divinity Faust opposes in the legend but more strongly to The God of the Christian Bible. In the story of creation God creates Adam and Even with free will. They are people are creations as such can choose salvation or damnation upon themselves. God loves them like Basil loves Dorian above “all [his] art now” (Wilde 12), and this allows them to choose their destiny in the immortal sense. This is why basil warns Dorian about Lord Henry but allows them to meet anyways (love does not restrict); God also allows his first creations and Satan to meet. Lord Henry embodies this negative entity and as such Basil tells him not to “spoil” Dorian’s “simple and beautiful nature” as the “bad influence” he considers him (Wilde 17), bad enough that he had
An interesting coincidence when at the beginning of the novel Dorian is telling Basil he wishes to learn Schumann's musical compositions because they are so charming and musical rhythms in modern science are being proven to directly affect the harmony of rhythms in the body that are connected to the soul. Basil though represents an all-good being and thus possesses no charm of his own, ignores this request, treats Dorian with care to his innocence and is thus considered dull by Lord Henry who is all charm and then some. Basil’s art becomes charming because it is the painting of an imperfect being (like Adam and Eve) who, although good while innocent, becomes depraved with knowledge (which is why Eve wasn’t supposed to eat from the tree of knowledge). As a portrait of Dorian it reflects this imperfection-this charm even though this aspect of the creation is not reflective of Basil himself; human imperfection doesn’t reflect any imperfection in God. Just like god trusted Lucifer as one of his most beautiful angels, Basil “trusts” (Wilde 17) Lord Henry without falling prey to his charm and leaves the decision of what will be done with Dorian's soul (the painting) up to Dorian himself. In turn Dorian, as an imperfect Adam/Eve, is unable to trust Lord Henry without making him his own
In The Picture of Dorian Gray, Oscar Wilde introduces Dorian Gray as a mysterious and beautiful young man. He has no opinion and is very similar to a ball of clay, in the sense that he has no opinion and is free to be molded by whoever takes interest in him. Basil and Lord Henry both take interest in the young man. While both praise his physical beauty, Lord Henry wants to turn him into a hedonist minion. He convinces Dorian that he is a perfect candidate to live life according to his pleasure and that Basil is a poor influence upon him. Dorian takes this to heart and lives his life this way. He exchanges the purity of his soul for the beauty of his youth in certain painting. This breaks him down. He becomes less and less welcome by those who once admired him. He gets blackballed from clubs, has promiscuous sex and spends seventy-two hour periods in London’s opium dens. His life of seeking pleasure makes him more and more unhappy. When Basil shows up, he wants some one to sympathize with him and tell him that what he has done is not his fault. During the scene of Basil’s murder, Dorian’s want to be seen as good is apparent, but his unwillingness to accept fault and his corrupt ideology drive him to kill Basil, unveiling a new, malicious side to Dorian Gray.
Throughout Elizabeth Winthrop’s short story, “The Golden Darters,” are symbols of how Emily, the main character, is growing up. The most obvious symbols are Emily piercing her ears, her father’s table where he works on the flies, and the golden darters.
Lord Henry easily influence Dorian because he is young and young people can copy everything what old people say and does. Dorian listened to Lord Henry that being gorgeous is better than to have manners. He showed this like when he just liked Sibyl because she can act but when Sibyl forget about her acting, he unliked her and just dumped her. When Sibyl killed herself, at first Dorian is kind of guilty but then Lord Henry told him that it is not his fault. That Sibyl is only a girl. Also, with the death of James and Basil, he felt really guilty. With James, he feels like because James was the brother of Sibyl so like James is threatening him. Basil also kind of influenced him because he also made Dorian realized or showed Dorian the world of beauty. And with Basil, Basil is the one who knows everything about him and the one who made his portrait that Dorian feels like it is not right because all he see on his portrait is his guilt and every bad thing he did. He blamed Basil for it. He also destroyed the painting because it is not working right and its just becoming worse and worse when his sins are increasing. When he destroyed the portrait, he used the knife that he also used when he killed Basil. At the end, when he destroyed the painting, he also killed himself. The book is
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
Basil Hallward, the creator of Dorian’s portray and an admirer and creator of art. Basil has the rule to never mix his ideal into his art, but when he makes the portrait he refuses to display it because of this exactly, “I have put too much of myself into it” (Wilde 5). Basil sees art as a reflection of what the artist painted the skill of painter, the effort, the artist’s own personality should be separate from what they have interpreted of their subject. Oscar Wilde states that Basil’s life is split between making and admiring art (5).
