In “Domestic Violins” from John Leguizamo’s Freak, Leguizamo sets the scene with a couple and parents of two boys arguing about their marriage and whatnot. John describes his house as a “construction site”, highlighting their social class: low-income. Through the use of satire elements such as surprise, ‘Us v Them’, and sarcasm, Leguizamo denotes a woman’s challenges in their everyday life in relation to gender equality reminding us that women allows suffer more.
As we are introduced to one of the characters, John, who is one of the kids, speaks about his mother and how she has become “her own woman”. This is the use of sarcasm as she is already a woman and she is taking care of herself basically. Then, he goes on to talk about his father and how he became “the Grinch who stole Christmas”. We are introduced right away with sarcasm as he talks about his father being the “Grinch”
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“Woman, don’t make me have to teach you what respect is.” Here, the father is taking over the power and let’s her know who the “king” of the house is highlighting that woman do not have a say in anything and are to follow what the man says because he is the man of the house and the one who usually works and helps keep a roof over their heads. The mother talks back calling him a “dishwasher” and how “a dishwasher can teach her anything” but is immediately put down with the words “Be quiet! Sssh!”. Next, the author hits us with a surprise: the dad called the mother “a pu*a bi**h”. This is right away an attention grabber as it uses profanity but it also catches the audience’s attention as it is using profanity to describe a woman. The word “bit***” is hurtful to woman as it makes them seem like they are unreasonable or inferior. However, our society has taken down that definition and made it seem like it isn’t such a bad thing and it’s okay to call woman
In “Girl,” Jamaica Kincaid’s use of repetitive syntax and intense diction help to underscore the harsh confines within which women are expected to exist. The entire essay is told from the point of view of a mother lecturing her daughter about how to be a proper lady. The speaker shifts seamlessly between domestic chores—”This is how you sweep a house”—and larger lessons: “This is how you smile to someone you don’t like too much; this is how you smile to someone you don’t like at all…” (Kincaid 1). The way in which the speaker bombards the girl overwhelms the reader, too. Every aspect of her life is managed, to the point where all of the lessons she receives throughout her girlhood blur together as one run-on sentence.
On the surface, the protagonists of Silko's "Yellow Woman" and Chopin's "Story of an Hour" seem to have little in common. Yet upon closer inspection, both stories relate tales of women who are repressed by the social tenets that define their roles as wives.
Women’s Escape into Misery Women’s need for male support and their husband’s constant degradation of them was a recurring theme in the book House on Mango Street. Many of Esperanza’s stories were about women’s dreams of marrying, the perfect husband and having the perfect family and home. Sally, Rafaela, and Minerva are women who gave me the impression of [damsel’s in distress].CLICHÉ, it’s ok though. It’s relevant They wished for a man to sweep them of their feet and rescue them from their present misery. These characters are inspiring and strong but they are unable to escape the repression of the surrounding environment. *Cisneros presents a rigid world in which they lived in, and left them no other hope but to get married. Esperanza, however, is a very tough girl who knows what she wants. She will keep dreaming and striving until she gets it. She says, "I am too strong for her [Mango Street] to keep me here" (110). Esperanza learned from all of these women that she was not going to be tied down. She said, "I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain" (88). **Especially after seeing that Sally was suffering so much. Sally’s father is making her want to leave home by beating her. Sally "said her mother rubs lard on the places were it hurts" (93). There is not enough lard in the world to be able to cure the pain within Sally’s heart. Sally, "met a marshmallow salesman at a school bazaar" (101). Pretty soon " sally got married, she has her house now, her pillowcases and her plates" (101). Her marriage seems to free her from her father, but in reality she has now stepped into a world of misery. This was supposed to help her heal; " she says she is in love, but I think she did it to escape." (101). Unlike the other women Sally has no escape, no poetry, not even papaya coconut juice, not to mention, " he does not let her look out the window" (102). That is why "she sits at home because she is afraid to go outside without his permission."(102). Rafaela’s situation also involves imprisonment in her own home. Cisneros introduced us to Rafaela, a young beautiful girl whose expectations from marriage were to obtain a sweet home to live in. Instead...
Mother is asking a question that Father doesn't want to answer. Mother confronts her husband by saying, "Look here, father, I want to know what men are diggin' over in the field for, an' I'm goin' to know. " Father tries to ignore Mother by not acknowledging her question. When he figures that she will not accept his silence as an answer, Father replies, "I wish you'd go into the house, mother, an' 'tend to your own affairs. " Father's actions set a clear tone for the reader: that men are supposed to be in charge of making the decisions and the woman's role is to go along with whatever decision he thinks is best for the family.
