Eddie Vedder Is A Vampire
Although at first he may seem to be just your average angst ridden lead man for a popular rock and roll band, Eddie Vedder, the vocalist and lyricist for
Pearl Jam, may very well be a vampire. Although it is impossible to tell, everything points to his being an immortal. An in depth analysis of his lyrics shows that Pearl Jam's second album, “Versus”, has been used by Vedder as sounding boards for the complex emotions and change of perspective that come with one's transition to vampirism. Other lyricists have used vampiric images before - for instance Sting, in Moon Over Bourbon Street, which was written in first person - but Vedder is unique in that his lyrics evolve over time as being indicative of his vampiric state. Either he has become a vampire, he believes himself to be a vampire, or he is leading a fictional double life, from which he draws inspiration for his lyrics.
What exactly is a vampire? Numerous myths, folk tales, and works of fiction exist on the matter of what makes up a vampire, but if they do exist, vampires have been incredibly careful to conceal their presence from most people
(supposedly following a law known as the Masquerade), and very little is known about them definitively. However, some basic facts are common to most sources.
These are: vampires drink blood, vampires live forever if not killed, and vampires undergo grievous bodily harm if exposed to sunlight; this normally kills them.
Many other things about vampires, such as their aversion to garlic, their superhuman abilities, and their prohibition on entering abodes unless invited, are mentioned in some sources and not others, and so it is unclear as to how much of this applies to real vampires, and how much is pure myth.
Eddie's vampiric tendencies became apparent in the lyrics to “Versus”,
Pearl Jam's second album. Pearl Jam's first album, “Ten”, contains no real evidence of vampirism, and his lyric writing style is subtly different from that in “Versus”. In “Ten”, the lyrics are often in ballad form, generally relating tales of normal people. The songs Jeremy, Alive, Deep, and Black were all number one hits in the U.S. from “Ten”. Eddie was not writing about himself in these songs, and was only assuming personas for the narrative, a standard device for composers of fiction of any kind. Thus, the lyrics were simply Eddie's view of the world around him, incorporating characters and situations which he could relate to.
Eddie's lyric writing style had change considerably in the second album,
“Versus”.
There are certain musicians that come along that shift a culture, attitude, or future musicians. Another musician that went on influence future generations and considered one of the greatest guitar players in the world is Eddie Van Halen.
Every civilization in history has had rules, and citizens who break them. To this day governments struggle to figure out the best way to deal with their criminals in ways that help both society and those that commit the crimes. Imprisonment has historically been the popular solution. However, there are many instances in which people are sent to prison that would be better served for community service, rehab, or some other form of punishment. Prison affects more than just the prisoner; the families, friends, employers, and communities of the incarcerated also pay a price. Prison as a punishment has its pros and cons; although it may be necessary for some, it can be harmful for those who would be better suited for alternative means of punishment.
Everyone in life develops at least one friendship in their lifetime, some stronger than others. In some cases a friend might ask for a favor that would be considered immoral. Cicero and Montaigne express their opinions toward this situation and how a true friend would act through the story of Blossius and Tiberius Gracchus. Both come to the same conclusion but they have different reasons as to why they hold that position.
Vampires have been viewed with fear and fascination for centuries. Of all the vampires in literature, Bram Stoker’s Count Dracula is probably the most prominent vampire. Recently, there has been an upsurge of public interest in socially acceptable vampires, like the Cullens in the Twilight series by Stephanie Meyer. This essay will contrast Stoker’s Dracula with Carlisle Cullen, one of the newer vampires from the Twilight series. They will be examined in terms of their origins and how they dealt with immortality.
Alternatives to incarceration have been explored in recent years due to the overcrowding in the correctional system. Intermediate sanctions is one of those alternatives. Intermediate sanctions have long way been used in the United States due to the benefits and options that it offers from saving money to reducing overcrowding but it does, however, have its unfortunate faults. There are many programs within intermediate sanctions that work and some that fall behind. Intermediate sanctions is an alternative to the costly prison system but to what end?