During this time an artist was seen as an important figure to society because he was able to visually create and give meaning to beautiful things, which was considered art. Art and beauty became correlated this way. Sometime it is thought that artwork has to be significantly beautiful to be considered art. Basil believes that he has created his one and only master piece, which is the picture of Dorian Gray. He sees so much of himself in the art that becomes insecure about his masterpiece. In Victorian times the artist was always more important than the artwork because of what he could possibly represent in the eyes of society as an artist. This allowed Basil to become insecure about his artwork, he did not want to be judged based off of his artworks that he put some much of himself into; artistically and intelligently. This is the reason he becomes too reluctant to exhibit his artwork, “I know you will laugh at me,” he replied, “but I really can’t exhibit it. I have out too much of myself into it.” (6). This statement by Basil shows his insecurities and afraid of judgement as an artist. it also depicts that he is very concerned with the reaction and judgements of others because he tells Lord Henry his reason for not wanting to exhibit his painting Dorian, which he becomes very drawn and attracted to. Basil pushes Victorian gender roles by showing
By being devalued by men, the woman within Oscar Wilde’s The Picture of Dorian Gray emphasize the societal norm and expectation being asked by them. Through the suicide of Sibyl, she manifested into the person which she was portrayed as being in the opinion of Lord Henry, as she killed herself due to the shame that formed out of loving Dorian. Within a society where woman have no independence, the expectation of them having to rely on their husbands is affirmed by the fact that their is no distinction between Lady Henry’s opinion and her husband’s. The role of woman begins to degrade as their only mentioned value which is their beauty begins to be dominated by the frequent mention of Dorian’s own beauty, and as a result limits their position within their respected societies. The female characters are weakened to the positions expected of them and so it is through this where we can see wild’s stance, as he demonstrates what woman were limited, so as a result Wilde suggests that woman were not only powerless, but disregarded as being individuals within the society of the novel.
The Picture of Dorian Gray was a remarkably well-written book due to the reaction of its themes by society. In the preface of the novel, Wilde introduces the opinion that "...there is no moral or immoral book. Books are well written or badly written. That is all." Numerous views can be taken upon this fastidious comment. Many would agree that Wilde is justifiably correct because the preface was written with the intention that his readers understand the deeper meaning of the themes than worrying about whether it is considered morally acceptable; or perhaps, the view that it could be considered moral or immoral by the impact it has on the readers' lives. Even though there are several positions held on what The Picture of Dorian Gray's most important meaning is about, the most prominent is the novel as a moral book. Lord Henry Wotton immediately begins to corrupt Dorian's mind after they first meet by forcing his immoral thoughts of "yielding to temptation" which allows Lord Henry to hold his attention. After listening for quite a while to Lord Henry's views, Dorian begins to change his own to match them, and therefore begins to live a life of immorality. The yellow book is a device that Lord Henry uses to further corrupt and drive Dorian deeper into the pits of sin. Through Lord Henry's influence, the changes in Dorian Gray, and the impact of the yellow book, Oscar Wilde efficiently reveals The Picture of Dorian Gray as a moral book.
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
Basil wants Dorian to go back to his old ways. It is at this point that the reader can see that Dorian is actually being affected by his conscience, something that has not been seen in him since the beginning of the book. It is at this point that Dorian begins to go back to how he was before and feels the need to reform. However, Dorian is unable to accept how drastically he himself has changed, and attempts to excuse it. This can be seen when Dorian cries, “Each of us has heaven and hell in him, Basil.” Dorian is showing despair, proving that he realizes that he understands that he has committed many sins and thrown away his life, but still wants to explain it away. Despite this, Dorian attempts to shock Basil by showing how drastically his painting has changed to reflect what Dorian has done. However, Basil instead prays for Dorian and shows him love, which Dorian cannot accept. Dorian kills Basil, but realizes that he has made a mistake. He starts trying to reform in order to get rid of the ugliness of the picture and return it to how it was
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
For nearly ten minutes he stood there, motionless, with parted lips, and eyes strangely bright. He was dimly conscious that entirely fresh influences were at work within him. . . The few words that Basil’s friend had said to him – words spoken by chance, no doubt, and with willful paradox in them – had touched some secret chord that had never been touched before, but that he felt was now vibrating and throbbing to curious puls...
When Dorian Gray first meets Lord Henry at the studio of artist Basil Hallward, he is fascinated with Lord Henry’s wit and the radical social doctrines that he advocates. Dorian is easily molded and falls for the argument he hears. According to Lord Henry the goal of new hedonism, “to realize one’s nature perfectly…to give form to every feeling, expression to every thought, reality to every dream” (198-199). As far as philosophies go this seems rather innocuous until Lord Henry goes on to clarify that, “every impulse that we strive to strangle broods in the mind, and poisons us…the only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing” (199). Lord Henry’s advice entices the malleable Dorian, who does not seem to realize that Lord Henry may advocate giving in to every impulse, even the destructive ones, but he does not follow this advice himself. As Basil Hallward informs Lord Henry, “you never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose” (188). Dorian, however, takes Lord Henry’s advice concerning new hedonism at face value and the results are disastrous.