is true that, in a way, they embody her growing independence, but they also destroy her marriage and her family. It is not easy to say, however, whether her relationships with Robert and Arobin more influenced by Eros or Thanatos. In this case the two instances seem to be working together. According to Freud the mind is more balanced when Eros and Thanatos are more ---, but in Edna's case it seems to have a rather dissenting effect on her mind. Both relationships have negative sides to them. While they can be seen in a more positive way as well, when they are looked upon as a reaction to Eros, they seem to have a more negative character in relation to Thanatos. …show more content…
It influences her heavily. One could say that, as a consequence of Robert's love, she kills herself. This is supported by the fact that the last thing she says before she loses consciousness is “because I love you.” The question is now whether her death is actually self-destructive behavior or could be seen as the last step in creating her true self. She fully takes control. Among scholars it is argued that Edna's death can be interpreted in different ways. One of these interpretations would be a sort of giving up, because eventually she realizes that she cannot be what society wants her to be and therefore removes herself from said society. On the other hand, it could be seen as her final move of independence, the only way she could be free; her final act of freedom. Like mentioned before, both Eros and Thanatos can be applied to these interpretations but it is open to the reader to decide which one it eventually
have realized that Edna, because of her different upbringings, would not know how to deal with Robert's actions. In one way or another he was the one that helped start their feeling towards each other.
Edna’s recognition of herself as an individual as opposed to a submissive housewife is controversial because it’s unorthodox. When she commits suicide, it’s because she cannot satisfy her desire to be an individual while society scorns her for not following the traditional expectations of women. Edna commits suicide because she has no other option. She wouldn’t be fulfilled by continuing to be a wife and a mother and returning to the lifestyle that she led before her self-discovery.
In The Awakening, Edna Pontellier is a selfish character. She wishes to live her life the way she wants without anyone interfering. She did not start selfish, but grew selfish as her hidden desires were awakened. Her selfishness comes from her complete disregard for anyone’s happiness besides her own. Edna refuses to attend her sister’s wedding, describing the event as lamentable. Even if Edna did not want to attend, a wedding is for the bride and groom’s happiness. She is unable to compromise any of her own desires for the happiness of others. Edna’s own marriage was an act of rebellion for marrying outside of what was expected, and came with the titles of wife and mother. Edna abandoned her relationship without trying to resolve any difficulties with her husband before satisfying her needs. She does not discuss with him her unhappiness or seek his approval before moving to the pigeon house. She develops her relationship with Arobin only to fulfill her own physical needs.
Edna Pontellier was on her way to an awakening. She realized during the book, she was not happy with her position in life. It is apparent that she had never really been fully unaware However, because her own summary of this was some sort of blissful ignorance. Especially in the years of life before her newly appearing independence, THE READER SEES HOW she has never been content with the way her life had turned out. For example she admits she married Mr. Pontellier out of convenience rather than love. EDNA knew he loved her, but she did not love him. It was not that she did not know what love was, for she had BEEN INFATUATED BEFORE, AND BELIEVED IT WAS love. She consciously chose to marry Mr. Pontellier even though she did not love him. When she falls in love with Robert she regrets her decision TO MARRY Mr. Pontellier. HOWEVER, readers should not sympathize, because she was the one who set her own trap. She did not love her husband when she married him, but SHE never once ADMITS that it was a bad decision. She attributes all the problems of her marriage to the way IN WHICH SOCIETY HAS defined the roles of men and women. She does not ACCEPT ANY OF THE BLAME, AS HER OWN. The only other example of married life, in the book, is Mr. and Mrs. Ratignolle, who portray the traditional role of married men and women of the time. Mr. Pontellier also seems to be a typical man of society. Edna, ON THE OTHER HAND, was not A TYPICAL WOMAN OF SOCIETY. Mr. Pontellier knew this but OBVIOUSLY HAD NOT ALWAYS. This shows IS APPARENT in the complete lack of constructive communication between the two. If she had been able to communicate with her husband they may have been able to work OUT THEIR PROBLEMS, WHICH MIGHT HAVE MADE Edna MORE SATISFIED WITH her life.
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
The irony in Robert’s desire to make Edna his wife is that Robert left to be way from Edna because she was married to Mr. Pontiellier, but now Robert is back with even deeper emotions for her. For example, Robert states, “There in Mexico I was thinking of you”, which leads to the conclusion that Robert does demonstrate deep feelings for Edna and her hand in marriage.
When Edna looked back toward the shore, she notices the people she left there. She also notices that she has not covered a great distance. Then a "quick vision of death smote her soul" (Chopin 74), a sense of death that reaffirms her selfhood and reminds her of her clinging to Robert. Her meditation is broken by the wavering of her mind to other objects and senses. Her struggle to regain the shore becomes a kind of near-death experience, at the end of which comes an utter physical exhaustion, a stretching of her self's physical boundary. Edna's intellectual self, the mind, another creation of ignorance, awakens as well. She begins to "feel like one who awakens gradually out of a dream, a delicious, grotesque, impossible dream, to feel again the realities pressing into her soul" (Chopin 78).
...t Lant’s, “The Siren of the Grand Isle: Adele’s Role in The Awakening” explains that, “… she has learned to swim, and master the waves and moves away from the shore to freedom.” Edna’s death was a way for her to become free. She no longer needed to face the harsh reality that women faced daily, and was in charge of her own self. Also, for the first time Edna was able to make a decision for herself.
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
Edna is trying so hard to branch out in this story that she is grabbing on to any hold that she can find. Her feelings for Robert do not start until after she begins her big awakening, which means she had spent roughly half the summer with him completely platonic. She wants so badly for her own freedom that she looks to other men that who are not her husband because she believes that is her ticket to freedom. Chopin, while writing this story was even “inwardly questioning the nature of love”(Toth), showing that she does not even know herself if Edna was ever in love with Robert. Her feelings for Robert directly correspond to her need for her own ind...
We are told there are days when she "was happy to be alive and breathing, when her whole being seemed to be one with sunlight.." On such days Edna "found it good to be alone and unmolested." Yet on other days, she is molested by despondencies so severe that "...
At first Edna only misses Robert greatly and wonders why he never writes her like he promised he would. She does get to read letters in which Robert has sent others instead of her.
Edna’s first action that starts off her route to freedom from her relationship is when she fell in love with Robert. Edna had already married a man that she had not loved but he has not been treating her a...
In Kate Chopin's The Awakening, the principal character, Edna decides to kill herself rather than to live a lie. It seemed to Kate that the time of her own death was the only thing remaining under her control since society had already decided the rest of her life for her. Edna was a woman of the wrong times; she wanted her independence and she wanted to be with her lover, Robert. This type of behavior would never be accepted by the society of her time. Edna's relationship with Robert, and her rejection of the role dictated to her by society, resulted in her perceiving suicide to be the only solution to her problems.
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.