Directing a Scene From Arthur Miller's The Crucible

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Directing a Scene From Arthur Miller's The Crucible

In 1996 Miller wrote an essay for the New Yorker 'why I wrote the

crucible' in it he asserted "John Proctor the sinner might overturn

his paralysing personal guilt and become the most forthright voice

against the madness around him was a reassurance to me, and, I

suppose, an inspiration: it demonstrated that a clear moral outcry

could still spring even from an ambiguously unblemished soul." Reading

this article the final scene of John Proctor's final struggle with

life seemed to be one of the most pivotal scenes in the whole play.

In this final scene Miller managed to turn the adulterous man into a

heroic martyr. A man who dies in the name of all of the Salem sins.

More importantly, it is here that Miller makes his final comment; that

appearances and images are illusions that cover the essence of the

human heart. Proctor may have been the image of a sinner in Salem

society but it is ironically in Proctor that we find the 'greatest

goodness' as Elizabeth explains.

In my interpretation there is something hold and sacred in the last

scene. I want to convey to the audience this sudden blast of goodness,

and sudden blast of passion in the final scene. In staging it,

therefore, I will use particular non-conventional lighting, and

imagery that will help put across the overall message to the audience

and especially a 21st century audience who will hunt understand the

sacrifice of this innocence due to the new 'witch hunt' against

terrorism taking place in the world today. For all the sins of the

world, like Jesus, Proctor and many others today seem to have to die.

As Elizabeth speaks to john and tells him that she cannot judge him I

will have her go behind him and hug him from behind, as she does this

I will have Proctor's head hung low listening. Elizabeth will smear

some red stage blood on his face and then gradually raise his hands in

the Jesus on the cross position, the audience will see the crucifix

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