Divergent: Edifying Social Order and Self constraint

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Amenda Rodriguez It is commonplace within films to replicate aspects of society like the formation of cliques, and/or groups that are subsets of the whole population. In these kinds of movies filmmakers indulge in the attributes of these subsection as well as the social orders, which facilitates them. Sociologists, like Norbert Elias, have theorized the creations and replication of social strata within Western society since before the 19th century. Norbert Elias’s infamous works theorized the creation of a unified social control within a civilization and the extrinsic influences of that control on the individuals themselves. An example of his key ideas are inherent in the movie “Divergent” where the presence of an embedded subset group “threatens” the social order and thus becomes a target for eradication. In Elias’ work “Power and Civility: The Civilizing Process II”, he begins his work by emphasizing that civilization is a process of modifying human conduct in a particular fashion which did not include a rational or irrational development. Elias’s point was that over time the social order was not “the plan” nor was it a spontaneous result of habitation, the formation of the social order exist because individual acts with self interest and preservation at heart, to which creates a intricate web of relations both amicable and hostile. Elias quotes {someone}, “From this interdependence of people arises a sus generis, an order more compelling and stronger than the will and reason of the individual composing it.” (pg 230) He continues by explaining that through this web, individuals are taught not only to socialize on a grander scale, but to exercise conduct regulation externally and internally. He uses the example of road systems... ... middle of paper ... ...enance of the social order is the presence of the Faction-less, a group abhorred and detested by the others served as a reminder to conduct oneself according to the rules. Elias explains that commonly used in organizations that monopolize force is the use of an indirect threat, that which is constantly imposed on the individual. Throughout the film, the protagonist used the fear of becoming Faction-less as a catalyst to become successful as a Dauntless. In conclusion, like many other films reenacting social order the movie Divergent displayed key concepts that Norbert Elias theorized fostered and facilitated social order edifying our understanding of how connected we are with each other as well as how as a group we applaud constricting behavior that is in line with what the central force imposes on us because we depend on each other to uphold our shared beliefs.

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