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Victorian era literature
Gender in the importance of being earnest
Victorian era literature
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Gwendoline Fairfax is a prime example of London’s finest fashionable and sophisticated upper-class. She is in love with Ernest (Who is really Jack), and the daughter of Lady Bracknell. Gwendoline is so set on marrying Ernest (who is really Jack) that she is willing to do it even before she meets him in person. Gwendoline’s character challenges the typical Victorian roles where the female is submissive to the male, She is more aggressive in what she wants and going after it. Which is portrayed in parts of the play where she fights the urge to do what she wants and the urge to do what she is told. However, Gwendoline still embodies the Victorian era by being so fixated on marrying someone named Ernest it does not matter to her if the man is a good person morally or not as long as his name is Ernest. We find that Gwendoline instead of facing the truth when she finds out the about Jack she gives herself her own answer, one she can live with, to why he lied to her in the first place about who he really was. Luckily for her, Jacks real name in fact does turn …show more content…
Lady Bracknell embodies the Victorian matron role with her domineering, snobbish, and lack of compassion characteristics (Orlich 373). Wilde tends to use Lady Bracknell as a stereotype of the upper class where she didn’t care about the type of person one was as long as they appeared to be of importance to society. This is a theme that we see reoccurring in the personality of Gwendoline, backing up the statement Alge made about women always becoming like their mothers in the end. Lady Bracknell’s shallow character is made more clear during the conversation she had with Jack about his childhood and telling him that he need to provide some sense of belonging before she would even consider letting her daughter marry him, completely disregarding the fact that he was lost in a train station
The first aspect of Willy's character that affected his failure was his pride. Willy's pride caused him to in many situations make very poor and unethical decisions, that affected both himself and his family. An example of this is through the conversation between Willy and Charley “CHARLEY: ‘You want a job?’ WILLY: ‘I got a job, I told you that. [After a slight pause] What the hell are you offering me a job for?’ CHARLEY: ‘Don’t get insulted.’ WILLY: Don’t insult me.”(DOAS: pg x) Willy does not take the offer which is an obvious example of a poor decision. He makes this decision because he sees this generous whole hearted gesture as a kind of pitiful handout that his pride restricts him from taking. By not taking this handout willy puts his self pride infront of
chris various encounters with people and the decisions he makes are the people he meets are crazy ernie wayne westerberg and kevin with wayne and kevin the hierarchy wayne and kevin fit are physiological, safety, love belonging and esteem in ch 4 to support this alex wrote to westenberg saying “find a man as generous and good natured as you are”and Alex also thanks Wayne for his hospitality and the money he earned and thank kevin for donating clothes to alex that alex really needed and by the end of the letter he called him wayne a friend and said he “i’ll get back to you Wayne and repay some of your kindness”. for crazy Ernie only felt a physiological need for chris and only a little because although Ernie offered chris a job he found out in the book “Ernie had no intention of ever paying chris” and chris stole a bike from ernie so.
Christopher’s father, Ed Boone and his mother, Judy Boone both have one important trait or aspect that they share together which is their way of showing their love and protection towards their child. In this case, that would be Christopher. A quote that Christopher’s father said in the book that supports this answer is “”And Father said,”Christopher, do you understand that I love you.” This shows how he desperately wants his son to love him despite all of his efforts in trying to prevent Christopher from knowing about the truth that he is hiding. A quote that Christopher’s mother saying in the book is, “Christopher, I never meant to hurt you. I thought that what I was doing was the best for all of us. I hope it is. And I want you to know that this is not your fault.” This demonstrates that she really cares about Christopher in what is right which is leaving the house just like what his father believes that it was the best decision in preventing Christopher to know the truth about his mother.
Throughout Daniel Wallace’s novel, Big Fish, Edward Bloom encompasses the meaning of the title. He is immortalized through the many tall tales he has shared with his son, Will. The stories are a depiction of a man who is larger than life, someone who is too big for a small town. Edwards passion for being remembered and loved followed him to his deathbed, where he passed on his stories to his son. The term “Big Fish” is used to reference the magnificence of Edwards life, and is an embodiment of the larger than life stories that he passes down to Will.
I don’t understand these characters at all. Most of them are inhuman, selfish brats, and I don’t share any sort of empathy whatsoever with them.
Another symbol, though it may not be called to mind as quickly as food, is Lady Bracknell. Throughout the story, especially in Act III, she is the picture of the high-class in all its pride. Her character's purpose in the story is so witty on Wilde's part that it's comical in itself. She believes that for the high-class anything is possible, and a well-respected, dignified marriage is a key to more power, which is ironic because her character isn't power-hungry. Her pride is easily identified when Lady Bracknell asks Jack where his house is located in London by asking, "What number in Belgrave Square?" to which Jack answers, "149." and she replies, "The unfashionable side. I thought there was something. But that could easily be altered." Jack asks, "Do you mean the fashion, or the side?" and she says, "B...
