The Awakening written by Kate Chopin presents the struggle of an American woman at the turn of the century to find her own identity. At the beginning of the novel, the protagonist, Edna Pontellier, seems to define her identity in terms of being a wife, a mother and a member of her community. As the story progresses, Edna finds herself different. She undergoes a self-transformation process seeking to define herself as an individual.
The beginning point for Edna’s self-revelation and struggle is when Edna realizes for the first time that she can swim. Having struggled to learn to swim for months, she realizes swimming is easy and natural. This discovery is symbolic of Edna’s break from viewing herself in terms of what society expects her to
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The sea strives to suit her emotions and it often lulls and calms her. She looks towards the sea "intoxicated with the sound of her own voice" (VII). Edna is intrigued by hearing her own voice because she often had to listen and serve without speaking her own ideas out loud. The sea influences her to strive for freedom from the oppression of family life. Once the ocean makes her discover the importance of her own voice, she stops submitting herself to her husband's will and lets her own will be just as important as his: "She perceived that her will had blazed up, stubborn, and resistant" (XI). After her initial “rebirth” in the ocean, Edna's first stage in her awakening is to drop the outward superficial appearance of being a “mother-woman” and start to explore her new desires and creative …show more content…
The male-dominated society she lives in (late 1800s) looks down on females who doesn’t meet their husband's and children's needs. Edna looks to be the "brave soul," and a "soul that dares and defies" (XXI). Therefore, Edna is seen as rebellious and treated as an outcast. Edna's husband, Leonce, poses the question, "If it is not a mother's place to look after children, whose on earth is it?" (III). In saying this, Leonce is reflecting the the public view of women. He is saying women should be mothers, and giving up themselves for the needs of their children. He believes that women should be selfless, never taking from their families, but remaining the one in the household whose sacrificial. Leonce believes that Edna should be the “angel of the house”, catering to his every need. He wants his wife to be one of the "ministering angels," (IV) who "idolized their children"(IV) and "worshiped their husbands" (IV). However, Edna shows little interest in taking care of her husband and children, and hints that she seeks more than living her life for the needs and desires of others. She begins to "recognize her relations as an individual to the world within and about her," (VI) and this revelation naturally becomes a curse, creating a complicated conflict in her heart. Edna begins to ponder whether she should be defined as a mother and wife, or as a woman
The Awakening is a novel about the growth of a woman becoming her own person; in spite of the expectations society has for her. The book follows Edna Pontellier as she struggles to find her identity. Edna knows that she cannot be happy filling the role that society has created for her. She did not believe that she could break from this pattern because of the pressures of society. As a result she ends up taking her own life. However, readers should not sympathize with her for taking her own life.
In the first direction, the reader witnesses the era when women only existed to make the male happy. The main character Edna finds that she has nothing to do other than stay in the house bored, since even her children are raised and cared for by servants. Day after day, all Edna is permitted to do is care for her husband and be there whenever he needs help or entertainment. Woman at that time could not vote, could not go out without a male escort, were not allowed to smoke in public, and were not allowed in the work place. These ideals set by the male driven society caused Edna to face her second trend of free will, conflicting with her other direction of oppression.
From a mother, wife, and society woman, Edna progresses to a unique woman of her own, free and independent. By deciding to choose her own paths to take in life, breaking the rules and expectations of the people around her, Edna achieves total control of her destiny. The backdrop of Edna's journey of her awakening is the tantalizing whisper of the ocean. The ocean awakens Edna's senses, teaches her the thrill of taking a risk and offers her inspiration to "dare and defy" (109).
...he presence of water as the motif in this story facilitates these transformations for Edna. On the Grand Isle, the constant presence of the ocean begins a metamorphosis within Edna that alters her perspective of herself in relation to others. She begins to fulfill her desires and abandon her responsibilities as a wife and mother to her family, in order to pursue a life of independence. Allowing her to fulfill her desires to be a painter and be with Robert. Critical moments of self-reflection for Edna occur in the presence of the ocean. It is at the ocean where she first realizes her desire to be independent. Also the empowering force of the ocean allows Edna to be a dictator of her fate. She ultimately decides to take her life and be free from other’s wants and expectations from her. The water was the catalyst that allowed Edna to be liberated and obtain her desires.
