Dying For The Other, By Beatriz Dacosta

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In the FemTechNet video dialogue, “Transformations,” Catherine Lord and Donna Haraway discuss Beatriz DaCosta’s triptych art video “Dying For the Other,” where DaCosta creates visual representation of her own transformation through chemotherapy. She documented her many transformation after being diagnosed with brain cancer. The video goes back and forth comparing DaCosta’s treatment experience with being the patient and being tested on, in comparison to transgenic mice who are being used for testing for cancer research. Both are equally depressing to watch. The video displays her many transformations and changes in her lifestyle as she begins to learn how to use her brain and body normally after chemotherapy. DaCosta and the mice share similarities …show more content…

Haraway challenges feminist frameworks and is very critical of it. She discusses the imaginative possibilities embedded in science fiction and how changes can be made/visa be our bodies. Haraway is conceptualizing the cyborg as oppositional consciousness, and a human centered life, that situates humans in a garden of Eden. The goddess feminist is often described as possessing a concept of deity, which draws upon and can be informed by notions of femaleness, nature and politics. Haraway critiques stereotypes which argue that the goddess/women are closest to nature and because of that they should be opposed to use technology. Haraway describes the image of cyborg in four different ways: cybernetic organism, hybrid of machine organism, creature of lived social reality and creatures of fiction. She wants to revisit technology as a binary, and not be opposed to nature. Haraway describes [the cyborg] "is not afraid of joint kinship with animals and machines...of permanently partial identities and contradictory standpoints"

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