Taking an Ecocritical approach, Hardy seeks refuge in the country and his past. Looking at Hardy’s poems, I conducted the evaluation that has led to the agreement of the statement. Hardy seeks refuge in the country to connect with his past, giving him the safety he physically and emotionally needs due to the grief he feels towards the loss of his late wife: Emma. The three poems that link into the statement are: ‘Under the Waterfall’, ‘Your Last Drive’, and ‘The Going.’ Each one gives a different aspect towards the topic of refuge. ‘Under the Waterfall’ has many different interpretations. Personality, I think it’s a poem, which reflects on a romantic moment that they shared together while surrounded by nature itself, where one accidentally drops the glass. When the glass is dropped, without any breakage. It’s lost among nature. The glass becomes a physical representation on how their …show more content…
‘Under the Waterfall’ is a poem portrayed through Emma’s voice allowing her opinions to show. However, the poem is dominated by Hardy’s emotions as they are conveyed through the time, especially sadness, due to Emma no longer physically involved in his present world. By Emma’s voice conveying Hardy’s emotions show that he has formed a safe connection as it leads to him finding comfort and shelter within the natural world. Specially now Emma has become apart of …show more content…
The flow of the water links to the connection of Emma and Hardy: ‘Purl of a little valley fall about three spans wide and two spans tall.’ This is a clear memory portrayed by them both. It allows Hardy to find a natural
In the beginning of the story the presence of water symbolizes the physical and mental freedom the young couple share. The story begins with Jamie driving on the way home, to the lake house, after a long day of work. In the car Jamie yearns “ to be unchained in the weightlessness of the water” (203). The physical act of being weightless symbolizes her mental weightlessness or freedom. Jamie and Matt make love in water which enforces the connection they have with themselves and the mental and physical freedom they feel.
To both of the characters, who meet up via this entity of water, the river symbolizes a place to bond and safety.
In literature, one of the most curious events is the spontaneous decisiveness of mood. For example, in some stories, the mood always remains cheery, while, in others, it is unchangeable and will always be lonely and sad so that the author can not bring warmth and solace to the story despite their attempts to portray their world softly? When reading short stories such as “The Fog Horn” by Ray Bradbury, “By the Waters of Babylon” by Stephen Vincent Benet, and especially “The Dangerous One” by Madeline Sunshine, the reader may experience the peculiar sensation of this vacuum of feeling. Perhaps it is an unknown literary technique that determines this style of writing. With a direct approach, we can decide that future settings in a utilitarian environment, along with themes focussed more on the do not’s than the do’s evoke moods that command the emotions of fear and sadness, and siphons hate and desperation from their reader.
One of the greatest poems in the English language has to be, “Tintern Abbey” by William Wordsworth. This passages takes us through a whirlwind of emotions, of a writer who comes back to one of his favorite places in nature, with his sister, and a roar of memories floods his body. He states that it has been five years since he last visited this location, sitting and listening to the nearby river, he writes. Wordsworth goes about describing this wonderful place, going all the way from the trees around him to the curling of the smoke from a nearby Cottage down the hill, he imagines this smoke as a hermit in the deep forest, waking in the morning. Then moving on to writing about his memory of the place in his past. Speaking of the beauteous forms that he would think of, to bring him back to this place when he was away in the noisy city, how this escape brought a tranquil restoration to his soul. There are instrumental things that are included in the poem, that can be put towards the absolute glory of nature, and how us human beings treat this silent beast. He looks into the future, and tells his smaller sister that he brought with him. Wordsworth knows that this place, this sanctuary, will always be an escape for him, and now his little sister. He finds joy in this realization, that what he has found will be a very instrumental in his sister’s life. He hopes to remember this place for the rest of time, and if he did stop, that he would die, and his sister would take his place. This whole passage is about messages that are expressed throughout, in the form of the Past, Present, and Future.
Uphill, with all its connotations of hard work and strain, is deemed too difficult in the face of the effortlessly flowing downhill option. Downhill often has connotations of degradation and immorality, but this omen is ignored as it is rendered immaterial by the easy decent offered by the downhill path. The poem continues in its promisingly upbeat tone into the second stanza as it appears that the promise of the downhill path has come into fruition. ‘The two ease together in glowing August weather’ both the words ‘glowing’ and ‘together’ have exceptionally positive connotations.
