Conviction strikes me as I stare into the messy abyss of my closet; a small but quaint repository of old trophies and rolled up paintings. Along the top shelf, flimsy hangers grasp the white metal wiring with motionless stride: assorted jackets of both fleece and denim hang down towards the tattered, beige carpet. A worn, army green jacket stands out amongst the throng; the fabric wrinkles and creases as I remove it from the hanger. Slowly, my eyes trail the numerous splotches of acrylic paint tossed onto each sleeve, pocket, and seam. An aura of self-expression charms my senses as I slip the jacket upon my lanky frame one movement at a time. Within the grizzled folds of the jacket, I am a painting, not a copy in a series but the original. Each brushstroke and tiny splotch of paint voices my innate ability to create. …show more content…
The green fabric becomes a catalyst for a new form of self-expression. I find that the most touching pieces of art come from things not once perceived as so. Splattering drops of cobalt blue and titanium white upon the fabric are not simple mistakes, but purposeful steps to embrace another form of creativity. The worn jacket not only tests the limits of my own ingenuity but personal innovation. Coming home day to day with paint on my sleeve or hood does not drive me to anxiously rage at the mess made of a thirty dollar coat. Instead, I think of the multitude of ways I can make the jacket more "messy". As an artist, accidental paint spillage on a canvas can become the base for a unique idea. My art materializes from a perception of impartiality; any object or person can become artistry. The army green jacket expresses my capacity to look beyond normal perception and pull out something worth
The American artist Fred Tomaselli arranges pills, leaves, insects and cutouts of animals and body parts to create his pieces of art. His incorporation of items are arranged to suggest a level of perception along with a heightened visual experience. This gives me, the viewer, a sense of Energy. The perception of color that Fred uses gives a gravitating feel. If you take a look at the heart of this piece you can instantly visualize the different items Fred incorporates into the piece.
Where are the memories of our pasts held? In scrapbooks full of photographs, or perhaps written on the pages of a locked diary? Picture though, something as simple and ordinary as a closet full of clothes. Think about its contents, where they have been worn, what they have been through, the stories attached to each item. The nameless protagonist of Diane Schoemperlen’s short story Red Plaid Shirt does this as she recalls a snippet of her past life with each article of clothing she picks up. Red plaid shirt, blue sweatshirt, brown cashmere sweater, yellow evening gown, black leather jacket…each item has a tale of its very own, and when combined they reveal the full story of the main character’s life.
The conflict/rising action in “The Jacket” is he didnt like the jacket. It was an ugly green color and had mustard colored stripes on the sleeves. He just wanted to wear his older jacket and let his brother have the ugly new one. His mom kept begging him to take the jacket and wear it to school and always have it on. However, he did not agree with her opinion at all.
When you put all these aspects put together with my interpretation of what is happening in the painting, a sense of calmness and security was constructed for me. No matter what this couple may be going through at the end of the day they still lean on each other for support. The complementary colors symbolized a sensation of strength between them, the balance of the composition created a stability characteristic, and the smooth and fluid brush strokes created a tranquil energy between the
The face of the portrait is detailed, and more naturally painted than the rest of the composition. However, the left iris exceeds her eye and extends past the normal outline. The viewer can see every single brush stroke resulting in a unique approach to the capturing human emotion. The streaky texture combines with the smoothness flow of the artist’s hand creating contrast between the hair and the face. The woman’s hair is painted with thick and chunky globs of paint. The viewer can physically see the paint rising from the canvas and flowing into the movement of the waves of hair. Throughout the hair as well as the rest of the portrait Neel abandons basic painting studies and doesn’t clean her brush before applying the next color. Because of the deliberate choice to entangle the colors on the brush it creates a new muddy palate skewed throughout the canvas. Moving from the thick waves of hair, Neel abandons the thick painting style of the physical portrait and moves to a looser more abstract technique to paint the background. Despite the lack of linear perspective, Neel uses a dry brush technique for the colorful streaks in the background creating a messy illusion of a wall and a sense of space. The painting is not clean, precise, or complete; there are intentional empty spaces, allowing the canvas to pear through wide places in the portrait. Again, Neel abandons
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
When first approaching this work, one feels immediately attracted to its sense of wonder and awe. The bright colors used in the sun draws a viewer in, but the astonishment, fascination, and emotion depicted in the expression on the young woman keeps them intrigued in the painting. It reaches out to those who have worked hard in their life and who look forward to a better future. Even a small event such as a song of a lark gives them hope that there will be a better tomorrow, a thought that can be seen though the countenance by this girl. Although just a collection of oils on a canvas, she is someone who reaches out to people and inspires them to appreciate the small things that, even if only for a short moment, can make the road ahead seem brighter.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
When somebody is being unappreciative that makes someone feel bad . In “The Jacket” by Gary Soto there is a little boy who is being very unappreciative of a jacket his mom got him and it probably makes her feel really bad about her jacket decision for her son.