When the vampire came about the thought of the monsters themselves were terrifying, and to view one they were ghostly pale with dark sunken eyes, large nose similar to that of the stereotypical witch, pointed ears like an elf and dark hair usually dark brown if not black. The original folklore on vampires showed a terrifying creature that you would know if you would see it out and about during the night. Today’s films and novels want to present you with an attractive vampire, like dying and becoming an immortal being is something a human would want to do because they would become more attractive. But also in today’s depiction of the vampire they have no obvious tells that a person is a vampire until they get angry and the fangs elongate. The idea of the vampire has shifted so drastically over the course of time, from fear to an admiration of a creature that could kill you in seconds. In the popular culture of today, the vampire is something attractive that girls pine after and want to be since there are a multitude of romance novels printed today with the male leads being portrayed as a
However, the current movement of the field of nursing and the existing nurse-patient relationship both work to reveal that the nurse does hold significant job power. The implications of this power signify that the nurse has the ability to make changes related to overall health care, as well as more specific changes involving patient care (Marquis & Huston, 2014). Consequently, this power succeeds in adding to the image and overall appeal of the profession. The power that nurses have can only be described as a positive or constructive form of power that ultimately is essential for expanding and promoting the
Vampires have been a popular figure in literary works for almost 200 years; from John Polidori’s The Vampyre (1819) to Stephenie Meyer’s Twilight (2005), the figure of the vampire has changed and developed over time but still remains popular and recognisable throughout literary history. The figure of the vampire is often used to represent ‘the other’, or as a manifestation of social anxieties at the time of writing. This is why it is interesting to study the how the tropes found within vampire fiction differ between texts, and the reasons behind these differences or transformations in the figure of the vampire. I will look at a range of texts to study how sexuality
Storey Amanda, Strieter Carrie et. Al, (2005), Richard Trenton Chase “Dracula Killer”, “The Vampire of Sacramento”, Department of Psychology, Radford University. (1-6)
In the story, “Oedipus the King” before Oedipus became king of Thebes, he made choices that led to events that defined his fate. The first event emerged when Oedipus heard a drunken man saying that the ones who cared for Oedipus at Corinth were not his biological parents. The terrible news is what set forth the very first steps towards the beginning of the events that led to his fate. Oedipus confused and interested in the truth, went on to speak with God. However, the God did not answer what Oedipus questioned and instead had his fate foretold. “The god dismissed my question without reply; he spoke of other things. Some were clear, full of wretchedness, dreadful, unbearable: As, that I should lie with my own mother, breed children from all men would turn their eyes; and that I should be my father’s murderer,” (Gioia, 2010). Oedipus still unfamiliar, of who his parents were, chose to flee from home in attempt to prevent the God’s statement of his fate from coming true. Oedipus’ choice of fleeing the country was perhaps a bad decision. It was what led him to experience the first event of his fate. As Oedipus goes his...
In “Oedipus the King,” an infant’s fate is determined that he will kill his father and marry his mother. To prevent this heartache his parents order a servant to kill the infant. The servant takes pity on the infant and gives him to a fellow shepherd, and the shepherd gives him to a king and queen to raise as their own. The young prince learns of the prophecy and flees from his interim parents because he is afraid that he is going to succeed. The young prince eventually accomplishes his prophecy without even knowing he is doing it. He murders his father and marries his mother unknowingly. While it may seem to some that Oedipus was destined to carry out his fate, it is also true that Oedipus’ personality led him to his fate.
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
Community-based corrections offer a viable alternative to imprisonment. As an alternative, a community-based correction save on cost, reduces prison populations, is an effective form of rehabilitation, is humane, and supported by public opinion. However, despite the potential for community-based correction for reducing prison population, this has not been the case. Judges are reluctant to hand community sanctions, and sentencing philosophy does not support it as an alternative mechanism for punishing offenders (Mackenzie, 2001).
The vampire genre is one that is so widely exploited, that anything can be done with it. It can be made into a horror story made to induce nightmares, into a story that displays humans can be just as monstrous as the monster, or into a romance that proves that love conquers all. The mystery and sensuality that shrouds vampires allows for a vampire story to be anything and everything the writer or reader desires.
The author’s op-ed piece was published in 2009, the very peak of the vampire contagion, where one could find these creatures wherever they looked. This pandemonium that arose from vampires is what drove del Toro and Hogan to pen “Why Vampires Never Die.” Furthermore, the purpose behind this essay is to give an abridged description of the past of vampires for the people who had become fanatics of the creatures. Also, this essay showed how vampires have persisted in pop culture. They suggest that vampires have been remade by diverse cultures at different times, and this change echoes that society's angst and concerns. The novelist’s imply that Stroker’s Dracula may mirror an exaggerated human on a prim...