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
The water yields a home for Beloved as she finds herself lost and confused. As Beloved emerges from the water, she searches for a place of belonging in the life she left behind. “I come out of the blue water… I need to find a place to be (213).” Because she has been lost inside the spiritual world, she searches for a “home” after being reborn. Once she finds this home, she is able to accept herself and can begin taking revenge on Sethe for what she did to her. Her simple beginnings of praising and worshiping her mother, captures Sethe’s complete devotion and love. “Rainwater held on to pine needles for dear life and Beloved could not take her eyes off Sethe (57).” With Beloved constant flattering nature, Sethe handed herself over to Beloved and she became part of the family. Beloved’s evil ways of manipulating Sethe into caring more about her than Den...
The Themes of Loss and Loneliness in Hardy's Poetry Introduction = == == == ==
The scene just prior to this section of the water carrier’s dream, takes place at the hamman, the women’s public baths. One of the hamman’s employees, the water carrier, is an elderly woman, in a dying trade. She slips on the wet stone surface, and falls, seriously injuring her hand. The seve...
Hardy uses imagery throughout the novel in order to explicitly define the ways in which life is unjust. This injustice is first displayed at Prince?s death, then again at his burial. Hardy chooses specific words to enable the reader to see exactly what is happing. He describes the mail-cart to be ?speeding along?like an arrow.? He explains that the mail-cart had ?driven into her slow and unlighted equipage,? and now the horse?s ?life?s blood was spouting in a stream and falling with a hiss into the road.? (Hardy 22). The descriptive words, such as ?speeding,? ?arrow,? ?driven,? ?unlighted,? ?spouting,? and ?hiss? allow the reader?s senses to capture the enormity of the situation. This quote also helps the reader to envision the misery of the situation. Tess is only attempting to help her family by bringing the hives to market to draw some income them. Her desire to help her family backfires with Prince?s accidental death, as he was their only form of income. The desperation induced by Prince?s death is shown when Hardy explains that Mr. Durbeyfield worked harder than ever before in digging a grave for Prince. Hardy states that the young girls ?discharged their griefs in loud blares,? and that when Prince was ?tumbled in? the family gathered around the grave (Hardy 24). Hard...
Unlike Hardwig’s poem Hardyd’s lacks any type of reverence or fear of the suffering he undergoes. In fact he mocks both the idea that suffering is something meted out by God and the idea that a man can do anything to effect the amount of suffering he experiences through out his life. In a sense the two author’s while expressing similar ideas, the idea of personal struggle and suffering, are in contention in a very similar way that religion and enlightenment ideas were during the Victorian period.
Thomas Hardy (2 June 1840 – 11 January 1928) was an English author who considered himself mainly as a poet. A large part of his work was set mainly in the semi-fictional land of Wessex. In 1898 Hardy published a collection of poems written over 30 years, Wessex Poems his first volume of poetry. Emma Lavinia Gifford, Hardy’s wife, whom he married in 1874. He became alienated from his wife, who died in 1912; her death had a traumatic effect on him. He remained preoccupied with his first wife's death and tried to overcome his sorrow by writing poetry, he dictated his final poem to his first wife on his deathbed.
Hardy originated from a working class family. The son of a master mason, Hardy was slightly above that of his agricultural peers. Hardy’s examination of transition between classes is usually similar to that of D.H. Lawrence, that if you step outside your circle you will die. The ambitious lives of the characters within Hardy’s novels like Jude and Tess usually end fatally; as they attempt to break away from the constraints of their class, thus, depicting Hardy’s view upon the transition between classes. Hardy valued lower class morals and traditions, it is apparent through reading Tess that her struggles are evidently permeated through the social sufferings of the working class. A central theme running throughout Hardy’s novels is the decline of old families. It is said Hardy himself traced the Dorset Hardy’s lineage and found once they were of great i...
Clarke, R. (n.d.). The Poetry of Thomas Hardy. rlwclarke. Retrieved February 1, 2014, from http://www.rlwclarke.net/Courses/LITS2002/2008-2009/12AHardy'sPoetry.pdf
In this poem he now talks about water. The reader can see how powerful the water is when it eats away at the cliff. The shore was lucky by being backed by the cliff. Once again Frost is discussing water which goes back to stopping by the Woods on a Snowy Evening by stating the water because there is water in this poem with snow Frost keeps bringing up water and snow.