The House on Mango Street is the tale about a young girl named Esperanza who is maturing throughout the text. In it Esperanza documents the events and people who make up Mango Street. It is through this community that Esperanza’s ideas and concepts of the relationships between men and women are shaped. She provides detailed accounts about the oppression of women at not only the hands of men who make up Mango Street but also how the community contributes to this oppression. As the young girls and women of Mango Street try to navigate the world they must deal with a patriarchal society that seeks to keep them confined. By growing up in this environment where women are confined Esperanza seeks desperately to depart from Mango Street for fear
“Poverty and exploitation of women in Latin America can never be alleviated because they are rooted in machismo,” meaning that because of the way society was run in Latin American, women can’t advance from the ancient state of mind that they belong in the private sphere and should stay there, because only men are good enough to be out in the public sphere. The reason why society was run in this manner, was because of the machismo feeling engraved in the minds of men and, in some cases, women in society. Alicia, Carolina, and Nancy don’t really have any other choice, than try to survive on their own by doing acts that are not “approved” by the society they live in. Even now, because of their actions, we could even disagree with the way they decided to approach their situation, because even now a day, we could think that selling one’s body or being involved in “off the book”
...witty comical banter helps spread the understanding of the underlying themes behind the humor. It makes it easier for the artists to connect with the audience about feminism without an aggressive and hostile approach to the work. I believe viewers are more likely to communicate upon the works of the Guerrilla Girls with one another in society when they take on a more comedic approach. This investigation has examined the Guerrilla Girls through direct connection to the inequalities of compliance of power over women in the art world. Several themes were highlighted within society that reinstated these cultural norms of gender and sex within the institutions of art. With a variety of forms used by the Guerrilla Girls to redefine women's identity in history they were able to break down such barriers that stood in the way which denied the prosperity of female artists.
Women have been given by society certain set of duties, which although change through time, tend to stay relatively along the same lines of stereotypical women activities. In “A Doll House” and “Simply Maria” we see the perpetuation of these forms of behavior as an initial way of life for the two protagonists. Nonetheless we see a progression towards liberation and self discovery towards the development as a human being by breaking the rules of society. Such attitudes soon find opposing forces. those forces will put to the test the tenacity of these women and yield freedom and ownership for their lives which are owned by others at the start of their stories.
In the age of industrialization when rural life gradually was destroyed, the author as a girl who spent most of her life in countryside could not help writing about it and what she focuses on in her story - femininity and masculinity, which themselves contain the symbolic meanings - come as no surprise.
In the short story, “Girl,” the narrator describes certain tasks a woman should be responsible for based on the narrator’s culture, time period, and social standing. This story also reflects the coming of age of this girl, her transition into a lady, and shows the age gap between the mother and the daughter. The mother has certain beliefs that she is trying to pass to her daughter for her well-being, but the daughter is confused by this regimented life style. The author, Jamaica Kincaid, uses various tones to show a second person point of view and repetition to demonstrate what these responsibilities felt like, how she had to behave based on her social standing, and how to follow traditional customs.
The narrator protagonist becomes obsessed with the room’s wallpaper, which she describes as repelling and infuriating. In her imaginary realm she finds that there is a woman who is trapped behind the wallpaper and destroys it to free the woman. When examining The Yellow Wallpaper through a feminist lens, it is clear that Perkins’ highlights a young woman’s path to insanity by showing man’s ability to force woman into submission, gender roles in marriage, and women’s dependence. The feminist lens allows the reader to analyze the text to see how women are portrayed and presented in comparison to men.
In doing this she is listing off things that the Daughter should be acting out upon. “Don 't squat down to play marbles—you are not a boy, you know” (Kincaid 68). The mother is demonstrating how the daughter should act in the presences of boys and explain she is not one. As a girl she must act proper and not play the ways boys do. Boys are aggressive and dirty as seen by society; a girl like she is supposed to be kind and proper. Then the mother explains in one section on how to do housework and chores; a woman’s job. “This is how you iron your father’s khaki shirt so it doesn’t have a crease; this is how you iron your father’s khaki pants so they don’t have a crease” (Kincaid 67). Kincaid writes that the mother is instructing the daughter on how to do her father’s clothing. This shows that the father; a man does not iron his own clothes but that it is a woman’s job. This can connect to Judy Brady’s work “I Want a Wife” which is about a woman who is listing all the things women do for their husband. Like Kincaid she brings up the same chores of housework and tending to clothing. “A wife who will pick up after me. I want a wife who will keep my clothes clean, ironed, mended,
In the story, “The Yellow Wallpaper,” the role of a woman in society is one of domestic duties. Jeenie, the protagonist’s sister-in-law, is a great example of this. The protagonist is forbidden, by her husband, to “work” until she is well again, so Jeenie steps in and assumes her domestic identity of a woman and wife. The protagonist calls her “a perfect and enthusiastic housekeeper” and says she “hopes for no better profession” (Gilman 343). Jeenie clearly has no aspirations outside the confines of her domestic role. The protagonist herself worries she is letting her husband, John, down by not fulfilling her domestic duties. She says “it does weigh on me so not to do my duty in any way” (Gilman 342). Besides the domestic role, which she is unable to fulfill, the protagonist plays the helpless, fragile, role of a woman where she is deemed incapable of thinking for herself and is reduced to acting more or les...
...n her mind is more important than his words. It is an example of the patriarchal society that they live in; although he is her father and has the parental power over her he would most likely not speak to a son in such a demeaning tone. He makes her seem to be slow, as if she cannot carry on a conversation or listen to him, which is quite demeaning.
Jamaica Kincaid’s “Girl” shows in society how a woman should be placed and what it means to be a woman. A women doesn’t question her partner, instead she is subservient to him. A woman’s duties include staying at home taking care of the children and cooking; while the man works and brings home the money. A feministic approach to Kincaid’s “Girl” points to the idea of the stereotypes that women can only be what they do in the home, they should only be pure and virtuous, and their main focus should be satisfying their husband.