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Essay about Ernest Hemingway
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The life of Ernest Hemingway
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The Depiction of Nature in Ernest Hemingway's Unfinished Story, The Last Good Country
Ecological criticism in the 1990s has declared many works, including Ernest Hemingway's novels like The Old Man and the Sea, and many of his nonfiction works and short stories as nature-oriented masterpieces. "The Last Good Country," one of Ernest Hemingway's later short stories, however, still remains to be reinterpreted as more than merely, "a metaphor for childhood innocence" (Werlock 131), and his usual "imaginative use of the natural world" (Fleming 2).
Unlike other short stories in Hemingway's early days, this unfinished story has a unique background on writing. No other Nick Adams story had previously been planned to be a form of novel. But
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See also Spilka, "Original Sin in 'The Last Good Country'," 211, where Spilka had already looked beyond former theories like Philip Young's thesis of a traumatic war wound.
2 Primitivism readings have frequently, mainly after 1980s, argued the inseparable connection between Hemingway's nature settings and Native Americans. See Paul Civello, 1-16; Jeffrey Meyers, 215-19. I have also discussed Hemingway's primitivism and involvement with his neighboring Native Americans in my previous paper, where I define the Spanish word cojones as "energy to live." See also Daisuke Fujiwara, "Mythicizing of the Ritualistic Cycle: Primitivism in 'Indian Camp'." Hokkaido Eigo Eibungaku 43 (1998): 27-36.
3 Trudy is Nick's girlfriend in "Fathers and Sons" and also known as Prudence in "Ten Indians." Some Native American characters including Trudy, Mrs. Tabeshaw and her husband are thought to have lived when Hemingway was young. For more information, see Peter L. Hays, "Hemingway's Use of a Natural Resource: Indians,"
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"Man Cannot Live by Dry Flies Alone: Fly Rods, Grasshoppers, and an Adaptive Catholicity in Hemingway's 'Big Two-Hearted River'." Fleming, 31-44.
Fleming, Robert E., ed. Hemingway and the Natural World. Moscow, ID: U of Idaho P, 1999.
---. Introduction. Hemingway and the Natural World. 1-5.
Hays, Peter L. "Hemingway's Use of a Natural Resource: Indians." Fleming, 45-54.
Hemingway, Ernest. The Nick Adams Stories. NY: Scribner's, 1972.
Love, Glen A. "Hemingway's Indian Virtues: An Ecological Reconsideration." Western American Literature 22:3 (1987): 201-213.
Meyers, Jeffrey. "Hemingway's Primitivism and 'Indian Camp'." Twentieth Century Literature: A Scholarly and Critical Journal, 1988: 215-19.
Murphy, Charlene M. "Hemingway's Gentle Hunters: Contradiction or Duality?" Fleming, 165-74.
Phillips, Dana. "Is Nature Necessary?" The Ecocriticism Reader: Landmarks in Literary Ecology. Ed. Cheryll Glotfelty and Harold Fromm. Athens, GA: U of Georgia P, 1996. 204-22.
Spilka, Mark. Hemingway's Quarrel with Androgyny. Lincoln: U of Nebraska P, 1990.
---. "Original Sin in 'The Last Good Country': Or, The Return of Catherine Barkley." The Modernists: Studies in a Literary Phenomenon. Ed. Lawrence B. Gamache and Ian S. MacNiven. Rutherford: Fairleigh Dickinson U P, 1987.
Psycho is an American horror film directed by Alfred Hitchcock in 1960 based on a 1959 novel with the same name. Alfred Hitchcock typically uses certain elements in almost all of his films. In Psycho the following elements appear; blonde woman, conversation that is not important to the story, alcohol, Hitchcock appearance, Mcguffin, pursuit, the camera looks around, a P.O.V., creating suspense by letting the audience in on a secret, mother figure, birds, stairs, and a narrow escape.
In Beowulf, the protagonist Beowulf is shown as a hero with extrodinary strength. This is not what makes him a hero. By definition, a hero is a man of exceptional quality. However this term does not do Beowulf justice. His self-imposed purpose in life is to help others, and eventually sacrifices his own life in doing so. Beowulf’s battle with the dragon serves as a critique of the notion that Beowulf is a hero. The Dragon section displays many of Beowulf’s heoric characteristics. Beowulf establishes himself as a hero by fighting the dragon, exemplifing strength and courage when fighting the dragon, and sacrificing himself so that others can live.
Inspired by the life of the demented, cannibalistic Wisconsin killer Ed Gein (whose heinous acts would also inspire THE TEXAS CHAINSAW MASSACRE, 1974 and DERANGED, 1974), PSYCHO is probably Hitchcock's most gruesome and dark film. Its importance to its genre cannot be overestimated. PSYCHO's enduring influence comes not only from the Norman Bates character (who has since been reincarnated in a staggering variety of forms), but also from the psychological themes Hitchcock develops.