Kate Chopin’s The Awakening takes place in the late 19th century, in Grande Isle off the coast of Louisiana. The author writes about the main character, Edna Pontellier, to express her empowering quality of life. Edna is a working housewife,and yearns for social freedom. On a quest of self discovery, Edna meets Madame Ratignolle and Mademoiselle Reisz, falls in and out of love,and eventually ends up taking her own life. Kate Chopin’s The Awakening shows how the main character Edna Pontellier has been trapped for so many years and has no freedom, yet Edna finally “awakens” after so long to her own power and her ability to be free.
“A feeling of exultation overtook her, as if some power of significant import had been given her to control the working of her body and her soul” implies the tremendous joy that encourages her to shout, as well as underscores the significance of the experience in terms of the greater awakening, for the experience actually does provide Edna with the ability to control her own body and soul for the first time. Her “daring and reckless” behavior, her overestimation of strength, and the desire to “swim far out, where no woman had swum before” all suggest the tragic conclusion that awaits Edna. Whether her awakening leads her to want too much, or her desires are not fully compatible with the society in which she lives, she goes too far in her awakening. Amazed at the ease of her new power, she specifically does not join the other groups of people in the water, but rather goes off to swim alone. Indeed, her own awakening ultimately ends up being solitary, particularly in her refusals to join in social expectations. Here, the water presents her with space and solitude, with the “unlimited in which to lose herself.
With her mind already gone, Edna's body begins to swim out into the sea, not caring about what lies ahead: "She did not look back now, but went on and on, thinking of the blue-grass meadow that she had traversed when a little child, believing that it had no beginning and no end." (109)
The time Edna spends in water is a suspension of space and time; this is her first attempt at realizing Robert's impermanence. In a strange way, Edna is taking her self as an object of meditation, where at the extremity of self absorption, she should be able to see through her own selflessness. "As she swam she seemed to be reaching for the unlimited in which to lose herself[emphasis added]" (Chopin 74). Edna has left her earthly existence on the shore and looked forward to a new existence, with the "unlimited", or nirvana as a tantalizing prize on the other shore. Her mistake lies in looking back.
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
Another example of how Edna¡¦s immaturity allows her to mature is when Edna swam like a baby when she went swimming for the first time, and she had over estimated her power. ¡§Once she turned and looked toward the shore, toward the people she had left there. She had not gone any great distance¡Kshe made no mention of her encounter with death and her flash of terror, except to say to her husband, ¡¥I thought I should have perished out there alone.
Kate Chopin's novella The Awakening tells the story of Edna Pontellier, a woman who throughout the novella tries to find herself. Edna begins the story in the role of the typical mother-woman distinctive of Creole society but as the novelette furthers so does the distance she puts between herself and society. Edna's search for independence and a way to stray from society's rules and ways of life is depicted through symbolism with birds, clothing, and Edna's process of learning to swim.
During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.
Being a woman, she is completely at the mercy of her husband. He provides for her a lifestyle she could not obtain on her own and fixes her place in society. This vulnerability stops Edna from being truly empowered. To gain independence as a woman, and as a person, Edna must relinquish the stability and comfort she finds in the relationship with her husband. Mr. and Mrs. Pontellier's marriage comprises a series of power plays and responds well to Marxist and Feminist Theory. Leonce Pontellier looks "…at his wife as one who looks at a valuable piece of property…". He views her as an accessory that completes the ideal life for him. Edna, however, begins to desire autonomy and independence from Leonce, so true to the feminist point of view.
...tionship she had until she was left with literally no reason to live. Throughout the novella, she breaks social conventions, which damages her reputation and her relationships with her friends, husband, and children. Through Edna’s thoughts and actions, numerous gender issues and expectations are displayed within The Awakening because she serves as a direct representation of feminist ideals, social changes, and a revolution to come.
During the summer of Edna's awakening, the sea's influence increases as she learns how to swim, an event which holds much more significance that her fellow vacationers realize. “To her friends, she has accomplished a simple feat; to Edna, she has accomplished a miracle” (Showalter 114). She has found a peace and tranquility in swimming which gives her the feeling of freedom. The narrator tells us that as she swims, "she seem[s] to be reaching out for the unlimited in which to lose herself" (Chopin 74). She sees the freedom t...