Disability Life Disability And Disability

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No longer hidden from modern media are the disabled. As G. Thomas Couser writes in “Disability, Life Narrative, and Representation”, “…disability has had a remarkably high profile in both high and popular culture, both of which are saturated with images of disability. Unlike other marginalized groups, then, disabled people have become hyper-represented in mainstream culture; they have not been disregarded so much as they have been subjected to objectifying notice in the form of mediated staring” (456). According to Couser, the public sees those with disabilities, to the point it is acceptable to stare at them through the lenses society has created for them. However, this still does not mean those with disabilities are being seen as they really …show more content…

For instance, on JJ’s first day in his new school an over-zealous teacher calls for the class to give JJ a standing ovation. The teacher looks sees JJ’s look that expresses his exasperation at the unnecessary welcoming they are giving him, simply because he is disabled. Misinterpreting JJ’s look, the teacher shouts to the class, “Oh, God. He can’t stand. The ovation is insensitive! Everybody down” (P-I-Pilot). It is easy as the audience to see where the teacher and the students went wrong, however most relate to their confusion as what the “right” reaction should be. This is one reason why the show is so freeing. Many people worry about being offensive or doing the wrong thing when it comes to interacting with those who are disabled, but the show demonstrates that there is not always a “right” or “wrong” way to do so. More importantly, it shows that at some point, you are going to get it wrong, but what matters is learning from your mistakes and realizing trying is more important than not, just because you are afraid of being …show more content…

In his essay “”Heaven’s Special Child”: The Making of Poster Children”, Paul Longmore writes of poster children that, “…charity images portrayed them as dependent objects of beneficence whose more important needs were medical. In late twentieth-century America, the Tiny Tim persona was central to framing the cultural, social, and political meaning of disability. The charities depicted the representative disabled person as a vulnerable child, one of “the most weak”” (38). According to Longmore, the after-effects of poster child imaging are still strong, as most still envision disabled youth in this way, as helpless, in need of saving, and putting their medical needs ahead of other needs that help their mental well-being, which is ultimately important in maintaining quality of life. The character of JJ Dimeo helps change that persona, because he is the opposite of what is expected. He wants his thoughts and opinions represent him, finding ways to “torture” his speech interpreter when she makes the choice to say what she thinks is appropriate, rather than reading what he displays on his speech board. JJ is also not perfect in his behavior, lying to his mother at times and giving his younger brother a hard time. More importantly, he is shown as a happy and healthy teenager who gets

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