This movie single-handedly ushered in an era of inferior screen ‘slashers’ with blood-letting and graphic, shocking killings. This was Hitchcock’s very first horror film, and since it debuted he has been labeled as a horror film director ever since. It was a low-budget film, only costing 800,000 dollars. Although it had a low-budget, it was brilliantly edited. It was a stark black and white film. Psycho also broke all film conventions by displaying its leading female protagonist having a lunchtime affair in her sexy white undergarments in the first scene. It also had a brilliantly edited shower murder scene. It was truly a master piece and will remain a master piece as long as it stays around. (Psycho (1960), Document 3)
Ernest Hemingway is today known as one of the most influential American authors of the 20th century. This man, with immense repute in the worlds of not only literature, but also in sportsmanship, has cast a shadow of control and impact over the works and lifestyles of enumerable modern authors and journalists. To deny his clear mastery over the English language would be a malign comparable to that of discrediting Orwell or Faulkner. The influence of the enigma that is Ernest Hemingway will continue to be shown in works emulating his punctual, blunt writing style for years to come.
Throughout the 20th century there were many influential pieces of literature that would not only tell a story or teach a lesson, but also let the reader into the author’s world. Allowing the reader to view both the positives and negatives in an author. Ernest Hemingway was one of these influential authors. Suffering through most of his life due to a disturbingly scarring childhood, he expresses his intense mental and emotional insecurities through subtle metaphors that bluntly show problems with commitment to women and proving his masculinity to others.
Ernest Hemingway pulled from his past present experiences to develop his own thoughts concerning death, relationships, and lies. He then mixed these ideas, along with a familiar setting, to create a masterpiece. One such masterpiece written early in Hemingway's career is the short story, "Indian Camp." "Indian Camp" was originally published in the collection of "in Our Time" in 1925. A brief summary reveals that the main character, a teenager by the name of Nick, travels across a lake to an Indian village. While at the village Nick observes his father, who is a doctor, deliver a baby to an Indian by caesarian section. As the story continues, Nick's father discovers that the newborn's father has committed suicide. Soon afterward Nick and his father engage in a discussion about death, which brings the story to an end. With thought and perception a reader can tell the meaning of the story. The charters of Nick and his father resemble the relationship of Hemingway and his father. Hemingway grew up in Oak Park, a middle class suburb, under the watchful eye of his parents, Ed and Grace Hemingway. Ed Hemingway was a doctor who "occasionally took his son along on professional visits across Walloon Lake to the Ojibway Indians" during summer vacations (Waldhorn 7). These medical trips taken by Ernest and Ed would provide the background information needed to introduce nick and his father while on their medical trip in "Indian Camp." These trips were not the center point of affection between Ed and Ernest, but they were part of the whole. The two always shared a close father-son bond that Hemingway often portrayed in his works: Nick's close attachment to his father parallels Hemingway's relationship with Ed. The growing boy finds in the father, in both fiction and life, not only a teacher-guide but also a fixed refuge against the terrors of the emotional and spiritual unknown as they are encountered. In his father Ernest had someone to lean on (Shaw 14). In "Indian Camp," nick stays in his father's arms for a sense of security and this reinforces their close father-son relationship. When Nick sees the terror of death, in the form of suicide, his father is right there to comfort him. From this we are able to see how Nick has his father to, physically and mentally, "lean" on, much like Hemingway did (S...
The similarities between the people of Hemingway’s life and his fictitious characters can also be found between Lieutenant Henry, the main character of “A Farewell to Arms”, and Hemingway himself. Once again, the similarities between these characters is astonishing; so much that Lieutenant Henry seems to be Hemingway’s idea of his younger self rather that a fictitious character.
Horror, crime and thriller movies are three entirely different genres, but they share some similarities. Crime movies typically focus on a hero and the pursuit of a criminal. In the end, the protagonist solves the crime. On the other hand, horror movies usually focus on the dark side of life. Evil spirits or supernatural powers often creates destruction, but the protagonist defeats them. The end of the film, however, suggests that such forces will likely come back. The horror films are designed to get frightened and give panic attacks to the viewers. Again, the thriller is a genre that revolves expectation and suspension. Marion Crane and Norman Bates crimes, guessing
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
Felder, R. M., & Soloman, B. A. (n.d.). Index of learning styles. Retrieved from http://www.engr.ncsu.edu/learningstyles/ilsweb.html
Waldhorn, Arthur. Ernest Hemingway: A Collection of Criticism (Contemporary Studies in Literature). Chicago: Syracuse University Press, 1978.
An article published in 1913 titled, “Chronicle and Comment” from The Bookman highlights some of the negative criticism that Ernest Hemingway received. In this article, criticism is given towards Hemingway’s work based on support of another review titled, “What is Dirt?” by Robert Herrick. Here, the authors feel that Hemingway’s work is merely a picture of contemporary life rather than a contribution to literature. When looking at the love story between Catherine and Frederick, the article cheapens the love story by claiming that it is “the story of a Scotch nurse made irresponsible by heartbreak and an American...
Did you find it easier to understand a thing by reading or hear it from someone else or do your understand better by looking at the picture ? Some people may find it even harder to read a map. Things may difficulty for some peoples but others learn, it is because everyone learns in different ways. How people interprets or understand the information depends on how their learning style. Learning style may vary depending on factor that influence . While learning style has been defined as the way people learn, or how one interprets information. The most common learning style is the Visual, Auditory, Read/Write, and Kinaesthetic. Most of us may have some idea of how we learn better, but often we surprise to find out what our predominant learning style. In 1987 Neil D. Fleming, an experienced educator developed the VARK learning style as an effort to help students learn better. VARK contains 16 question that help identify a person's learning style. For some students they may have a preference for one type of learning, but also