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Stylistics of kate chopin in the awakening
Stylistics of kate chopin in the awakening
Critical essay on the awakening
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To demoralize someone is to dishearten or discourage them and cause them to lose hope. Demoralization is a relatively new term so Chopin uses words like “depressed” (56), “hopeless” (56) and “despondency” (p115) to describe Edna. Coupled with Edna taking her life at the end of the novel, the natural conclusion is that, The Awakening is a work of “great personal demoralization” (Companion 5). Additionally, The Awakening was universally despised when it first came out and Chopin, who never wrote another novel, was likely demoralized. However, The Awakening does not portray Edna as a demoralized character for most of the novel, which is why her death is a shock to the reader. To say that it is a work of “great personal demoralization” (Companion …show more content…
The church and patriarchy reined over women who were considered inferior to men, with no sexual desire, and the property of their husband. Some women thrive in this culture as Chopin demonstrates through Mrs. Ratignolle. However, for many women, like Edna this world was suffocating. The natural reaction to this oppression is feminism, but Chopin does not preach feminism in her novel. Instead, she paints a realistic portrait of society and marriage through Edna’s viewpoint, allowing the audience to identify the problems. Unfortunately, Chopin’s honesty was not appreciated in 1899 as the novel “aroused a storm of controversy for its then unprecedented treatment of female independence and sexuality, and for its unromantic portrayal of marriage” (Head Note). It was not just Edna’s awakening that was at issue, but how Chopin depicted Edna’s use of her newly discovered …show more content…
The first action Edna takes is standing up to her husband by saying, “Don’t speak to me like that again; I shall not answer you” (p 31). Mr. Pontellier does not react harshly to this; rather, he acquiesces, which gives Edna confidence to continue discovering her sovereignty. The next morning she sends for Robert to join her on a day trip, which is something she has not done before. For a married woman to send for a single man and leave for the day was audacious and Edna knows this, but she is determined to explore her desire for Robert. Edna continues to defy female convention as he then stops taking callers on Tuesdays, which is a customary practice where women have social interaction, but do not leave the home. She gets some opposition from her husband, but she does not care. Instead she ceases the practice completely and leaves the house to visit her friends and interacts with the world on her terms. She also continues to explore her sexual desires and passions. With her husband and the person she loves away, Edna finds another man, Alcee Arobin, and has an affair. Chopin writes, “It was the first kiss of her life to which her nature had really responded” (p 83). Edna is not only acting upon her desires, but feels free enough to enjoy sex, even if it is not with the person she loves. Non-conforming women were not typically young sexual beings; they were older, unattractive
In Kate Chopin’s The Awakening, Edna Pontellier’s suicide is an assertion of her independence and contributes to Chopin’s message that to be independent one must choose between personal desires and societal expectations. Chopin conveys this message through Edna’s reasons for committing suicide and how doing so leads her to total independence. Unlike the other women of Victorian society, Edna is unwilling to suppress her personal identity and desires for the benefit of her family. She begins “to realize her position in the universe as a human being and to recognize her relationship as an individual to the world within and about her” (35).
The Awakening is a novel about the growth of a woman becoming her own person; in spite of the expectations society has for her. The book follows Edna Pontellier as she struggles to find her identity. Edna knows that she cannot be happy filling the role that society has created for her. She did not believe that she could break from this pattern because of the pressures of society. As a result she ends up taking her own life. However, readers should not sympathize with her for taking her own life.
Fox-Genovese also emphasizes this point, when she says that both the feminist and the psychological aspect of “The Awakening,” “must be read together, for the grounds for choosing one rather than the other do not exist” (262). Other women may have, and do, find a way to exist in such a society and be happy with the little freedom they are allowed. Therefore, Edna Pontellier is portrayed a prisoner of her own upper-class society. Her surroundings demand of herself that she conforms to certain feminine ideals, which she however, is not willing to do. This final episode with Edna naked for the first time stresses the idea of rebirth in Edna; she is now "some new-born creature" (113) at the end of her life. Expression becomes a symbol of freedom for Edna. Fox-Genovese’s conclusion about “The Awakening” is that the novel tells the story of the progress in the Edna Pontellier’s character, as well as her mental regression. As Edna discovers the injustice of her male dominated society, rejecting its values, and managing to break away from society’s traditional gender roles, her stories furthermore depict her “psychological regression,” as Fox-Genovese has stated about Edna’s journey in “The Awakening” (262). Edna can only be herself when she is alone, without the
Her transformation and journey to self-discovery truly begins on the family’s annual summer stay at Grand Isle. “At a very early period she had apprehended instinctively the dual life- that outward existence which conforms, the inward life which questions. That summer at Grand Isle she began to loosen a little of the mantle of reserve that had always enveloped her” (Chopin 26). From that point onward, Edna gains a deeper sense of desire for self-awareness and the benefits that come from such an odyssey. She suddenly feels trapped in her marriage, without being in a passionately romantic relationship, but rather a contractual marriage. Edna questions her ongoing relationship with Leonce; she ponders what the underlying cause of her marriage was to begin with; a forbidden romance, an act of rebellion against her father, or a genuine attraction of love and not lust? While Edna internally questions, she begins to entertain thoughts of other men in her life, eventually leading to sensuous feelings and thoughts related to sexual fantasy imagined through a relationship with Robert Lebrun. Concurrently, Edna wavers the ideas so clearly expected by the society- she analyzes and examines; why must women assimilate to rigid societal standards while men have no such