Since its emergence over 30,000 years ago, one of visual art’s main purposes has been to act as an instrument of personal expression and catharsis. Through the mastery of paint, pencil, clay, and other mediums, artists can articulate and make sense of their current situation or past experiences, by portraying their complex, abstract emotions in a concrete form. The act of creation gives the artist a feeling of authority or control over these situations and emotions. Seen in the work of Michelangelo, Frida Kahlo, Jean Michel-Basquiat, and others, artists’ cathartic use of visual art is universal, giving it symbolic value in literature. In Natasha Trethewey's Native Guard, Kazuo Ishiguro’s Never Let Me Go, and Joseph Conrad’s Heart of Darkness,
In the “Jacket” by Gary Soto, illustrates the theme of alienation by showing his depression through an ugly green jacket which he subsequently thinks everyone doesn’t like him for. In the beginning of the story the main character which I assume to be Soto, describes how big of an effect a jacket has on a kid in a school. “I remember the green coat that I wore in fifth and sixth grade when you either danced like a champ or pressed yourself against yourself a greasy wall, bitter as a penny towards the happy couples.” This is a great way to start out the story right into it they’re setting the point of how important having a nice jacket in this school is. From personal experience appearance makes a big difference at school, If you start to dress
He wore the jacket for many years and he felt that not one good thing happened to him. He had bad thoughts of himself about embarrassment and feeling ashamed because of the jacket. When his brother started to call him “camouflage”, he threw the jacket over a fence into an alley. From that, I feel like he was done with it as if he was finally going to let go of it but he went to grab it and when he went inside he started to mope. From that point, he probably felt all these bad mixed emotions such as frustration towards himself and aggravated towards the jacket. He realizes that the jacket made him become someone he cannot accept as a person. That’s sad because he was highly feeling depressed with all these problems that he couldn’t resolve anymore because it was already done by making one simple decision of wearing that jacket in the first place. As a consequence, he feels that the jacket was a form of destruction to
She captured herself in beautiful low-cut blue satin dress and the students in working dresses. The dress was painted in great detail and captured both the sheen and fluidity of satin. This was achieved by using shading and li...
The use of materials to complement a design’s emotional reaction has stuck with the modernist movement. His implementation of these materials created a language that spoke poetically as you move through the structure. “Mies van der Rohe’s originality in the use of materials lay not so much in novelty as in the ideal of modernity they expressed through the rigour of their geometry, the precision of the pieces and the clarity of their assembly” (Lomholt). But one material has been one of the most important and most difficult to master: light. Mies was able to sculpt light and use it to his advantage.
As I read this work of art, my mind was transported to my favorite place in the outdoors. My imagination was filled with the waving of the tall grass, the stillness of the trees, and the feeling that time is standing still and I’m the only one who notices. For example, it sparked the idea, or memory, of how much I love nature and the outdoors, and the great sense of peace it brings to me. In an instant, it showed me how far I had drifted from that mindset.