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The count of monte cristo research paper
The count of monte cristo research paper
The count of monte cristo characters analysis
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Edmond Dantes has been changed throughout the novel due to many things. His once carefree naive self was changed by nearly fifteen years in prison. While in prison he plans his revenge against the people that caused him to be wrongly imprisoned. After his escape and his finding of the treasure on Monte Cristo, he soon becomes the Count of Monte Cristo to disguise his true identity while going through with his plans as well as many other guises. This many masked man than uses his many guises to slowly destroy the very lives all those who aided in the destruction of his own life.
Before Dantes was ever locked into a dank and dark cell he was a carefree and naive young man. His life was looking great. He was a soon to be husband and had a great
“Humble yourself or life will do it for you.” Having too much pride can cause karma to hit you very hard in life. The Count of Monte Cristo and Ozymandias are very common because they have very similar themes of being humble instead of having too much ego. In The Count of Monte Cristo Edmond Dantes, the main character, is in love with a beautiful young lady, Mercedes. His life is going very good to begin with anyway. He was promoted to captain of the Pharaon and was now making much more money than he used to be making. Although Edmond was a very happy and sympathetic person, some people were very envious of him. So Ferdinand, Danglars, and Caderousse, which were envious for very diverse reasons, decided to write a letter to the public prosecutor stating edmond’s visit to The Isle of Elba actually did indeed happen. The public prosecutor, Villefort, sees that the letter was intended to be
Descending from the first to the second level of Hell, Dante witnesses the transition to greater agony and greater punishment for the damned. Overwhelmed by the sinner’s harrowing cries and the extensive list of seemingly innocent souls given to him by Virgil, Dante beckons for two lovers to approach him, desperate for some sense of comfort. The souls are known to be the historical figures Francesca de Rimini and her lover Paolo, forever trapped in the circle of lust due to their sinful adultery. Through her words spoken to Dante, Francesca shows how she feels she has been unjustly punished and is deserving of others’ sorrow, and Dante, despite his awareness that she is a sinner, pities her. A close reading of this passage is necessary to better understand Dante’s internal battle with showing compassion where it is not deserved and Francesca’s incessant denial of her sins.
	Edmond Dantes imprisonment made a huge impact on his life. He spent 14 years in the dark and quiet Chateau d’If. During those 14 years he met a priest, Abbe Faria, which they met each other through a secret tunnel in which they both have created while in prison. An amazing transformation takes place in Edmond Dantes as he learns about his enemies and a large hidden treasure that contains a large sum of money. Abbe Faria is a very smart man, while in prison he taught Dantes many useful knowledge including the whereabouts of a large treasure located on the Isle of Monte Cristo.
Dante experiences a vision, at the age of 35, after experiencing traumatic events in his hometown of Florence. The events that are occurring in Florence at the time are associated with papal corruption and cause Dante to be forced into exile. Following the vision, which confirms to Dante that he has strayed from the right path in life, Dante begins his travel through the three realms, which contain the possible consequences following a person’s death. Dante’s journey begins on Good Friday, when he is escorted to the gates of Hell, moves to Purgatory and ends in Heaven. However, an escort accompanies him for duration of his journey. Virgil, who Dante has long admired, escorts Dante through Hell and...
When Dante and Virgil reach the gate of Hell, Dante is overcome with fear upon reading the inscription above the gate and hearing the screams and lamentations of those inside. He reacts to the inscription by crying out, " ‘Master,’ I said, ‘these words I see are cruel.’ " (III.12). By this he shows his fear of the unknown because he does not yet know exactly what he will witness during his descent. One of Dante’s truest display of fear occurs upon reaching the vile City of Dis. When the "fallen angels" deny the travelers access through the city, Virgil, usually unflappable, even appears shaken up. Understandably, this does not help Dante’s nerves at all. He actually makes a side comment to the reader declaring the terror he felt after the angels had defied Virgil’s request saying: "And now, my reader, consider how I felt / when those foreboding words came to my ears! / I thought I’d never see our world again!" (VIII.
Deceived perspective and impaired logic lure vulnerable individuals to frolic in the meadows of sin; therefore, in order to achieve ultimate freedom, one must first be stripped clean of all earthly and common expectations. Dante contorts Earth from a palace to a prison. Bound in earthly limitations, man “by his own fault” (Dante 307) engenders “grief and toil” (Dante 307) causing the “the winds of earth and sea to rise” (Dante 307). Men adhere to addictive habits ignorant of God’s presence on earth. By contrast, purgatory cuts men’s binds to these traps through punishment, enlightening individuals to their mistake. These conversions prompt “singing” (Dante 109) not moaning—as one would expect during punishment—and as the cleansed souls free themselves of their burdens of sin, their climb “up the sacred stairs”(Dante 133) seems “lighter”(Dante 133) and “easier by far” (Dante 133). Dante uses these paradoxe...
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
In conclusion, we can see that Dante presents the reader with a potentially life-altering chance to participate in his journey through Hell. Not only are we allowed to follow Dante's own soul-searching journey, we ourselves are pressed to examine the state of our own souls in relation to the souls in Inferno. It is not just a story to entertain us; it is a display of human decision and the perpetual impact of those decisions.
While he lies on the ground gasping for breath, Caderousse tells the Abbe Busoni that he does not believe in God. Only moments later, Edmond Dantes reveals himself to him, and he spends his dying breath asking the Lord to forgive him. Edmond Dantes, looking at his corpse, whispers “one”. This was the first evident moment in Alexandre Dumas’s The Count of Monte Cristo where Edmond Dantes achieves any justification on his enemies for the wrongs they have done to him. After twenty years of meticulous planning, Dantes carries out his plan of ultimate revenge on his enemies in order to achieve the justice he believes he deserves. In his novel, Dumas shows that to obtain true justice—whether personal or societal—one must understand the limits of
"The Count of Monte Cristo" is a book which contains few characters but many identities. Edmond Dantes if not the main character, than one of the main characters kind of has a reality dysfunctional problem. In the book, Edmond Dantes creates various identities to fulfill his missions(fantasies). One of the few characters that Edmond Dantes transformed into was Sinbad the Sailor.
In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet. At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
It would seem that everything Dante observes throughout his journey would be enlightening. However, through the admonishments of Virgil, it becomes apparent that there exist two distinct ways of perceiving: practical, active observation and unreceptive, disadvantageous perception. It is through practical and active observation that Dante comprehends the lessons of his journey. Unreceptive perception fails to provide valuable information for Dante to use during his life on Earth. In addition, with practical, active observation, Dante not only learns about the sinners but he learns about himself when his journey is reflected by a living soul in hell.
... Moreover, such belief in human reason signifies Dante's hope towards a bright society and the pursuit of God’s love as the other part of self-reflection. In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.
...te become surer of himself and less of a coward. Dante lost respect for some of the shades, at the beginning of the poem he spoke with respect to the shades and pitied them immensely. Towards the ending of the poem Dante lost most respect for the shades and went as far as kicking a shade in the head demanding that the shade answers him. This shows a decline in the value of respect rather than gaining more knowledge in how to be respectful. Excellence is a core value related to personal development and Dante shows in increase in excellence as his journey comes to an end. Over all Dante’s character improves by the ending of the poem. Though he has been through hell he comes out with a new understanding of life, appears less depressed and more courageous.