Gwendolen is a shining example of a victorian woman like most women in the era she has ideas, it was said she attended lectures, and is bent on self improvement, her costume should be a very frilly dress suited to the style of the time. Jack the play’s protagonist is another very victorian era character in public he is depended upon by his servants and his land, he’s also seen as a caretaker by many of the other characters throughout the play, by victorian era standards he is seen as a respectable and responsible young
In the novel The Immoral Life of Henrietta Lacks by Rebecca Skloot, the author tells the miraculous story of one woman’s amazing contribution to science. Henrietta Lacks unknowingly provides scientists with a biopsy capable of reproducing cells at a tremendusly fast pace. The story of Henrietta Lacks demonstrates how an individual’s rights can be effortlessly breached when it involves medical science and research. Although her cells have contributed to science in many miraculous ways, there is little known about the woman whose body they derived from. Skloot is a very gifted author whose essential writing technique divides the story into three parts so that she, Henrietta
One of the characters in To Kill a Mockingbird is Bob Ewell. Bob Ewell is a selfish drunk who doesn't know how to control himself. He beats his children and he can’t hold a steady job for long. He is obsessed with revenge for Atticus for making him look like a fool at the trial of Tom Robinson, whom Ewell’s daughter is accusing of rape. Because of his false testimony, he can never be trusted again in front of the whole courtroom. He will do anything to get back at Atticus, and is willing to go as far as going after his children. He also has a grudge against the judge in the trial, and against the wife of the accused. Bob is crazy and delusional and is trying to gain back his reputation by taking down all the people that went against him in
Similarly, in “The Importance of Being Earnest”, Jack and Algernon both begin their marital lives based on deception and lies. As a matter of fact, Gwendolen and Algernon both know Jack as Ernest. When Jack proposes to Gwendolen, she becomes overly attached to the idea of marrying someone called Ernest. Gwendolen exclaims: “My ideal has always been to love someone of the name Ernest/There is something in that name that inspires absolute confidence/It is a divine name/It has a music of its own/It produces vibrations” (Wilde 106), and Cecily is of the same opinion “it had always been a girlish dream of mine to love someone whose name was Ernest/I pity any poor married woman whose husband is not called Ernest” (Wilde 116). Jack and Algernon never admits to Gwendolen and Cecily that they are living a double life, their relationships are based on lies. They are more occupied with the name Ernest than the fact of actually being earnest. In spite of leading a deceptive and double life, both men
Gwendolen and Cecily act like air-heads and are easily won over by the men they plan to marry. Gwendolen simply wants to marry a man named Earnest. She tells Jack “my ideal has always been to love someone of the name of Ernest” (I.381-82). The mere idea of marrying a man for his name shows how easily Gwendolen can attach herself to a man. Marriage is the most serious of all relationships and Gwendolen is foolish to deter...
She only becomes insincere towards Cecily when she sees the other as a threat to her relationship with Ernest. Although being insincere to someone is not the best decision, Gwendolen uses it to cover up her insecurity. When she finds out that Cecily is Mr Worthing’s ward, she tells the younger girl, “Disloyalty would be as impossible to [Ernest] as deception. But even men of the noblest possible moral character are extremely susceptible to the influence of the physical charm of others” (163). Gwendolen expresses to Cecily how she wished the other was older and uglier, making the chances of Ernest being attracted towards her decrease. Gwendolen is a lady of appearance, and she is confident of her own, but she is still insecure towards Cecily. Because of this, she becomes rude towards Cecily. Yet, however, Cecily explains to Gwendolen that Ernest Worthing is not her guardian, but Jack is. In response to this, Gwendolen shows her relief by telling Cecily, “You have lifted a load from my mind. I was growing almost anxious” (163). Here, Gwendolen admits that Cecily made her anxious about her relationship with Ernest; she relaxes once she finds out that Ernest most likely has not met Cecily if that is the case. With this, the audience sees how her insecurity causes her insincerity towards Cecily, and how much she cares about her relationship with
Wilde inverts the gender roles in the Victorian society in order to show reflections upon social life, particularly with Lady Bracknell, who embodies the British Victorian aristocracy. It is through Lady Bracknell that the inversion of gender roles is highlighted as she is arguably the most dominant figure in the play obtaining the most authority over every other character. It is clear from Gwendolen’s and Lady Bracknell’s comments that Lord Bracknell, who remains absent in the play, appears to be passive in the female orientated household. Gwendolen remarks that her father is ‘entirely unknown’ outside their family circle, and reflects, ‘the home seems to me to be the proper sphere for the man’ and speaks of a man’s ‘domestic duties’. This is a comic inversion of the stereotypical expectation in Victorian times that a woman’s role was in the home. Moreover, Lady Bracknell interviews Jack about his suitab...
Both Algernon and Jack assume the identity of "Ernest" yet ironically, they both plan on starting their married life with a lie. Lady Bracknell represents the typical aristocrat who focuses the idea of marriage on social and economic status. She believes that if the men trying to marry these girls are not of proper background, there is to be no engagement. Through this major exaggeration, Wilde satirically reveals the irrational and insignificant matters that the upper class society uses to view
The main protagonist of the story, Elizabeth Bennet (nicknamed both Lizzy and Eliza), is the second daughter in the Bennet family. Second only to her elder sister in beauty, Elizabeth’s figure is said to be “light and pleasing,” with “dark eyes,” and “intelligent…expression” (24). At 20 years old, she is still creating her place in society. Known for her wit and playful nature, “Elizabeth is the soul of Pride and Prejudice, [she] reveals in her own person the very title qualities that she spots so easily” (“Pride and Prejudice”) in others. Her insightfulness often leads her to jump to conclusions and think herself above social demand. These tendencies lead her to be prejudice towards others; this is an essential characteristic of her role