The Awakening sheds light on the desire among many women to be independent. Throughout the novel Edna conducts herself in a way that was disavowed by many and comes to the realization that her gender prevented her from pursuing what she believed would be an enjoyable life. As the story progresses Edna continues to trade her family obligations for her own personal pleasures. This behavior would not have been accepted and many even criticize the novel for even speaking about such activities. Kate Chopin essentially wrote about everything a women couldn’t do. Moreover, it also highlights the point that a man is able to do everything Edna did, but without the same
The author of The Awakening uses the characters in the novel to create Edna. The characters create Edna by influencing her decisions, her desire for independence, and her newfound sexuality. Robert, Mademoiselle Riesz, and Alcee Arobin help Edna become an independent woman by stimulating her new sexuality and desire for independence, and supporting her expression through art and her bold decisions throughout the novel. Leonce, Madame Ratignolle, and Edna’s father try to prevent Edna’s awakening by helping her learn the ways of tradition and convincing her that she can be a better wife and mother but do not support her in her new lifestyle. These persistent attitudes these characters share drive Edna to separate from her family and move out showing her desire for independence.
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
Edna’s Fall from Grace in The Awakening. In the novel The Awakening, Kate Chopin tells of Edna Pontellier's struggle with fate. Edna Pontellier awakens from a slumber only to find that her life is displeasing, but these displeasing thoughts are not new to Edna. The actions taken by Edna Pontellier in the novel The Awakening clearly determine that she is not stable.
Unfortunately Edna has no clue that she is being treated so poorly in the beginning of this story. With Mr. Pontellier being absent from home so often she finds plenty of time to spend with Robert. Through the whole summer she does not realize the feelings she is developing for Robert and only sees him as a friend. She enjoys spending all of her free time with him and gets along with him much better than her husband. It is not until she is back home and Robert leaves for Mexico that she starts to "awaken" and realize her true feelings not just for Robert but also for life in general.
Edna’s first action that starts off her route to freedom from her relationship is when she fell in love with Robert. Edna had already married a man that she had not loved but he has not been treating her a...
During this time period, women were expected to be obedient and listen to their male authoritative figures; neither the author or her character conform, as they rebel which leads to society’s disapproval . Edna does not idolize her children and worship her husband. Whenever her children would be away from her for a short period of time, “their absence was a sort of relief…” (Chopin 17). Edna does not feel as strongly about her motherly duties as the other women do, which makes her seem like a bad mother.
Her memory of running away from her Father and church when she was a young girl living in Kentucky shows how desperate she is to be free. However, Edna gives up her hopes of freedom for marriage in the hopes that all will fall into place afterwards. Edna’s expectation that marriage and children is proven false when she still is not happy with her life afterwards. She feels that life is worthless and that there should be more to what she is. Edna is not like the other creole mothers; she holds an affection for her children, but it comes and goes. Occasionally she will hold them fiercely to her chest and yet others she will forget them. Her husband disapproves of her lack of maternal instinct and rebukes her when he discovers one of their children, Raoul, sick in his bed. Edna is not alarmed by it, but his harsh words make her burst into tears on the front porch, after he has fallen asleep. Mr. Pontellier does not care about his wife much as a person, only as something he owns. He views everything this way, new lace curtains, glassware, furniture. He is disappointed in his wife because, in his view, she does not function well as a mother. Edna’s lack of
Everybody is different in every unique way, and that a group of people being in the same roof doesn’t mean they are similar, but that they influence by each other time through time. Through Edna’s transformation, Chopin, under the feminism lense, condemns the sexist society and stand up for the equality, rights of a woman. Chopin portrays how society affects to people behave and thinking which is a two slide knife that could whether more useful or more harmful.
In it they find a forerunner of Liberation. Though The Awakening has a similar path with Madame Bovary of Flaubert, it doesn’t share a lot with that amazing precursor. Emma Bovary awakens tragically and belatedly indeed, but Edna only goes from one reverie mode to another, until she frowns in the sea, which represents to her mother and the night, the inmost self and death. Edna is more isolated in the end than before. It is a very particular academic fashion that has had Edna transformed into some sort of a feminist heroine. In The Awakening, the protagonist, thus Edna, is a victim because she made herself one. Chopin shows it as having a hothouse atmosphere, but that doesn’t seem to be the only context for Edna, who loves no one in fact- not her husband, children, lovers, or friends- and the awakening of whom is only that of
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.