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Dreamgirls: A Feast for the Ears and Soul
There are many great musicals that the world has ever seen in the past years. Some have often brought us to tears while some may have brought to us to a world far beyond our imagination’s reach. In a world where television and the internet have often given us too many options to choose from as a form of entertainment, the soul and level of perfection still brought about by the broad way musicals are still one of the best for some of us.
When talking about musicals, one may never miss the word “Dreamgirls,” for it is arguably one of the most highly-acclaimed and loved musical of many theater and musical fans. For many years, it has brought us fabulous productions and impeccable performances that will not just delight our ears but our souls as well. As the lights go out and the curtains go up, audience should be expecting goose bumps throughout the entire show.
Dreamgirls, a 1981 Broadway musical for almost any ages, has its lyrics written by Tom Eyen. The music was of Henry Krieger. It is an original broad way production that was directed and choreographed by the talented Michael Bennett and orchestrations by Harold Wheeler. The combination of the minds and artistry of these three is beyond any words to compare. The genius behind Dreamgirls is indeed beyond doubt, and it brought many highly entertaining moments for the audience to see. Though the story by itself has many intriguing characters and an interesting plot, the whole production still worked hard to make the stage and delivery of the show as spectacular as ever.
The highly popular Broadway hit unfolds a story of the journey of a female singing group during the 1960s. The story evolves upon the making of a singing group as the...
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The casts, the plot and the productions worked harmoniously in bringing Dreamgirls magical and touching at the same time. Behind the power-belter songs sang during the entire performance, leaving us trails of endless goose bumps as casts reached high notes so impeccably are deeper lessons on dreams, greed, love and acceptance. It was also touching the topic on race, having the majority of the casts composed of talented African-American artists.
Dreamgirls, overall, is a show composed of high-quality songs, award-winning plot, talented casts, powerful voices and genius minds behind the production. The costumes, lightings and embellishments on stage made it even more successful. More than the fabulous gowns and flashy number are high quality songs being sung by great singers. The whole show is not just entertaining, but highly educational and touching as well.
The musical was performed in the Cumberland Hall Auditorium at Fayetteville Technical Community College. It
In addition, this musical either surprised or fascinated me. I was skeptical about going to this show because I 'm not into love movies. I assume this show would be the same. But I am glad that I was mistaken because the show was great. Seeing some of my favorite R&B artists acting was a pleasant surprise. I was blown away at how good these chart-topping singers performed as actors. The way in which the actors interact with one another and the countless hilarious
If you don't think this is romantic, consider that Jonathan Larson's sensational musical is inspired by Puccini's opera "La Boheme," in which the lovers Mimi and Rodolfo are tragically separated by her death from tuberculosis. Different age, different plague. Larson has updated Puccini's end-of-19th-century Left Bank bohemians to end-of-20th-century struggling artists in New York's East Village. His rousing, moving, scathingly funny show, performed by a cast of youthful unknowns with explosive talent and staggering energy, has brought a shocking jolt of creative juice to Broadway.
“With pop culture apparently suffering from a retro epidemic lately, today’s 60th anniversary of Singin’ in the Rain provides a chance to look back at a film that was ahead of its time in the way that it, too, looked back” (Bahr). Even though it wasn’t all too successful in the awards department, Singin’ in the Rain stuck with audiences because it was so far ahead of its time. It took advantage of all the latest technology while still keeping its “classic movie” feel. In addition, the film implemented both original and well-known songs into the story. This makes the film feel familiar but fresh and new to its audiences. “…Singin’ in the Rain’s jokes and light parodies of actors and Hollywood are still surprisingly insightful and effective” (Bahr). Having been the most researched musical in all of film’s history, it was probably the most correct parody of Hollywood that the industry has ever seen
The choreography kept things interesting and the dances in a musical can make or break the performance. Overall, Cherie and Abby did an amazing job directing each person to have a place among a crowded stage. Last but not least, the costumes! This play was set in the 1890s, meaning it is very important to have correlating costumes so the audience can be aware of what time period they are in.
Story of Cindy and set against the backdrop of New York City in 1960’d the musical is going to be about this girl’s quest to reach her goal amidst all the women’s liberation, civil rights movement and protest. In all the hullabaloo she finds friendship, love and herself too.Sponsored by
Michael Hoffman directed William Shakespeare's A Midsummer Night's Dream and it is an enchanting new version of Shakespeare's most magical comedy. It has dangerous potions, fairies and strange romances. It is a tale of a wondrous single night in which wicked spirits turn the world of love on its head. First I have to make it clear that I have never really thought much of A Midsummer Night's Dream. I have always considered it fairly frivolous and not too important in William Shakespeare's career. I really do not know why, it just is what it is.
As in all genres, the musicals have had its share of failures. Some worthy dramas have been pressed into service and musicalized and sometimes butchered in the process, and audiences have had to watch a fine play diluted into a mediocre musical. But the successes have been many and spectacular and they have left a long lasting effect on the American art and culture.
What can I say; I guess first I'll start with this was my least favored movie of the semester. Call me a brute or call me a guy but suffice it to say, musicals are simply not my thing. That being said, I feel as though there was a good movie with an enjoyable plot, however, the content gets diluted by these ridiculous singing sections that arise way too often. It was almost in every scene. In an interview with Paul Calori and Kostia Testut, they mentioned that within the singing portions of the movie, the actor can portray certain feelings in three minutes. Three minutes! Three whole minutes to portray a feeling of sadness, frustration, or love (Footnotes Dossier).
I want to create today and forever. Since I was a little girl, the lights of the stage have called me. Later on when I saw the Broadway night lights I knew that was the lights that were destined for me, but did I have what it takes. I proved that I did with every performance I did. I have the talent it was always how much I give. If I stepped on stage without my confidence my talent goes to waste because I didn’t give it everything I’ve got. However when I step on stage chest fully out with confidence I am giving it all I’ve got showing that I have what it takes. It is also in these moments I see not only Broadway’s stage lights but the lights all over the world shining for me. Those lights will always shine for me as long as I give it all
thesis of how the musical brought our inner child out to realize our true struggles in life.
Sater, Steven. "Preface ." Sater, Steven and Duncan Sheik. Spring Awakening: A New Musical. New York: Theatre Communications Group, Inc. , 2007. VII-XV. Print.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
Critics call Twelfth Night one of William Shakespeare’s most poetic and musical plays. Shakespeare writes poetic lines for the major characters, Viola, Orsino, and Olivia, and gives the Fool, and other minor characters, songs to sing throughout the play. The particularly romantic lines of the play make it seem as if the characters are professional poets themselves. Shakespeare also uses the music and poetry in Twelfth Night to foreshadow what is going to happen for the rest of the performance and to reveal major themes in the play. Music and poetry become major characters in the play themselves.
The musical selections and songs that were sung told a story and narrated the almost the entire film, as is expected in...